Tonebox Recommended Pedals
Ernie Ball 250k Mono Volume Pedal
Get complete and precise volume control right at your feet. The Ernie Ball 6166 250k Mono Volume Pedal is an excellent hands-free option for controlling your volume. It features a super-smooth sweep and has a micro taper switch that lets you choose between two different volume swell rates. It’s calibrated specifically for the perfect handling of passive audio signals and comes with an independent tuner output for unobtrusive onstage tuning. The 250k’s rugged aluminum construction means it can withstand the rigors of constant use.
Tech 21 SansAmp Bass Driver DI V2
If you think Tech 21’s Bass Driver DI is just another direct input box, think again. This SansAmp-powered DI box can serve up everything from vintage tube amp sounds to bright modern slap tones. You get three different outputs which you can connect to power amps, mixers, PA systems, or to other effects pedals. For the Bass Driver DI V2, Tech 21 further enhanced the Bass Driver DI’s tonal versatility with a switch that lets it cover the lower frequency registers of five- and six-string basses.
Electro-Harmonix Neo Clone
Packing a high-quality bucket brigade chip and a direct recreation of the legendary Small Clone chorus pedal circuitry, the Neo Clone pedal from Electro-Harmonix gives you lush, analog chorus packed into a compact, pedalboard-friendly enclosure. Fatten up your tone with everything from shallow, subtle chorus sweeps to thick, watery textures with a twist of the Rate dial and a flick of the two-way Depth switch. This affordable, low-noise, stompbox also comes with a true bypass feature.
MXR Phase 90
MXR’s Phase 90 has long been a staple on numerous pedalboards around the world. Regardless whether the instrument is bass, guitar, keys, strings, or vocals, or if the genre is metal, jazz, rock, worldbeat, or alternative, the Phase 90 is has been present through it all to inject its unique lush voice to a player’s tone palette. This little orange box boasts a rich warm analog tone. The Phase 90 can go from subtle, spatial shimmer to full-on high velocity swooshing. The classic phase shifter behind several Van Halen recordings.
Boss CE-2W Waza Craft Chorus
The Boss CE-2W Waza Craft Chorus takes the still-venerated sounds of the classic Boss CE-1 Chorus Ensemble, the first Boss pedal ever, and its successor, the CE-2, and then crams all of those gloriously spacious modulated effects into a single all-analog stompbox. A two-position toggle lets you switch between the CE-1’s chorus and vibrato effects and the CE-2’s classic chorus sound, while all-new analog circuitry adds more variable chorus depth to the former and stereo output to the latter.
Electro-Harmonix Micro Q-Tron
Elevate your sound to the funkiest of heights. The Micro Q-Tron Envelope Filter guitar effects pedal from Electro-Harmonix dishes out some of the grooviest wah effects known to man. Its internal envelope follower analyzes your unique picking dynamics playing to sweep the center of the envelope filter, giving you wahs that change dynamically depending on your pick attack. Controls are simple and intuitive, with three dials to set the filter mode, filter bandwidth, and drive amount.
Drive Pedals
Big Joe B-302 Rock
Every pedalboard needs a workhorse distortion pedal, and the Big Joe B-302 Rock guitar effects pedal is more than enough for even the most demanding of musicians. This ready and steady analog stompbox gives you massive amounts of bottom end, sustain, and harmonics wrapped in a thick, beefy big-amp tone that doesn’t sacrifice any of your guitar signal’s tonal clarity. Just dial in the dedicated Gain, Tone, and Level knobs to your liking, and you’re good to go. The Big Joe B-302 Rock pedal features true bypass switching.
XVive V7 Tube Drive
The V7 Tube Drive from budget guitar effects maker Xvive is an extremely versatile drive pedal that can deliver all the tube-style overdrive you need. This pedal purrs at low gain settings, dishing out a warm, vacuum tube overdrive, but becomes a menacing, growling monster once you kick it into high gear. Crank that Drive pot all the way up and you can get pretty close to full-on clipping fuzz saturation. The Tube Drive is a true pint-sized overdrive powerhouse.
Ibanez TS9 Tube Screamer
The TS9 Tube Screamer is among the most copied classic distortion pedals of all time. You can now own a reissue that is every bit as real as the original. Manufactured in the same factory, this TS9 Tube Screamer employs the very components, seasick-green paint, and housing that comprised the original units. It carries Level, Tone, and Drive knobs. Ultimately, the sound is dead-on. Plug into the TS9 Tube Screamer to explore classic stompbox drive and distortion.
J. Rockett Archer IKON
The Archer Ikon by J. Rockett is an exceptionally transparent overdrive that lends a special magic to anything you plug into it. It features a simple three-knob layout—Treble, Gain, and Output. It allows you to dial in gain without drastically changing your guitar’s tone. You may utilize it as a clean boost by turning down the Gain control or crank it for a beautiful, tube-like distortion. If you feel discontented with the overdrive pedals you have tried, plug into an Archer Ikon.
JAM Pedals LucyDreamer Bass
The Jam Pedals LucyDreamer Bass is an ultra-versatile bass overdrive boasting tube amp-esque response and saturation. It carries a Mix knob that lets you find your ideal Wet/Dry signal ratio and a footswitch that alternates to a higher gain stage. The LucyDreamer Bass includes componentry and design variations which enable more low end to come through and move the sweet spot of the saturation to complement the register of the bass. It also consists of controls for Gain, Tone, Level, Dry/Wet Mix, and high gain footswitch.
T-Rex Diva Drive
Based on a solid foundation of the iconic JRC4558 IC overdrive gain, the Diva Drive pedal by T-Rex has been designed to improve your sound instead of replacing it. It provides juice to enhance your sound but preserves the core tone. No matter how you want to beef up your low end or how much gain you add, the Diva Drive will honor your musicianship, personal tone, and gear. It is controllable using the Level, Gain, Tone, and Mix knobs.
Pro Co RAT
The Pro Co RAT 2’s charm lies in its flexibility. Utilized as a main distortion, it is perfect for soaring leads and arena rock rhythm tones. It captures that sweet spot in which your tube amp goes from sparkly clean to warm overdrive. You can employ the RAT 2 as a boost for solos. It is capable of providing the extra punch you need. The RAT 2 features glow in the dark controls for distortion amount, volume level, and filter cutoff.
Mad Professor Evolution Orange Underdrive
Almost every pedalboard out there has an overdrive pedal or two in it. But underdrive? That’s a completely different monster. Where an overdrive pedal pushes an amp into distortion territory, Mad Professor’s Evolution Orange Underdrive guitar effects pedal does the opposite: it cleans up a dirty amp signal to give it more clarity and response. Your favorite amp’s sweet overdrive tone won’t get dark and muddy when you turn down your guitar’s volume. The Evolution Orange Underdrive lets you keep that great tone and response, but minus the dirt.
Mooer Blade
The Blade guitar effects pedal is all devil horns and metal attitude. This compact and affordable Metal Muff clone from budget stompbox maker Mooer comes packed with three boost modes for a full-on gain assault: none, low, and high. A dedicated Tone micro button lets you tailor the distortion to your specific needs. True to its name, the Blade is the weapon you whip out when you want your signal to cut through the mix.
Joyo Dr.J BLADEMASTER
Crisp, steady, and massive distortion tones are the stocks in trade of Joyo’s Dr. J D-58 Blademaster guitar effects pedal. With dedicated High, Mid, and Low knobs, the D-58 Blademaster comes packed with a ton of EQ controls. There’s also a two-way WOW switch that supercharges your signal with a fat low-end boost; perfect for cutting through the mix. Whether you play old school or new school metal, the D-58 Blademaster will be a powerful weapon in your arsenal.
EBS MetalDrive Studio Edition
Get pure, aggressive metal distortion with the EBS MetalDrive. It offers high-gain distortion for use in various music styles that require a mean distorted sound. It works well with both bass and guitar. It can handle drop-tuned, 7-, and 8-string guitars sans choking. The MetalDrive operates in Tubesim, Standard, and Flat mode with controls for Output and Distortion. The Studio Edition features a signal relay type of switch, optimized signal path, and protection against over-voltage use up to 18V.
Death by Audio Absolute Destruction
The Absolute Destruction is arguably Death by Audio’s most insane pedal yet. Showing little-to-no respect for your instrument’s natural sound, or even how most individuals want them to sound like, Death by Audio pushed this device until it appeared disgusting. You can achieve that thick, gnarly fuzz tone that sounds marvelous. The Absolute Destruction features OVERLOAD and GAIN sliders that interact to provide an enormous range of unique sounds in different positions. It’s up to you how much to distort your sound.
Darkglass Duality
Achieve your ideal fuzz tones with this highly customizable Duality fuzz pedal from Darkglass. It features two distinct fuzz circuits—a raunchy high-gain sound and a gated saw-tooth wave—that you can blend to achieve a massive selection of unique sonic textures. The Duality consists of Blend, Level, Filter, and Duality knobs. Filter adjusts the amount of high-frequency content, Blend combines the clean with the fuzz signal, Level sets the output volume of the affected signal, and Duality selects and mixes fuzz circuits.
Fuzzrocious KNOB JAWN
The Knob Jawn by Fuzzrocious provides both analog and digital octaving. It carries a large knob that lets you solo or blend analog, monophonic, dirty octave up and digital polyphonic, clean octave up/down. It consists of -/+ and dry:wet knobs, a standard on/off toggle, and two footswitches. The left footswitch enables you to move to the digital octave up/down pot’s opposite throw. For ecological reasons, the Knob Jawn operates on a direct power supply (9V DC 2.1 mm centre-negative adaptor).
Electro-Harmonix Deluxe Big Muff Pi
The Big Muff Pi reissue from Electro-Harmonix lives up to the original Big Muff’s venerable legacy by packing some of the sweetest harmonic distortion and creamiest sustain ever produced. The Deluxe Big Muff Pi cranks the tone-shaping features up to 11, with a new footswitch-controllable Mids section that you can sweep through using an expression pedal for instant wah-style voicings. The Deluxe Big Muff Pi also packs a built-in noise gate, bass boost, and true bypass.
Dunlop Joe Bonamassa Fuzz Face Mini
Dunlop’s FFM4 Joe Bonamassa Fuzz Face Mini produces thick, creamy fuzz tones similar to its larger counterpart but in a more compact enclosure with several modifications for ease of use. Packed with NOS Russian military germanium transistors, this mini pedal sports a glossy black finish and miniature top hat knobs. A battery door, AC power jack, and bright status LED deliver modern convenience to a vintage sound, and like other Fuzz Face pedals, the FFM4 includes true bypass switching.
JHS Pedals EHX Triangle Big Muff Pi Illuminati Mod
The Triangle Muff boasts a brilliant vintage distortion tone. However, JHS Pedals has blown all conspiracies wide open with the Illuminati Mod, which incorporates two novel settings to the original circuit. You will find a toggle switch on the unit’s left-hand side. Set it up for a Stock Triangle Muff distortion, to the middle for a more intense/open distortion, or push down for more saturation and full raging fuzz. The EHX Triangle Big Muff Pi also carries a Gate knob that allows you to select the perfect amount of spitty gated fuzz.
Animals Pedal Rust Rod Fuzz
With thick, massive fuzz tones at virtually any setting, you can plug your guitar into the Skreddy Pedals-designed Rust Rod Fuzz from Animals Pedal and quickly go on a fuzz-filled sonic adventure without a lot of knob-fiddling. And when you do need some fine-tuning, you can easily coax clear and aggressive tones without scooped mids via the simple Volume, Tone, and Sustain knobs. The Rust Rod Fuzz features artwork by Jonas Claesson and comes with true-bypass switching.
Vox Flat 4 Boost
The Flat 4 Boost from Vox is a vacuum tube booster you can utilize for a treble-boost, mid-boost, and overdrive, besides a full-range boost. It features a Baxandall tone circuit that enables the adjustment from a flat position to your preferred cut or boost range. Increasing the gain will slowly apply a low cut, providing you with an overdrive sound evocative of iconic vintage tones. A separate mid-boost switch allows you to change the mid-range response, which is suitable for playing lead. The Flat 4 Boost is perfect for blues guitarists looking to emphasize their picking nuances.
Xotic BB Plus
The BB Plus from boutique guitar effects pedal company Xotic is a dual channel boost and overdrive preamp stomp that boasts amazing tonal transparency. Channel A houses the heart of the original BB Preamp and packs the same amp-like tones that made the BB Preamp famous. Channel B, meanwhile, features one of Xotic’s most veratile booster circuits ever with its own three-band EQ stack. Go combo with Channel A, plexi with Channel B, or stack both in any order you want.
Mosky Dec Mini
The Dec Buffer Booster from budget guitar effects pedal brand takes its circuit design and tonal cues from the Wampler Decibel+ buffer and boost pedal. It packs two essential pedalboard problem solvers into one compact pedal: excellent, stable signal buffering and a pristine clean boost. Controls are dead simple; you get one knob that controls the gain level and one footswitch. THe Dec Buffer Booster knows what it’s supposed to do and does it well.
T-Rex Moller 2
Named after Danish guitarist Knud Møller, the Møller 2 from T-Rex Engineering offers the same classic overdrive that has made its predecessor among the most sought-after T-Rex pedals. It boasts easier-to-read control knob graphics and a sturdier Bass Boost toggle switch. The Møller 2 is equipped with a 0 to 20 dB Clean Boost plus a Mix knob that allows you to dial in the right balance between clean and distorted signals. It provides you with an abundance of dynamic tones.
Keeley Katana Clean Boost
The Keeley Katana guitar effects pedal is a crystal-clear clean boost. A unique side-mounted Volume knob lets you adjust the gain level on the fly with your foot. Pull that very same knob and you get an additional level of gain boost. Keep the Katana engaged all throughout a song to give your amp an extra shot of gain or use it sparingly for those times when you need your signal to cut through the mix.
Danelectro BB-1 Billion Dollar Boost
The Danelectro BB-1 Billion Dollar Boost pedal not only increases your tone’s volume and responsiveness, but it also gives you enough EQ versatility to keep that boosted signal under your complete control. You get plenty of gain via the Volume knob, plus there are dedicated Treble and Bass knobs for controlling the mix. There’s also a two-way selector switch for Flat and Low Cut modes, the latter of which lets you drop the lower frequencies to add a subtle variation to your sound.
Boss AD-2 Acoustic Preamp
Many guitar pickup systems can’t quite reproduce an acoustic guitar’s warmth and depth, covering them instead in harsher-sounding tones. That’s where the Boss AD-2 Acoustic Preamp guitar effects pedal comes in. Whether you’re onstage or in the studio, you can draw out more of your acoustic-electric’s natural and woody tones with a twist of the Acoustic Resonance knob. You can also use the Ambience knob to add reverb and cut annoying feedback noise using the Notch dial.
Xotic BB Preamp MB
Xotic’s BBP-MB Custom Shop BB Preamp MB boutique guitar effects pedal takes the original BB Preamp to new heights. The BB Preamp has already made a name for itself by being one of the most amazingly transparent boost and overdrive preamp stomps out there, but the BB Preamp MB ups the ante even further by throwing in a new mid-boost mini pot that can give your signal’s mid frequencies up to 12dB of extra juice.
Walrus Audio DEFCON4
Underneath the wicked cool War Games-inspired ‘80s chassis design of the DEFCON 4 lies a super versatile preamp, three band EQ, and boost pedal that makes switching instruments mid-set a breeze. This collaborative effort from boutique guitar effects pedal maker Walrus Audio and musician Ryan Adams lets you cut and boost your low, mid, and high bands plus shape the mid cut even further with a parametric EQ. It also comes with up to 10dB of MOSFET-powered boost and internal mid EQ trim pots for even more precise tone sculpting.
Xotic BB Plus
The BB Plus from boutique guitar effects pedal company Xotic is a dual channel boost and overdrive preamp stomp that boasts amazing tonal transparency. Channel A houses the heart of the original BB Preamp and packs the same amp-like tones that made the BB Preamp famous. Channel B, meanwhile, features one of Xotic’s most veratile booster circuits ever with its own three-band EQ stack. Go combo with Channel A, plexi with Channel B, or stack both in any order you want.
NUX Amp Simulator
The AS-4 Amp Simulator by NUX emulates the cabinet sound and characteristic distortion of your guitar amp. The added amount of gain boosts your high frequencies for a more exceptional distortion effect. The Amp Simulator is controllable using the Bass, Level, Gain, and High knobs. It also features true bypass that delivers transparent tone as well as an LED indicator that tells you the status of effect and battery condition. The Amp Simulator is tons of authentic amps within only one pedal.
Darkglass Microtubes B7K V2
The Darkglass Microtubes B7K V2 bass preamp pedal goes beyond an exceptional DI. It is a pedal-sized preamplifier and aggressive-sounding drive. It leverages the exact dynamic saturation circuit, four-band EQ, and balanced line driver that has earned Darkglass its place on numerous bassists’ boards. The V2 boasts exceptional tonal shaping abilities thanks to its Attack and Grunt controls as well as two mid-frequency selector switches. The dual outputs make parallel processing and running your signal into a mixing console or PA system a breeze.
Xotic BB Plus
The BB Plus from boutique guitar effects pedal company Xotic is a dual channel boost and overdrive preamp stomp that boasts amazing tonal transparency. Channel A houses the heart of the original BB Preamp and packs the same amp-like tones that made the BB Preamp famous. Channel B, meanwhile, features one of Xotic’s most veratile booster circuits ever with its own three-band EQ stack. Go combo with Channel A, plexi with Channel B, or stack both in any order you want.
Fuzzrocious Playing Mantis
The Fuzzrocious Playing Mantis pedal is suitable for players who love to stand out from the crowd. Since this pedal is exceptional, you will sound unlike anyone else. You can use the left and right footswitches to activate the quirkiest oscillator and a natural-sounding drive respectively. The Playing Mantis carries a three-way toggle that lets you choose between drive, boost, and distortion. All three settings are jam-packed with volume on tap to push your speakers/amp or other pedals.
Moog Minifooger Boost
If you are longing for that indescribable extra bump to pep up your tone, then the Moog MF Boost Minifooger might be the ingredient your bass, guitar, or keyboard rig is missing. You can use it as a dirty or clean boost pedal. Two selectable signal paths with natural compression provide you with exceptional tonal options. The MF Boost Minifooger is perfect for keyboards, bass, guitar, and more. It features true bypass switching that protects your tone and runs on an optional power supply or standard 9V batteries.
Xotic AC/RC-OZ
The AC/RC-OZ Oz Noy limited edition guitar effects pedal from boutique stomp maker Xotic is an amalgamation of two of the company’s most popular boost pedals, the AC Booster and the RC Booster. This dual channel pedal has the AC Booster’s classic wide-range boost tones on one channel. You can then use the RC Booster channel to drive the front of the other channel further to layer on more gain, saturation, and presence. Each channel features its own two-band EQ stack.
T-Rex Alberta II
Since the T-Rex Alberta’s debut, guitarists have loved its tonal qualities and convenience of use. Some are employing two Albertas to get their fix in the studio and on stage, utilizing one for a cutting solo sound and another for creamy rhythm sounds. The T-Rex Alberta II has been built at the request of guitarists across the globe. While the classic overdrive sound has doubled in quantity, the physical size and sonic footprint remain the same, providing you with a three-step rocket of creamy, responsive overdrive sans compromising pedalboard space.
TC Electronic Spark Mini
Drive your guitar amp into glorious overdrive with the Spark Mini Booster from TC Electronic. You may also utilize it as a clean boost for a mild volume increase during solos. Either way, this innovative pedal boasts premium analog circuitry that does not degrade your tone. Additionally, you can utilize the Spark Mini Booster in two ways—hold the footswitch for a momentary boost or kick it on/off like other pedals. It comes in a compact footprint that easily fits on your pedalboard.
Modulation Pedals
Maxon PAC-9 Pure Analog Chorus
Spec’d from the now-defunct CS505 Stereo Chorus, the PAC-9 Pure Analog Chorus brings that revered design into the modern day. With an enhanced oscillator section, it is capable of performing rotary-speaker simulations and tremolo-chorus effects which used to be unattainable with the CS505. Bright and Pure switches offer a range of valuable chorus effects while performance remains dead quiet credits to Maxon’s RMS noise reduction circuitry. Featuring mechanical true bypass switching and inverse stereo outputs, the PAC-9 is arguably the future of analog chorus effects.
Eden I90 Bass Chorus
Specially crafted for bass instruments, the Eden i90 Bass Chorus Pedal delivers a professional chorus which allows you to dial in different high definition chorus effects. It consists of interactive Depth and Speed knobs that allow you to easily find various chorus styles. The Low Cut control also lets you select where in your sound chorus is applied to direct the effect in your preferred area. The i90 Bass Chorus is constructed rugged to Eden specs and standards and features balanced and unbalanced outputs.
Source Audio Soundblox2 Orbital Modulator
Boasting a diverse sound palette, the Source Audio Soundblox 2 Orbital Modulator is an ultra-compact, versatile, and sturdy multi-effects pedal. It features a dynamic arsenal of precision-engineered flanger, tremolo, chorus, and phaser effects. Nine adjustable parameters, twelve effect types, and internal/external modulation control elevate it way beyond the sonic limitations of old-school modulation pedals. The Orbital Modulator’s rack-mount power gives you infinite modulation possibilities, including variable notch phasers, rotary speaker simulation, through zero flange, multi-voiced choruses, and many more.
TC Electronic Dreamscape
Craft unique effects for your electric guitar with the Dreamscape John Petrucci Signature Modulation Pedal from TC Electronic. Leveraging TC Electronic’s revered TonePrint technology, John tailored six distinct tones for the Dreamscape. You get flanger, chorus, and vibrato effects, along with a custom voicing switch that provides you with the “dark” feel of John’s chorus sounds. Since it is a TonePrint unit, you may add new effects presets whenever you desire. It consists of controls for Speed, Depth, and FX Level.
Donner Alpha Force
The Alpha Force from Donner packs three types of guitar effects into a single chain, including Higain, Chorus, and Delay. It is capable of delivering intense distortion with a full-range response suitable for rock and metal styles. The Alpha Force comes in a convenient, sturdy, and compact aluminium-alloy enclosure adorned with a novel design logo. It is perfect for going out to play or practicing at home. You can take the Alpha Force anywhere you desire.
Dophix VITRUVIAN MAN
Vitruvian Man is a renowned representation of the ideal human body proportions. It shows how the body can be harmoniously inscribed in a square and circle. That is the Dophix effect which completes the Da Vinci sound experience. The project’s Chorus-Phaser sound has been mixed with the popular Leonardo design for the perfection and roundness of sounds, making it unique. The Vitruvian Man pedal consists of Speed and Depth knobs that let you set the modulation speed and modulation amount put to the input signal.
Xotic Robotalk RI
The Xotic Custom Shop Robotalk RI is a reissued and revitalized version of one of Xotic’s most popular pedals, the Robotalk envelope filter. The Robotalk RI may be smaller, but it actually packs quite a few more features compared to the original, including an enhanced arpeggiator that lets you go from strictly old school to crazy space age sound effects. Xotic also put a lot of sweat into further improving the Robotalk’s envelope and filter tones for even more random filtery goodness.
Mojo Hand FX Wonder Filter
Inspired by a vintage envelope filter, the Wonder Filter by Mojo Hand FX was engineered to deliver versatile and exceptional modulation. It incorporates Gain and Peak controls as well as Drive and Range switches. Original features include a Mode selector switch, and besides the Low Pass, High Pass, and Band Pass settings, it has a Notch Filter and a No Filter setting delivering preamp standalone boost ability. With a full range Attack control, the Wonder Filter lets you fine-tune a more extensive variety of sounds and sensitivity by adjusting response along with the Gain control.
Rowin Mod Station
A ton of high-quality modulation effects, all packed into a small, very affordable stompbox that you can carry around in your pocket. The powerful LEF-3808 Mod Station multi-effects stomp from budget guitar effects pedal manufacturer Rowin comes with eleven distinct modulation effects, all of which can be further tweaked via its dedicated Level, Speed, and Depth pots. Its footswitch is also multi-functional: pressing down twice will switch between fixed and non-fixed mode while holding it down will let you store a setting you like.
Eventide H9 MAX
With 51 effect algorithms that include literally everything Eventide’s TimeFactor, ModFactor, PitchFactor, and Space pedals can do, the H9 MAX Harmonizer is basically an entire pedalboard in compact effects pedal form. It features reverb, chorus, delay, modulation, pitch-shifting, distortion effects, all of which can be tweaked and edited via an intuitive single-knob interface. The H9 MAX comes preloaded with 99 presets, plus you can get over 500 more for free via the H9 Control app.
Emma Electronic Discumbobulator V2
The original EMMA DiscumBOBulator was arguably the world’s best auto-wah, making appearances at the feet of Ida Funkhouser, Richard Fortus, Warren Haynes, and Pino Palladino. When building the revamped version, Emma Electronic has improved the filter-triggering, extended the dynamic range, tripled the headroom signal, and added a 10dB independent boost. The DiscumBOBulator v2 features an extensive range of vintage auto-wah tones and new filter sweeps. It also boasts precise tracking, both on chords and single notes, and a wide frequency spectrum, making it perfect for virtually any instrument.
Electro-Harmonix BassBalls
The BassBalls Twin Dynamic Envelope Filter effects pedal from Electro-Harmonix uses not just one but two narrow sweeping filters to process your signal and give your tone a unique vocal quality. Use the Response control knob to modify the very variable sweep range determined by your own picking attack. The BassBalls also comes with an integrated distortion switch to crank up your harmonics. The BassBalls is specifically optimized for bass signals but also works extremely well when used with a guitar.
Eventide ModFactor
When it comes to modulation effects, Eventide’s ModFactor multi-effects pedal is the pinnacle. You get all the classics—Chorus, Flanger, Phaser, Rotary, Tremolo, and Vibrato—plus a couple of unique Eventide effects. There’s the dreamy, pulsating Undulator, which combines two delays, two detuned voices, and a tremolo effect. Also included is a RIngMod effect that adds futuristic bell-like overtones to your sound. The ModFactor can hold up to 100 presets, has true analog bypass, and supports real-time control via MIDI or expression pedal.
TC Electronic Stereo Chorus+
The TC Electronic SCF Stereo Chorus+ Pitch Modulator and Flanger features three distinct effects—pitch modulation, flange, and chorus—with comprehensive parameter control that allows you to effortlessly dial in the very sound that fits your needs, from intense vibrato/tremolo effects to heavy-duty flanging to the ultimate clean chorus. It boasts a silkiness unrivaled by digital gear. It also has an onboard preamp/line driver that lets it work in a full range of applications and also helps minimize signal loss along lengthy cables. Other features include remote bypass and an overload LED.
JOYO VISUAL MODULATION
With modulation effects up the wazoo, the R-09 Vision guitar effects pedal from Joyo is bound to be an instant shoegazer favorite. It features two separate channels, each with its own set of highly tweakable modulation effects, that you can mix and match in parallel or series. Use a chorus on Channel A and an optical trem on Channel B. Phaser on A, Vibrato on B. It’s a giant sonic sandbox for you to play in. The R-09 Vision is an R Series pedal, meaning it also has cool ambient LED effects built into it.
Rowin Flanger
Budget guitar effects pedal maker Rowin’s LEF-312 Flanger is a very versatile, highly musical flanger pedal that punches way above its price class. You can dial in a wide range of psychedelic effects, from subtle spacey textures to full-on vortexes of flanged-out madness. The LEF-312 Flanger comes with a full complement of Color, Rate, and Flange knobs plus a two-way toggle that lets you switch between a normal flange effect and an exaggerated one where the comb filter’s been injected with stompbox steroids.
Digitech Nautila
Create soothing rhythmic waves or unique tidal swirls with the DigiTech Nautila flanger and chorus pedal for your keyboard and electric guitar. It features Drift and Voice controls that let you add up to four flanger voices or eight chorus voices, and then combine and morph these waveforms at will. You can increase the modulation speed using the momentary footswitch. Individual Mix, Voices, Emphasis, Depth, and Speed controls shape your waves into soupy foam or clean curls. The Nautila’s rugged construction, stereo inputs and outputs, true bypass, and silent switching make it as practical as it is innovative.
Source Audio Mercury
The Mercury Flanger from Source Audio serves up three types of flanger, namely Thru-Zero Flange, Classic Flange, and an extremely resonant flanger called Shadow Flange. In the Classic mode, you get a dramatic and deep effect in the style of vintage flanger pedals. The Thru-Zero or “Tape Flange” dramatically provides a discernible twisting effect that happens when modulating and dry signals reach their intersection point. The Mercury Flanger also carries a Delay knob for exploring the marvelous cosmic space between flanger and chorus.
JOYO Vision
The R-09 Vision guitar effects pedal from Joyo is a modulation maniac’s dream pedal. It features two separate channels, each with its own set of highly tweakable modulation effects, that you can mix and match in parallel or series. Use a chorus on Channel A and an optical trem on Channel B. Phaser on A, Vibrato on B. It’s a giant sonic sandbox for you to play in. The R-09 Vision is an R Series pedal, meaning it also has cool ambient LED effects built into it.
JAM Pedals Ripple Bass
Delivering a distinctive deep “vibey” tone, the Ripple is a tribute to two-stage phasing. This smooth, transparent, and sweet two-stage phaser pedal works nicely before and after overdrive pedals. You may leave it always on without mashing up your sound. The Ripple sounds perfect with Jam Pedals’ WaterFall chorus/vibrato. Neither the Ripple’s bass nor guitar variants will sacrifice low-end content, but the bass versions are tuned differently to accommodate the modulation’s response to lower register content favorably.
Joyo Nebulous
The JF-328 Nebulous Phase guitar effects pedal from Joyo packs a big analog phase punch in a small, budget-friendly unit. Phase-heads get a lot of tonal control with this four-stage phaser thanks to a trio of knobs that control Speed, Width (Joyo’s name for Depth knobs), and Feedback. As an Ironman pedal, the JF-328 is small enough to fit in your pocket and comes with a flip cover for keeping the control knobs safe from stray stomps.
Donner Pearl Tremor
The Pearl Tremor from Donner boasts a pure analog phase effect and produces a plump and warm sound. It carries a toggle switch that lets you choose between Vintage and Modern. It also features an LED indicator that shows you the working state and true bypass, which gives a transparent tone. The Pearl Tremor is packaged in a sturdy, aluminum-alloy chassis. It should not be used in direct sunlight, high humidity, high temperature, or subzero environments.
Marshall Regenerator
Give your pedalboard an extra dose of ambiance with the RG-1 Regenerator, a two-in-one chorus and phaser guitar effects pedal from tone masters Marshall. Think of it as the ‘80s sound crammed into a sturdy, compact stompbox. You get six easily customizable modes: chorus, M chorus, flanger, phaser, step phaser, and V vibe, with the latter two being particular standouts. Separate speed and depth dials let you tailor the RG-1 Regenerator’s sound to your exact tonal tastes, plus there’s a dedicated knob for controlling the effect’s intensity.
MXR Phase 99
The Phase 99 from MXR sports two Phase 90 circuits within one Phase 90-sized pedal, providing you with a convenient and cost-efficient way of capturing the beautiful sounds you achieve when both circuits interact. You have tons of control, including individual rate controls as well as a Vintage switch that allows you to toggle between modern and classic phasing. You may also select from series or parallel signal flow between the two circuits, and sync their duty cycles.
Amptweaker SwirlPool
The Amptweaker SwirlPool Tremolo/Vibe pedal is the brand’s first dive into non-distortion pedals. Highly requested by Amptweaker’s customers, the SwirlPool is a two-speed synchronized Tremolo/Vibe reminiscent of the circuits found in some vintage 60’s amplifiers. This analog pedal is capable of emulating various modulation tones and even inventing several new ones. The two footswitch buttons let you switch between two different Speed & Vibe settings while sharing one Tremolo control. The SwirlPool also features switches that help you fine-tune the pedal’s vibrato.
JHS Pedals Tidewater
The iconic sound of vintage Fender and Vox amp tremolo lives on in JHS Pedals’ Tidewater pedal. It is capable of simulating some classic, well-loved amp tremolos with a character and warmth you would expect only from a vintage amplifier. It consists of Speed, Volume, and Mix knobs. You may roll the Mix control back and utilize it as a lush preamp boost by dialing its volume up. The Tidewater is perfect if you want a vintage tube-tremolo tone that you can utilize with just about any amp.
Joyo Tremolo
The JF-09 Tremolo guitar effects pedal from Joyo is packed to the brim with optical tremolo sounds in the vein of old Fender amps. Dial-in everything from vintage trem effects to surf-style warbles with the JF-09 Tremolo’s simple and intuitive controls. The Intensity knob controls the volume fluctuations’ speed while the Rate dial takes care of overall dynamics. The LED status indicator also pulses in time to the modulation rate, giving you a quick way to check the actual rate speed before you start playing.
Eventide H9 Core
Eventide H9 Core
The H9 Core acts as the entry-level version of Eventide’s monstrous H9 MAX multi-effects pedal. It comes with 25 presets from the original glitch-heavy, pitch-shifting H910/H949 Harmonizers, plus for a fee, you can augment its effects arsenal via the H9 Control app. You can pick and choose the effects you purchase to make an H9 Core that’s truly unique to your needs, or just go all out and turn your H9 Core into an H9 MAX.
MOOER Mod Factory Pro
The award-winning Mod Factory Pro is a massive step up from the Mod Factory MKII. It comes loaded with 16 modulation effects ranging from essentials like a chorus and a phaser through to the more far-out effects such as ring modulators and lo-fi filters. Each of its two modulation engines has its own footswitch, letting you mix and match them to your liking. The Mod Factory Pro also features tap tempo, expression pedal support, and true stereo output.
Eventide ModFactor
When it comes to modulation effects, Eventide’s ModFactor multi-effects pedal is the pinnacle. You get all the classics—Chorus, Flanger, Phaser, Rotary, Tremolo, and Vibrato—plus a couple of unique Eventide effects. There’s the dreamy, pulsating Undulator, which combines two delays, two detuned voices, and a tremolo effect. Also included is a RIngMod effect that adds futuristic bell-like overtones to your sound. The ModFactor can hold up to 100 presets, has true analog bypass, and supports real-time control via MIDI or expression pedal.
JAM Pedals RetroVibe
Made for Hendrix/Trower fanatics, the RetroVibe is Jam Pedals’ take on the most iconic Vibe pedal of all time. Jam Pedals originally wanted to emulate the sound of a vintage UniVibe. Upon getting there, however, they looked into leveling it up. The RetroVibe includes novel NOS 2SC828 transistors and carbon comp resistors for an authentic vintage sound. Jam Pedals also incorporated an additional internal trimmer which impacts the effect’s maximum intensity as well as manipulates the RetroVibe’s sound while keeping the pedal’s real vintage character.
ZVEX Vexter Instant Lo-Fi Junky
Boutique guitar effects pedal company Zvex built the Instant Lo-Fi Junky to replicate the crazy low fidelity sounds of the Lo-Fi Loop Junky in real time. That in itself is impressive enough, but the Instant Lo-Fi Junky actually ups the ante by giving you full control over the dry and wet signal blend. Zvex’s Vexter line of silk screened pedals feature the exact same tone, feature set, and internal parts and circuits as their hand-painted counterparts. The only differences are the painting process and the price.
Chase Bliss Audio Warped Vinyl mkII
The Warped Vinyl mkII is an analog chorus/vibrato pedal built to emulate the sound of warped vinyl and more. It boasts a 100% analog signal path which may be dialed in to produce an infinite palette of chorus and vibrato. Warped Vinyl mkII includes some revisions, including an increased signal to noise ratio and tone knob for shimmery, transparent chorus/vibrato. Moreover, every switch and knob is connected to a digital brain while your guitar signal remains fully analog and not digitally processed.
T-Rex BetaVibe
Handcrafted in Denmark, the T-Rex BetaVibe faithfully simulates the distinctive hypnotizing Doppler effect of an authentic rotating speaker cabinet, reproducing the elusive late 60s to early 70s psychedelic swirl. The BetaVibe rotary modulator features a Slow/Fast switch that gradually accelerates or slows down the speed like an authentic Leslie unit. It also incorporates a midi socket for external control. This bucket brigade pedal features true bypass and is controllable using Speed, Depth, Volume, and Mix knobs.
TC Electronic Tailspin
The Tailspin Vibrato by TC Electronic serves up a ton of gorgeously-vintage vibrato tones within a stompbox. Boasting a pure analog, bucket-brigade design, the Tailspin Vibrato gives you anything from pitch-bendy, warped-vinyl tones to gentle wobbles to incredibly smooth slow or fast whirling-speaker organ sounds. A durable metal enclosure with dedicated Output, Input, and True Bypass indicates that the Tailspin Vibrato is both pedalboard-friendly and roadworthy. Grab one now for wave after wave of vintage goodness.
Koogo Mod Digital
The Mod Digital pedal from Koogo allows you to enjoy eleven distinct modulation effects—A.FILTER, B.TREMOLO, O.TREMOLO, PHASER, VIBRATO, U.VIBRATO, JET, S.CHORUS, T.CHORUS, P.FLANGER, and N.FLANGER. It is a fantastic pedal, leveraging a 32-bit high-performance DSP chip. Every tone is comparable. A range of modulation effects imparts musical color to your sound. The Mod Digital also consists of three function knobs labeled as Depth, Speed, and Level for setting the depth, speed, and level of the effect respectively.
Electro-Harmonix POG2
Electro-Harmonix’s original POG polyphonic octave generator was the ticket to making your guitar sound like a 12-string or cover your sound in hauntingly divine organ tones. The POG2 takes the POG’s feature set and gives it a massive dose of stompbox steroids. There’s a new attack control; a new and deeper second sub-octave; an enhanced Detune slider; and two additional Q modes for the two-pole 2-pole resonant low-pass filter. Unrivaled tonal variations have never been easier to achieve than with the POG2.
Caline Lucky 7
The Caline CP-38 Lucky 7 Seven Modes guitar effects pedal packs seven different modulation effects into a tiny, sturdy, and very affordable stompbox. You get high-quality Detune, Flange, Phase, and Vibe effects, plus custom effects including a bias tremolo effect, a classic Roland amp-style jazz chorus, and a U-Vibe effect that simulates an effect close to the classic tonal characteristics of the venerable Uni-Vibe chorus and vibrato pedal. The Caline CP-38 Lucky 7 comes with a true bypass feature.
Joyo Voodoo Octave
Trippy octave-up fuzz sounds for a fraction of a boutique pedal’s price. The JF-12 Voodoo Octave guitar effects pedal from Joyo is a budget-minded fuzz-head’s dream come true. Thick, full-bodied fuzz with all the snarls and grain you’d expect plus endless sustain–and that’s just the fuzz section! Engage the independent octave up function over the fuzz and you can serve up some interesting alien-like broken tones. The JF-12 Voodoo Octave also features a two-position toggle that lets you scoop out the mids.
Fuzzrocious KNOB JAWN
The Knob Jawn by Fuzzrocious provides both analog and digital octaving. It carries a large knob that lets you solo or blend analog, monophonic, dirty octave up and digital polyphonic, clean octave up/down. It consists of -/+ and dry:wet knobs, a standard on/off toggle, and two footswitches. The left footswitch enables you to move to the digital octave up/down pot’s opposite throw. For ecological reasons, the Knob Jawn operates on a direct power supply (9V DC 2.1 mm centre-negative adaptor).
Digitech Mini Whammy Ricochet
The DigiTech Whammy Ricochet allows you to bounce your playing up/down in pitch in crazy or controlled shifts. The adjustable independent rise and fall time ballistics and momentary switch give you that familiar Whammy action without the use of a treadle. Simply press your foot on the footswitch and let the Ricochet take charge. You can pick from seven pitch selections: Double Octave, Octave+Dry, Octave, 2nd, 4th, 5th, and 7th. The Whammy Ricochet also features a latching footswitch mode and LED ladder that displays your shift trajectory.
DigiTech Whammy 4
DigiTech’s legendary Whammy adds to your playing and produces new feelings, textures, and sounds. The Whammy 4 pedal is among the most acclaimed and versatile pitch/octave shifters ever existed. This compact red rectangle allows you full control of sending your sound piercing through the ceiling or plummeting through the floor. It boasts ten Harmony, six Whammy, and Shallow or Deep Detune modes. The Whammy 4 is a known favorite of Troy Van Leeuwen, Tom Morello, and Jack White.
Top Categories
Timing, Dynamics & EQ Pedals
Electro-Harmonix Deluxe Memory Man 550-TT
Electro-Harmonix just made the classic Deluxe Memory Man delay pedal even more versatile and powerful with the Deluxe Memory Man 550-TT. This organic delay and modulation stompbox comes with 550ms of maximum delay time and a Tap Tempo feature so you’re sure to always stay in sync with the music. Electro-Harmonix also bolstered the Deluxe Memory Man 550-TT’s already formidable tone-shaping prowess with support for an external expression pedal and an effects loop for freely injecting additional effects into the wet signal.
Donner Echo Square
Donner’s Echo Square crams seven-mode delay effects within an aluminium-alloy stompbox. It lets you enjoy seven unique effect delay, including Reverse, Lofi, Sweep, Mod, Tape, Analog, and Digital. A range of delay effects gives musical color to your tone. The Echo Square consists of three function knobs labeled as F.Back, Time, and Mix. Use the Time knob to control the delay time, F.Back for the feedback amount, and Mix to manage the dry/effect signal ratio.
Tom’sline APE-3S
The versatile Digital Delay is another pedal in budget guitar effects pedal maker Tomsline’s series of Michael Angelo Batio signature stomps. Built to the exacting specifications of the man known as the fastest guitarist of all time, the Digital Delay comes with three distinct delay modes—Echo, Mod, and Normal—as well as a super long max delay time of 838ms. The Digital Delay features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
Mad Professor Dual Blue Delay
A clever and intuitive delay pedal packing enough versatility and tonal flexibility in which to lose yourself. The Dual Blue Delay guitar effects pedal from Mad Professor features two different delay effects; one is a short old-school delay, with a maximum delay time of 315ms, while the other, more modern delay effect can reach a maximum of 810ms. Each delay effect has its own dedicated Level, Tone, Repeat, and Delay control knobs, while the long delay features a tap tempo switch that can also be used to engage multi-head mode.
Chase Bliss Audio Tonal Recall
The Tonal Recall will make you forget everything you know about an analog delay. Developed around a pair of reissued MN3005 bucket-brigade delay chips, this delay’s distinct analog character is at the forefront together with its velvety tape-like modulation. The Tonal Recall elaborates the classic vintage sounds reminiscent of yesteryear’s analog delays while delivering modern amenities like the ability to save presets, optional bypass with trails, tap tempo, and expression control over any parameter. Each switch and knob is connected to a small digital brain as your guitar signal remains 100% analog and not digitally processed.
Digitech OBSCURA
Craft a delay sound that is unmistakably you with the DigiTech Obscura Altered Delay pedal. You can select from four delay types (Reverse, Lo-Fi, Tape, and Analog) which can be degraded, distorted, and darkened on the fly with the stacked Degrade and Tone controls. The Degrade control allows you to adjust the amount of signal degradation to create new textures and sounds. The Obscura also features a Tails switch, Tap Tempo, true bypass circuitry, and stereo inputs/outputs. With its vacuum-style footswitch and compact size, the pedal advances DigiTech’s progression in pedal design.
Mooer ShimVerb
The ShimVerb’s strikingly beautiful ambient Shimmer mode is more than enough reason to get it if you consider tonal texture and space as key aspects of your sound. This ambient reverb guitar effects pedal from budget stomp master Mooer lets you serve up a harmonically intricate wall of sound that makes your guitar signal sound massive. The ShimVerb’s more traditional Spring and Room reverb modes astound as well, making it a must-have for reverb fans.
Keeley Memphis Sun
Give the Memphis Sun a stomp and you’ll be transported back to the sound of the 1950s. If a vintage sound gets you going, then this guitar effects pedal will definitely get you hot and bothered. You get three lo-fi effects to start with: Slapback 600 mode features an echo with a long delay, Sun Mode features a shorter slapback echo with automatic track doubling, and Room mode gives you a studio-style reverb. It’s old-fashioned rock ‘n’ roll in a modern, versatile stomp.
Old Blood Noise Endeavors Procession
Suitable for creating a science fiction soundtrack, the Procession by Old Blood Noise Endeavors features a unique combination of haunting reverb and three modulation settings. It seeks to inspire something different, risky, and fringe. Its intuitive controls run a variety of reverb soundscapes spanning from simple reverb to intricate Sci-Fi filtery echo strangeness. The Reverb and Mix controls adjust the reverb decay and blend of wet/dry signal, respectively. Depth and Speed dials correspond with the preferred modulation mode: Tremolo, Flange, or Filter.
ammoon ENO Reverb
Ammoon pedals are known for two things: good, reliable performance and low, almost insane prices. The ENO Reverb guitar effects pedal fits those two things to a T. Coax everything from intimate room-level reverb to lush hall-like ambient tones using three reverb modes—Room, Spring, and Well—controllable via the Level and Time knobs as well as the Dry and Wet path selector. As with most ammoon guitar effects pedals, the ENO Reverb comes with true bypass.
J. Rockett BOING
Crafted with the live club in mind, the Boing is part of the J. Rockett Tour Series pedal collection, which is built around convenience of use and simplicity of design. The Boing was planned to reproduce a classic reverb that was specially intended to cut through the mix and add some atmosphere to your tone. The Boing is a straightforward, single knob reissue of the Deluxe Reverb, and like several classic amps, it is only one knob for less or more reverb.
T-Rex Creamer
T-Rex formed the Creamer Reverb pedal to be incredibly easy to operate with adequate room for tweaking, so you will not feel limited in your quest for the sonic counterpart of Grand Canyon or that tiny room you often visit daily. Instead of digitizing your precious guitar signal, the Creamer blends the reverb sound with the analog dry signal. It consists of Decay, Tone, and Reverb controls. It also boasts three distinct reverb algorithms that you can tailor to suit your preference using the knobs.
Caline Pressure Tank
Compressor pedals sometimes get overlooked, but the more balanced sound, a beefier tone, and insane sustain they provide make them essential parts of any good pedalboard rig. The Caline CP-47 Pressure Tank Compressor guitar effect pedal does all of that at a very budget-friendly price. It’s easy to use, giving you full control over your guitar signal with only three dedicated knobs: Level, EQ, and Comp. The Caline CP-47 Pressure Tank Compressor also comes with a true bypass feature.
Keeley Compressor Pro
The Keeley Compressor Pro guitar effects pedal offers maximum tonal control with minimal manual memorization. It’s basically a studio-grade compressor simplified and crammed into a compact, five-knob stompbox. You also get a choice between a sustain-heavy hard- and more natural soft-knee compression as well as an auto mode that follows preset attack and release times. There’s even a seven-segment LED display that acts as a visual compression and gain-reduction metering indicator. The Compressor Pro is an essential stompbox you will want to add to your pedalboard.
Xvive Bass Squeezer
High quality compressors are essential tools for any musician. The problem is that most of them are pretty complicated and quite expensive. Enter the Bass Squeezer, a dead simple compressor mini pedal that won’t require three masters’ degrees and a whole stack of user manuals to dial in the perfect compression settings for your tone. Xvive and designer Jamie Mallender crafted the Bass Squeezer to be practically idiot proof, so whether or not you’ve used compressors before you’ll be able to plug in, tweak, and play quickly.
Fairfield Circuitry The Accountant
Simple, unassuming, and can crunch numbers like a pro—the Accountant is everything you need to keep you signal tight. This JFET feedback compressor-based pedal features a fixed threshold but you still get a a pair of three-position switches to cook up your own compression flavor. Its lone knob controls volume, and while the Accountant isn’t exactly built to ac as a boost pedal, you can still use the Volume knob to give your signal some extra oomph. Whether you’re looking for shallow, subtle compression or a foll-on squash, you turn to the Accountant.
MXR Dyna Comp Deluxe
Spec’d from one of the most legendary guitar compressor pedals of all time, the Dyna Comp Deluxe from MXR gives you the classic Dyna Comp tone while delivering more sound-sculpting potential. Leveraging the CA3080 “metal can” circuit, the Dyna Comp Deluxe boasts an exceptional dynamic range, superior transparency, and silent operation. The Attack switch lets you choose between fast and slow attack times, while the Tone knob allows you to fine-tune your sound. The Dyna Comp Deluxe also carries a Clean control for blending your dry sound with the compressed signal.
Fulltone Secret Freq
Serving up everything from clean boost to overdrive and through to full-on distorted rock tones, the Fulltone Secret Freq Overdrive guitar effects pedal is one versatile stompbox. It’s got all the hallmarks of a classic overdrive stomp; it’s highly dynamic, has a natural tube-style overdrive tone, and is very responsive to picking attack. The Secret Freq also has a secret weapon: a Freq control knob that lets you dial in up to 20db of active, narrow-band midrange for more tone-shaping possibilities.
WMD Utility Parametric EQ
WMD’s Utility Parametric EQ is the perfect always-on pedal for sculpting your tone. Don’t let the simple three-band layout fool you; the Utility can a lot of power under its hood. The three frequency knobs let you dial in the filter’s center frequency; frequency ranges are 31Hz to 1.6kHz, 100Hz to 4.8kHz, and 300Hz to 16kHz. Each frequency pot also has its own dedicated Q and level dials for controlling the filter’s sharpness and the cut / boost, respectively.
Boss GEB-7 7-Band Bass EQ
The Boss GEB-7 Bass Equalizer is the pinnacle of seven-band equalizer pedals built specifically to handle the bottom-heavy frequency ranges of electric bass guitars, including five- and six-string models. Thanks to a frequency range that goes as low as 50Hz, the GEB-7 can also handle tone and depth adjustments for an upright bass outfitted with pickups. Each of the GEB-7’s seven EQ bands can be boosted or cut by up to 15dB, while a gain control features a range of +/-15dB.
MXR KFK1 10-Band EQ
If you are not contented with your MXR Ten Band EQ, check out its wicked twin—the Kerry King Ten Band EQ. This beastly, tattoo-covered unit gives you tone and level control identical to the M108, but the Kerry King is capable of punishing two amps simultaneously, credits to its dual outputs. Designed in collaboration with the iconic Slayer guitarist, you can use it to produce thrash approved, scooped-mid rhythm tones or as a boost for solos. Ten sliders allow for a cut or boost up to 12dB.
Old Blood Noise Endeavors 3 Band EQ + Buffer
The EQ + Buffer is a special edition of Old Blood Noise Endeavors’ Buffer and 3 Band EQ. Sliders and inverted color scheme provide you with a different visual and tactile experience for a handy circuit you must have in your chain. A switchable 3 Band EQ and always on Buffer. You will appreciate the Buffer when you employ multiple pedals or long cables, while the EQ is perfect for tailoring frequencies to specific parts, guitar switches, or as an always-on EQ.
Mooer Graphic B
Budget stompbox master Mooer is touting the Graphic B as the world’s smallest bass EQ pedal. Inside that tiny yet sturdy chassis is a beast of an equalizer that provides a level control range of up to +/- 18 dB across five EQ bands: 62.5 Hz, 125Hz, 500Hz, 1kHz, and 4kHz. It also features an independent Level control knob for even more precise tone tuning. You can also make it pull double duty as a booster.
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Latest News
Minneapolis pedal company Chase Bliss Audio has unleashed an adventurous delay-based unit called the Habit. Advertised as a “freeform sampler and musical sketchpad,” the Habit yields traditional delays with the
KMA Machines has announced a revamped and slimmed down version of its Wurhm distortion pedal—the Wurm 2. When the Wurhm first came to the music realm in 2020, it was
Boss has lifted the veil on two new digital stompboxes spec’d from its legendary RE-201 Space Echo—the RE-2 and RE-202. Stripping the RE-201 sound down to its core essentials, the
Line 6 has updated its cult-favorite DL4 Delay Modeler to MkII, hauling the 1999-dated original into the present-day era by some tonal tweaks and pretty aesthetic. Under the hood, the new-and-improved
Metallica electric guitar star Kirk Hammett has taken to Instagram to announce that his second signature Dunlop Cry Baby Wah is in the works. Dressed in a striking purple colorway
Mythos Pedals has unveiled their first-ever delay stompbox, the Oracle Analog Echo. “Well it finally happened. Mythos has moved beyond just making dirt boxes! The Oracle Analog Echo is finally
TC Electronic has debuted the Plethora X5 multi-effects pedal packed with customizable virtual versions of TC Electronic stompboxes. The Plethora X5 was first hinted in a cryptic Facebook post last
Pedal builders Haunted Labs and Dirty Haggard Audio have teamed up for the Hell Horse stompbox, which boasts a combination of both fuzz and delay. The Hell Horse features a
New Zealand-headquartered stompbox maker Red Witch has relaunched an “even better than before” variant of its cult-favorite Empress Chorus—the Empress Deus Chorus Vibrato. Limited to only 70 units, the latest
Mateus Asato has joined forces with Jackson Audio for his signature dual-drive stompbox, the Asabi Overdrive Distortion. Among the Asabi’s primary features is the analog “plug-ins.” These are actual circuit
Korg has announced the latest addition to its Nu:Tekt range, the OD-S Overdrive kit, which allows practically anyone to play at being a boutique stompbox creator, as it requires no
Chibson USA has unveiled, in partnership with Daredevil, the Placebo Pedal, showcasing transparent tone technology at its finest as it does “absolutely nothing” to your guitar signal. Control-wise, the Placebo
Sitek Guitar Electronics has introduced the Phasia Phase Shifter, a highly customizable phaser packed with an extensive host of features for tons of control over its retro chewy phase-shifting sounds.
Browne Amplification has unveiled its version of the classic four-transistor silicon fuzz, the T4 Fuzz stompbox. That is identical to the circuits found in Big Muff-style units, resulting in a
Tech 21 has announced the newest addition to its comprehensive fly rig roster, the new-and-improved Bass Fly Rig V2. Looking to encourage bassists to emancipate themselves from the “tyrannies of
Utility Pedals
Korg Pitchblack Chromatic Tuner
Compact yet tough, the Korg Pitchblack Chromatic Tuner serves as your one-stomp ticket to staying in tune. This gig-bag essential loads exceptional functionality and accurate tuning into a sleek, portable floor unit that is convenient to use anywhere. An innovative chromatic floor tuner with a large LED screen makes it an indispensable tool for bassists and guitarists. When performing live, you will appreciate the Pitchblack’s clear, well-lit display and the large footswitch allows for convenient access. The Pitchblack’s sturdy aluminum enclosure makes it roadworthy.
Rowin LT-901
A tuner is arguably the most important tool a musician can have in their arsenal. The tiny LT-901 mini chromatic guitar tuner from budget guitar effects pedal manufacturer Rowin is an ideal fit for those who want to make efficient use of space on their pedalboards. Short of a clip-on tuner, the LT-901 is one of the most inconspicuous and affordable tuners available on the market. Don’t let its small size deter you, though; it’s fast and has a large display so you won’t have to squint.
Koogo Tuner LT-901
The Tuner LT-901 from Koogo is a compact, high precision tuning pedal capable of being accurate to 0.5 cent. This chromatic guitar tuner is perfect for broad range tuning. It consists of an LED screen that shows you clear, easy to read tuning results and information. It features a real signal, true bypass, and no loss of tune. The Koogo Tuner LT-901 works with most electro-acoustic or electric instruments including five-string bass as well as seven-string guitar.
Rowin Power Tuner
Whether you’re practicing, recording, or performing, it’s important to always make sure that you instrument is in tune. LT-920 Power Tuner from budget guitar effects pedal manufacturer Rowin is fast tuner with a large display whose chassis is small enough to fit even the most crowded pedalboards. Not only that, but it also pulls double duty as a power supply. The LT-920 Power Tuner can provide power to up to six 100mA pedals and upt to two 500mA pedals.
Korg Pitchblack Custom (White)
Housed in a limited edition sophisticated white enclosure, the Pitchblack Custom delivers pinpoint precision and exceptional visibility at your feet. Versatile display modes and three-dimensional lights provide an unparalleled level of visibility. Besides enabling extreme +/- 0.1 cent tuning accuracy, it has true bypass switching which avoids any coloration of your sound. The Pitchblack Custom boasts unprecedented precision and visibility for bassists and guitarists. Its high-efficiency, long-life design enables about thrice longer operation compared to the earlier model.
TC Electronic Polytune Noir Mini 2
The original PolyTune Noir has set the benchmark for how supercool a tuner could be with its sleek black appearance and compact design. Now the PolyTune 2 Noir is a portable tuner featuring strobe, chromatic, and polyphonic tuning for quick and precise tuning. It comes with an ambient light detector and an ultra-bright 109-LED display that give you a clear and instant readout in any viewing condition. It loads the most groundbreaking tuning technology into an ultra-compact chassis sporting a basic black paint job.
Digitech Jam Man Express XT
The JamMan Express XT is the easiest-to-use and most compact DigiTech looper yet. DigiTech describes it as the “most full featured compact looper” available. The JamMan Express XT looper loads plenty of handy features into a sturdy, compact, all-metal package. Featuring ten minutes of stereo looping, Jam Sync, Silent Clear, and true-bypass, the Express XT is a welcomed addition to your JamMan XT looping set-up. The revolutionary JamSync function allows you to hook up several units to create a multi-track looping rig.
Chase Bliss Audio MOOD
The MOOD from Chase Bliss Audio is a dual-channel granular micro-looper/delay. Built to be immediate and playful, it is a study of interaction, and is designed to be “internally collaborative.” The MOOD enables audio to freely pass back and forth between its two sides—wet channel and loop channel, which were developed by Old Blood Noise Endeavors and Drolo FX respectively. The MOOD’s heart is a clock control that accelerates or slows both sides in harmonized steps.
Electro-Harmonix 22500
The Electro-Harmonix 22500 Dual Stereo Looper packs powerful looping capabilities in a compact, pedalboard-friendly chassis. Affordable and easy to use, the 22500 features dual stereo loops with selectable independent or locked loop lengths, sequential and parallel looping modes, Reverse and Octave functions, 16 built-in drum loops, and more. The 22500 can record up to 100 individual high-quality, uncompressed audio to a removable SDHC card. It comes with a free 8GB card and can support up to 32GB cards.
Digitech TRIOPLUS
The DigiTech Trio+ is among the most impressive performance, writing, and practice tools for guitarists. This simple-to-use guitar pedal is built on DigiTech’s famed Trio technology which listens to your playing and instantly plays drum and bass accompaniment. The Trio+ gives you five additional genres for achieving the perfect feel. You select a genre and style variation, then start playing. The Trio+ pedal also includes three bass line modes that will fit any style of music you are playing.
Electro-Harmonix Nano Looper 360
Taking its name from its recording time of up to 360 seconds, the Nano Looper 360 is a powerful looping device housed in a small and compact enclosure. The Nano Looper can store up to 11 loops and features an intuitive interface with only one footswitch handling record, overdub, undo, redo, and erase duties. No worries when it comes to loop quality, either; Electro=Harmonix kitted out the Nano Looper with 24-bit digital converters for high-quality sound.
JOYO Iron Loop
The JF-329 Iron Loop holds the distinction of quite possibly being the smallest looper pedal to ever hit the market. Size isn’t everything, though, and on the looping functionality front, the JF-329 Ironman performs admirably. It can record loops up to 20 minutes in length, is dead simple to use, and even has a LED display that indicates loop length and position. This Ironman line pedal is small enough to fit in your front pocket and features a flip cover for keeping your control dial settings safe.
Mission Engineering EP-25-Pro Aero Gold Carbon
Donning a beautiful gold carbon fiber graphic finish, the EP-25-Pro Aero Gold Carbon expression pedal is perfect for guitar, acoustic instruments, keyboards, and both studio and live use. It incorporates individual polarity switches for every channel. That enables compatibility with a broad range of pedals, modeling amps, MIDI controllers, keyboards, rack effects, and other expression controlled devices. The EP-25-Pro features a fully sealed 25K Ohm linear taper potentiometer for durability and smooth action. The all-aluminum Aero is half the weight of a regular Mission pedal.
Donner Viper Mini
The Donner Viper Mini is a two-in-one Expression/Volume pedal with a super lightweight housing that gives you convenience. This mighty little pedal features an excellent Expression response as well as Volume function. The Viper Mini instantly detects and catches the output source (EXP/Vol) objective. It also includes a special analog circuit design and smooth taper that precisely responds to different parameters. The Viper Mini comes in a sturdy, hard plastic compact enclosure and works without a pedal power supply or battery.
WMD Geiger Counter Pro
This is the future of digital dirt. WMD’s Geiger Counter boutique distortion guitar effects pedal delivers a cornucopia of dirt tones, from the classic and recognizable to some insanely twisted, octave folded lo fi fuzz that brings to mind the irradiated wind that follows in the wake of a mushroom cloud. The Geiger Counter Pro is the evolved version of the Geiger Counter that crawls out of that radiation fallout. It ups the number of wavetables to 512 in total, has a wavetable morphing feature, comes with 16 switchable presets, and is even upgradeable via USB..
Carl Martin Noise Terminator
The Carl Martin Noise Terminator is designed to maintain the original tonal characteristics while eliminating unwanted noise occurring from using multiple effects. It outperforms traditional noise gates by allowing you to switch between two threshold settings—Hard when more radical settings are necessary or Soft with less noisy equipment. Using the remote jack, you can connect the Noise Terminator to an external midi switching system that lets you go between Hard and Soft settings conveniently. The Noise Terminator is a 9V-battery-powered pedal featuring an AC adapter jack.
Singular Sound BeatBuddy
Introducing a drum machine within a guitar pedal format—the BeatBuddy by Singular Sound. It allows you hands-free and creative control of the beat. You can conveniently insert fills, throw in drum breaks, add accent hits, shift from verse to chorus, and more, to produce an unparalleled live drummer effect—all in an iconic, natural 24-bit sound. The BeatBuddy is loaded with features for all kinds of musicians. A visual beat display makes it effortless to enhance rhythm or play with unusual time signatures.
Source Audio Vertigo
Enjoy three distinct tremolo effects with the Vertigo Tremolo pedal from Source Audio. Normal tremolo gives you a divine regeneration of the thumping “opto trem” amplitude modulation seen in old-school Blackface Fenders. Harmonic revitalizes the unforgettable sway of the early 60s Fender Super’s “Vibrato” effect. Ultimately, the sweetly overdriven Bias tremolo simulates the swampy “bias wiggle” of vintage tube bias modulation. The Vertigo Tremolo is taking the tonal possibilities further with its Shape control, which lets you morph the LFO wave shape from square to opto or sine to saw tooth.
TC Helicon Switch 6
Grab yourself the Switch-6 foot pedal from TC Helicon to maximize the complete creative potential of your VoiceLive Touch 2 or VoiceLive 3. Six high-quality footswitches allow you hands-free control of looping, preset changes, HIT effects settings, and more while performing on stage. Footswitches come with preprogrammed settings or modifiable to various functions to suit your performance needs. The Switch-6 is compatible with Play Electric, Play Acoustic, Perform-V, VoiceLive Touch 2, VoiceLive 3, and VoiceLive 3 Extreme.
Radial Tonebone Headbone SS
The Headbone by Radial is a sophisticated head switching tool that enables you to use two guitar amp heads with one speaker cabinet. Boasting an entirely discreet class-A circuitry and choice between unbuffered and buffered inputs, players who want the ultimate in tonal performance will appreciate the Headbone. Its internal switching consists of a sequence of relays, load resistors, and photocells, all are controlled using a digitally programmed chip. The Headbone features models for solid-state (SS), tube amps (VT), or both (TS).
Lehle D-Loop
Employ two different effects loops with the D.Loop from Lehle. It boasts two true-bypass loops and high-end gold-plated relays, so your tone stays pristine when you are not utilizing it. Stomp on the D.Loop to bring in whatever range of effects you desire. You may also use the D.Loop to incorporate another preamp on the fly or utilize the main input and a return to bring in various instruments. Whatever you do, you will appreciate this stompbox’s full MIDI capacity, since you can make its switches operate the way you desire.
Radial BigShot EFX
Set up two independent effects loops then add them to your pedal chain as you see fit with the BigShot EFX true bypass effects loop switcher from Radial. Therefore, those tone robbing non-true bypass pedals and noisy pedals that you love to hate can already be utilized and entirely removed from the signal path when you don’t need them. Better yet, when your effects loop is on standby, you can turn on/off pedals at will and ready your sound.
T-Rex Shafter Wah
A sturdy, ultra-versatile wah-wah effect that lets you take control of your pedal not the other way around. The Shafter Wah is T-Rex Engineering’s best shot at an authentic next-generation wah-wah pedal. With plenty of adjustability, a more extensive frequency sweep, greater durability, quieter operation, and three entirely different wah characters, it addresses all the drawbacks of a classic wah. T-Rex Engineering believes it is the best wah-wah ever existed. The Shafter Wah is highly tuneable via Slope and Boost knobs.
Caline Blue Ocean
Getting great, natural-sounding delay tones doesn’t have to be expensive, and the Caline CP-19 Blue Ocean Delay guitar effect pedal proves it. You can dial in a delay time of anywhere from 25ms to 600ms with the Delay knob and then use the Repeat knob to control the delay signal’s repeats for slap back effects and classic delays. The Caline CP-19 Blue Ocean Delay comes with a true bypass feature and can be powered by a 9V battery or compatible power supply.
Carl Martin Buff Deluxe
The Buff Deluxe is built to run alongside huge multiple effects boards with plenty of true bypass effects. The drawback of utilizing true bypass effects is that your guitar signal stays high impedance, leading to the loss of high note because of the several feet of cables running at the pedalboard, and not the slightest from board to amp. The Buff Deluxe features a Mute switch that directs your signal to the Tuner Out. That enables the removal of even the tuner from the signal chain as well as convenient and silent guitar tuning.
Orange Amp Detonator
Running two amps is an accepted way of capturing bigger tones in the studio and on stage. No matter if it is changing between two amps for their characteristics or employing them simultaneously for vast walls of sounds, professionals have been using this setup for years. The Amp Detonator by Orange is arguably the tiniest active, wholly functional, buffered ABY pedal available. The transformer output was painstakingly engineered to become as transparent as possible, while the two outputs are buffered with a low-noise, linear circuit. Drive lengthy cable to your amplifiers without clarity loss and change quietly between them.
Mooer Microbuffer
Ever notice that the longer your cable gets, the worse your tone seems to become? It’s especially noticeable when you’re a consummate shoegazer with a pedalboard filled with dozens of interconnected pedals. The MBF1 Micro Buffer guitar effects pedal from budget stomp maker Mooer helps you minimize tone suck caused by pedal and cable impedance problems. Stick it in your pedal chain, choose a high or low EQ cut, and use the Boost knob to bump up the signal level in case of any volume loss.
Morley Buffer Boost
The Morley Buffer Boost isn’t a guitar effects pedal, per se. Instead, it’s an essential weapon in the constant battle against tone suck. The Buffer Boost contains a buffer circuit that gives your guitar signal that extra push it needs to maintain its output level and tone, no matter how many pedals you may have in your pedal chain. You can place the Buffer Boost at the front or back of the signal chain and use it as a clean boost with up to 20dB of extra output.
Truetone Pure Tone
Before it changed its name to Truetone, Visual Sound had been making guitar effects pedals for two decades. Among the many innovations it created was the buffer circuit in its pedal releases. Now, under the Truetone moniker, that very same buffer circuit has been made available in pedal form. Put it first in your effects chain and the Truetone Pure Tone Buffer pedal will eliminate cable capacitance and tone suck, common headaches for musicians with long guitar cables.
Xotic Super Clean
In the battle against tone suck, a good buffer pedal is an indispensable weapon in your arsenal. And when it comes to high-end buffer pedals, the Super Clean from boutique guitar effects stompbox company Xotic is one of your best choices. This buffer stomp is powered by a legendary JRC4558 chip and delivers up to +12dB of clean boost. It features a convenient Gain mini-pot as well as four side-mounted dip switches that let you tweak the EQ settings to your liking.
Electro-Harmonix Hum Debugger
Signal hum can be a source of headaches and frustrations for all musicians. Throw a Hum Debugger into your effects chain, though, and you can kick that annoying sound to the curb. This hum eliminator isn’t a noise gate, and neither is it a noise suppressor, but it extracts hums and buzzes from your signal and turns it into dead silence via some sonic voodoo courtesy of Electro-Harmonix. Accurate and precise noise elimination has never been easier to achieve.
Rowin Nosie Gate
Get rid of unwanted buzzes, hisses, and hums in your guitar signal with the LEF-319 Noise Gate from budget guitar effects pedal manufacturer Rowin. The Noise Gate does exactly what it says on the tin; it takes you guitar’s dry signal and eliminates the noise level within your effects loop. Just set the minimum volume threshold where the pedal’s functions kick in via a dedicated Threshold knob, choose Hard or Soft gating via the two-way selector, hit the footswitch, and enjoy noise-free playing.
Donner Noise Killer
The Noise Killer is arguably one of the most competitive noise gate pedals you can find on a limited budget. It delivers the core performance and features that are essential for a decent pedal of this kind. It lets you choose between Hard and Soft modes, which provide hard effect and soft effect of noise reduction respectively. The threshold range goes from -70dB to +10dB. The Noise Killer comes in an aluminium-alloy enclosure, and like many great effector pedals, it also features a true bypass function.
MOSKY Noise Reduction
The Noise Gate is budget guitar effects pedal maker Mosky Audio’s offering to those musicians who are having headaches dealing with unwanted buzzes, hisses, and hums in their signal. It takes you guitar’s dry signal and eliminates the noise level by up to 26dB within your effects loop. You can set the minimum volume threshold where the pedal’s functions kick in via a dedicated Gate knob. Just dial in your preferred threshold, hit the footswitch, and enjoy noise-free playing.
MXR Noise Clamp
Clampdown on excess noise and hiss with the Noise Clamp pedal by MXR. By sensing the dry signal of your guitar, it lowers the noise level in the effect loop, putting the kibosh on even your noisiest signal. A single Trigger dial lets you select the volume threshold at which the Noise Clamp is active, and a green LED tells you whether the gate is on/off. The Noise Clamp can trim noise up to 26dB, preserving riff definition at massive gain levels.
TC Electronic Iron Curtain
Presenting the no-nonsense way to get rid of your sound gremlins, the Iron Curtain Noise Gate by TC Electronic. It is an ultra-fast and efficient noise gate that minimizes unwanted noise from your instrument signal. Its convenient two-knob interface controls decay and threshold. The toggle switch allows you to select between reducing unwanted noise or muting signal entirely. Designed and engineered in Denmark, the Iron Curtain Noise Gate comes in a durable metal chassis. It features a true bypass for supreme signal integrity.
Digitech TRIOPLUS
The DigiTech Trio+ is among the most impressive performance, writing, and practice tools for guitarists. This simple-to-use guitar pedal is built on DigiTech’s famed Trio technology which listens to your playing and instantly plays drum and bass accompaniment. The Trio+ gives you five additional genres for achieving the perfect feel. You select a genre and style variation, then start playing. The Trio+ pedal also includes three bass line modes that will fit any style of music you are playing.
Nux Loop Core
The NUX Loop Core is a turbocharged variant of the original and already the most versatile Looper in the market. NUX covered all the essentials in a Looper that lets you record and play back several layers, but now it incorporated a different level of goodies. Boasting 99 personal-user memories, 40 inbuilt drum patterns and now, a new range of well-thought-out user assists. Whether you compose, rehearse, or play live gigs, you will appreciate the innovative features of the Loop Core.
Digitech Jam Man
DigiTech’s JamMan Stereo Looper boasts the ability to save 35 minutes of CD-quality loops within 99 internal memories and an SD memory card expansion slot that allows you to store more than 16 hours of material in an added 99 slots. It also includes reverse playback, true stereo looping, and a mic input making it suitable for DJ applications and backing tracks. The JamMan Stereo has USB connectivity and will sync to the JamManager XT software which organizes and records your JamMan Stereo loops to your Mac or PC.
Digitech Jamman Solo XT
After inventing looping many years back, the DigiTech JamMan Solo XT gives you the ultimate stereo looping experience. Increase the energy in your performance and gain new inspiration with almost infinite loops. Smooth transitions between looped phrases make the Solo XT an indispensable device for performing and composing. It features ten pre-loaded drum loops from Pat Mastelotto. Enjoy the stereo looping experience you desire from simple backing loops to complex loop layers with your band or by yourself. Polish your performance with Auto-Quantize, Auto-Record, three Stop modes, and adjustable BPMs.
Rowin Beat Loop
The LBL-01 Beat Loop is a versatile and affordable combination drum machine and looper pedal from budget-priced guitar effects pedal manufacturer Rowin. The looper section can record for up to five minutes in each of 30 separate storage locations. The drum machine has two drum groups with 40 drum types, half of which are standard while the other half is electronic. The LBL-01 Beat Looper also has a separate dual footswitch controller that lets you control the drum section.
DigiTech SDRUM
The DigiTech SDRUM is an intelligent drum machine for bassists and guitarists. By merely scratching across your guitar strings, the SDRUM learns a kick and snare pattern which establishes the foundation of the beat you wish to hear. The SDRUM yields, according to this pattern, a professional sounding drum beat with different variations and embellishments to complement your beat. You no longer have to disrupt your creative flow when browsing through lists in a frustrating attempt to get your desired beat.
Other Pedals
Mooer Funky Monkey
Need to get funky but can’t stand around rocking and cocking a wah pedal back and forth? Here comes the Funky Monkey to the rescue. This compact auto wah guitar effects pedal from budget stomp maker Mooer comes with three different EQ modes for the wah effect: Low Peak, Mid Peak, and Hi Peak. Combine those with the Q micro knob and you get a wide sonic palette of highly musical wah tones. You can also control the wah’s depth and time using the Range and Rate knobs, respectively.
Morley Mini Wah
The Morley Mini Wah has the same classic wah tone and electro-optical sensor technology that made its bigger wah brothers famous, but it’s all packed into a small pedal perfect for crowded pedalboards. The Morley Mini Wah pumps out a traditional, full-bodied wah tone with a standard sweep and comes with a side-mounted on and off switch, a wah level control, and a LED indicator, all encased in road-tough cold rolled steel housing. Whether you plug in a guitar, a bass, or a keyboard, the Morley Mini Wah will definitely funk things up.
Morley M2 Maverick Contour Wah
Vintage construction or modern convenience? Morley makes picking the right wah pedal even easier with the M2 Maverick Contour Wah, a wah pedal that marries the vintage pot-based wah approach with modern optical design. Apart from the switchable dual wah modes, the M2 Maverick features Morley’s famous Electro-Optical potless circuit design along with Audio 1000K slide pot for all your classic tone and Q shaping needs. The M2 Maverick also features switchless operation and True-Tone Bypass.
Dunlop Jerry Cantrell Cry Baby
Dunlop’s limited-edition Jerry Cantrell Signature Cry Baby Wah features a distressed black finish, special treadle design inspired by Jerry’s tribal orca tattoo made by Coast Salish artist Joe Wilson, and lyrics for Rainier Fog by Alice in Chains on the bottom plate. The distressed black coating is reminiscent of the Rainier Fog’s visual vibes. Limited to only 500 pieces, the Jerry Cantrell Cry Baby is a must-have for Alice in Chains fanatics and musicians who are looking for that uniquely vocal wah tone.
Mooer Envelope
Protip: if you want to get all fancy, call a pick attack-sensitive auto-wah an envelope filter. The Envelope guitar effects pedal is budget stomp maker Mooer’s first analog version of this effect. Thanks to its analog circuits, the Envelope serves up a smooth, warm wah tone. It can handle both guitar and bass signals and features sensitivity and tone controls for your sound-shaping needs. You can even coax out a cocked wah effect by rolling the sensitivity setting to0 and turning the Envelope into a static frequency filter.
Morley Mini Bad Horsie 2
Guitar god Steve Vai’s signature wah tone and sweep, packed into a compact cold rolled steel chassis that’s both tank-tough and pedalboard friendly. It comes with all of the Bad Horsie 2’s features, from the Vai-approved Bad Horsie and versatile Contour Wah dual modes to the electro-optical circuit design. This limited edition version of the Mini Bad Horsie 2 is covered in artwork created by Vai himself and is limited to only 700 pieces worldwide.
NUX PA-2
While the NUX PA-2 Acoustic G-EFX can comfortably fit in your palm, it is loaded with ten professionally-designed effects models. It enables an extensive range of tonal character of your acoustic guitar. You can conveniently dial up a tone thanks to its user-friendly buttons and knobs as well as bright LCD. The PA-2 boasts three acoustic guitar sound simulations and improves the sound according to the simulation of the guitar body type. You may choose one of the three “Body” simulations and set up your sound by three-band EQ, delay, compressor, reverb, and chorus effects.
Zoom AC-2 Acoustic Creator
The AC-2 Acoustic Creator by Zoom is a revamped direct box that serves up everything you need to achieve your natural acoustic tone anywhere you play from the studio to the stage. It instantly restores the tone lost via acoustic pickups, guaranteeing that your live sound stays resonant, lush, and true to your selected instrument. The AC-2 Acoustic Creator features high-quality preamp, piezo/magnetic input pickup select, reverb effect, and three-band equalizer. It also includes an inbuilt chromatic visual-led Tuner and Anti-Feedback control.
JOYO D-SEED
The Joyo D-Seed guitar effects pedal is a dual-channel digital delay that serves up a bevy of highly musical delay tones. You get 17ms to 1000ms of delay time plus four delay modes. First is Copy, which just plays back the notes you play without any additional effects. Analog emulates the warmth of an analog BBD delay pedal and Modulation adds a splash of chorus to the delay effect. Finally, there’s Reverse for when you want to get really weird and trippy. Great delay effects at a similarly great price.
Rowin Auto Wah
Boutique level auto wah sound at a price that won’t flatten your wallet. The LEF=3804 Auto Wah from budget guitar effects pedal maker Rowin can serve up a wide range of classic wah tones, from a soft, slow wah to a faster, more watery Cry Baby-esque attack. You can dial these in using the dedicated Cutoff, Shape, Reso, and Speed control knobs. The LEF-3804’s Auto Wah’s footswitch also has a secondary function: hold it down to store a parameter to create some interesting layered tones.
JOYO Classic Flanger
The JF-07 Classic Flanger guitar effects pedal from Joyo makes great use of its bucket brigade device circuit to create high-quality analog flange effects that won’t lose out to the more expensive boutique pedals. Since it’s analog, the JF-07 Classic Flanger’s flange tones don’t have the harsh, metallic edge of digital flanges. For precise tone-shaping, this budget-friendly stompbox features dedicated Regen, Delay Time, Width, and Speed controls for creating wavy choruses, rapid-fire tremolos, and screaming jet flanges.
TC Helicon Play Acoustic
The Play Acoustic by TC Helicon combines everything you need to make a live acoustic performance standout: best-selling guitar effects, pristine backing harmonies, lavish vocal sounds, and innovative processing that makes your six-string sing harmoniously with your voice. It treats your guitar with well-deserved respect. Tailor-made guitar FX gives a delightful touch of magic, and the BodyRez provides you with a fuller, acoustic tone while playing via a PA. The Play Acoustic has been designed and engineered in Canada.
Seymour Duncan Studio Bass
The Studio Bass Compressor by Seymour Duncan is a studio-quality, classic compressor that comes in a simple four-knob format. It is transparent and pairs well with your 805 Overdrive for a tight grind. It consists of an innovative Blend knob and a three-position mini-toggle switch that let you determine the frequency range of the natural uncompressed signal and set the amount of dry versus wet signal routed to the output. The Studio Bass Compressor is designed and assembled in Seymour Duncan’s Santa Barbara, California factory.
Boss BB-1X Bass Driver
Let your bass go big and bold like never before with the Boss BB-1X Bass Driver, a badass bass overdrive pedal that goes beyond other bass-specific overdrive pedals and acts more like a preamp. Whether you’re eliciting natural clean tones or biting, growling distortion, the Boss BB-1X Bass Driver keeps your bass guitar’s core tone crystal clear and doesn’t muffle your low end. Use its quartet of powerful settings dials to shape your sound further and add more punch, body, and presence to your tone.
Pigtronix Bass FAT Drive
Building on the FAT Drive’s tremendous success, Pigtronix is delighted to announce its Bass FAT Drive. It has been fine-tuned for low-end muscle and grind. It slams your amp with a pure analog, tube emulated overdrive ranging from warm and soft to splendid high gain apocalyptic thunder. Use the Bass FAT Drive in front of your solid-state amp or DI, and it will impart a round, natural depth to your bass tone. The Bass Fat Drive utilizes Pigtronix’s CMOS clipping concept to shape a larger-than-life sound that breaks up depending on how you hit your strings.
VOX StompLab 1B
Vox’s StompLab series includes impressive contenders that load exceptional sounds into portable, sophisticated looking metal enclosures. Sound variations are classified by style, like a ballad, blues, and rock, making it convenient for newbies to recall the preferred sound. The feature-laden StompLab IB is suitable for those who want plenty of tones in a tiny space. Leveraging a similar sound engine as ToneLab multi-effects units and VT+ amps, the StompLab delivers 100 gig quality presets for virtually any music style.
Mad Professor Snow White Bass Auto Wah
The Snow White Bass Auto Wah traces its pedigree all the way to a rack-mounted BJF remote wah circuit from the early ‘90s. Mad Professor took that circuit, went all Dr. Frankenstein on it, tuned it to handle heavy bass signals, and crammed it into a compact, pedalboard-friendly stompbox chassis. What you get is a highly musical and extremely flexible auto-wah with tracking so fast and accurate that most other auto-wah pedals would be left in the dust. The Snow White Bass Auto Wah is hand-made and hand-wired in Finland using only top-quality components.
Electro-Harmonix Steel Leather
Does “steel leather” come from metal cows? No idea, but the definition’s not important. What you definitely should know is that the Steel Leather bass attack expander from Electro-Harmonix will give your bass guitar all the extra definition it needs to cut through any mix, no matter what stage you’re on. It’s highly responsive to your picking dynamics, too. Play really softly and you probably won’t even notice it, but attack those strings hard and the expander will kick in.
Death By Audio Soundwave Breakdown
Now boasting an external volume control, the Soundwave Breakdown from Death by Audio turns the idea of a screaming fuzz pedal inside out. It leverages reversed matched transistors to achieve its bombastic sound. The very positions of the controls produce entirely different sounds ranging from grind, fuzz, and buzz to bleeps, synth sounds, and more. The Soundwave Breakdown grants you a massive universe of gnarliness and creates the alien to your amp. Be warned though as it is always only grizzled psycho fuzz.
Morley Mini Power Wah Volume
A classic wah tone paired with smooth and seamless volume control, packed into a tough, compact chassis ideal for crowded pedalboards. The Mini Power Wah Volume pedal from modulation master Morley gives you two versatile and essential pedal effects without taking up as much space as a regular expression pedal. It comes packed with Morley’s modern wah innovations including electro-optical circuitry and true-tone bypass, plus a custom HQ2 inductor that gives you more funk for your buck.
Ernie Ball 250k Mono Volume Pedal
Get complete and precise volume control right at your feet. The Ernie Ball 6166 250k Mono Volume Pedal is an excellent hands-free option for controlling your volume. It features a super-smooth sweep and has a micro taper switch that lets you choose between two different volume swell rates. It’s calibrated specifically for the perfect handling of passive audio signals and comes with an independent tuner output for unobtrusive onstage tuning. The 250k’s rugged aluminum construction means it can withstand the rigors of constant use.
Tom’sline Slow Hand
Create dramatic volume swells to make your sound more epic with budget guitar effects pedal maker Tomsline’s Slow Hand stompbox. It cuts off the attack of each note you play to produce a volume swell similar to rolling up your guitar’s volume knob from zero. You can even use it to make your guitar sound like a violin. The Slow Hand features Tomsline’s patented stop bar design to keep your foot from messing up the pedal’s settings when you stomp on it.
Morley Stereo Chorus Volume
Almost every acoustic guitar player’s pedalboard has a volume pedal and a chorus pedal. Morley combines these two essentials into one handy pedal designed specifically for acoustic guitarists: the SCV Stereo Chorus Volume. The SCV Stereo Chorus Volume lets you use its volume control and chorus effect individually or together, plus it has dual outputs for true stereo output. It also sports Morley’s electro-optical circuit design, so you won’t ever have to worry about wearing down the pedal’s pots.
Morley Little Alligator Volume
The linear taper in Morley’s Steve Vai Little Alligator optical volume pedal is Vai specified, stamped, and approved. This means you get a dependable and sturdy volume pedal with a smooth and seamless sweep that works equally well in your effects loop or straight into a front amp input. The Little Alligator’s electro-optical circuit design means you won’t have to worry about worn out pots and it can handle both guitar and bass signals perfectly.
Mission Engineering EP-1 (Red)
Sporting a vibrant red finish and all-metal construction, the EP-1 by Mission Engineering is a professional quality, one channel expression pedal compatible with an extensive range of stompboxes, MIDI controllers, digital amps, and effects processors. You can utilize the EP-1 anywhere would use a Boss FV500, M-Audio EXP, Roland EV-5, or similar pedal. The EP-1 comes in a sturdy metal enclosure and purpose-designed sealed 10K linear potentiometer. It is a conventional style full-range sweep expression pedal.
Moog EP-3
The Moog EP-3 is your trustworthy and robust universal expression pedal built to work with any synthesizer, pedal, or keyboard with an expression or CV input. It boasts an advanced cam system with incredibly seamless performance and durability, a scalable output control for defining the musical range, and a polarity switch ensuring compatibility with non-Moog units. The EP-3 is designed to endure the severity of daily torturing and abuse while delivering the feel and action you need for dead-on musical expression. Pair it with Minitower or Moogerfooger analog effects to discover different dimensions of sonic possibilities.
Mission Engineering EP1-L6
Manage all your Line 6 gears that incorporate expression inputs with the EP1-L6 expression pedal from Mission Engineering. You will appreciate the EP1-L6 if you love to whammy and wah with your Pod HD or other Line 6 equipment. Built in the USA, the EP1-L6 boasts a stainless steel and all-aluminum construction as well as high-quality components for years of seamless operation and rock-solid reliability. It features a non-slip rubber pedal surface so it will stay in place during your highly energetic performances.
MOOER Expline
Expression pedals are an essential piece of any good pedalboard setup, but most of them just take up too much space. Enter the Expline, budget stompbox maker Mooer’s answer for shoestring shoegazers faced with a lack of premium pedalboard space. The tiny Expline features a pair of built-in foot rings that unfold to give you a larger surface area to work with. Once you’re done rocking out you can fold them back in to save room.
Mission Engineering Red EP-25K
Packaged within a vibrant red chassis, the EP-25K from Mission Engineering is a two-channel pedal built for utilization with equipment that favors a 25K expression pedal such as TC Electronic, Moog, Eventide, and Strymon. It incorporates a 25K Ohm potentiometer instead of the 10K potentiometer found in a standard Mission EP-1. The EP-25K includes two outputs that you can utilize to control two expression pedal devices at once. It is also compatible as an input for the Expressionator.
Dunlop DVP4
Manage your FX parameters and volume without congesting your pedalboard with the Dunlop DVP4. Thanks to its ability to do everything the bigger DVP3 does at half the size, you no longer have to skimp on functionality or durability to conserve space. The DVP4 is just as sturdy and solidly constructed with an aggressive non-slip tread, lightweight aluminum enclosure, and Dunlop’s patented Low Friction Band-Drive for consistent performance and seamless range of motion. For supreme precision and comfort, its rocker tension is adjustable.
Joyo JF-307
The JF-307 Clean Glass guitar effects pedal from Joyo brings the classic tone of blackface-era Fender amps straight to your feet. As its name suggests, this tiny stompbox does justice to Fender’s classic twangy and clear clean channel sound. There’s also a dedicated Drive knob for when you want to add saturated, sustain-friendly dirt. The JF-306 Night Train is an Ironman pedal, so it’s small enough to fit in your front pocket and features a flip cover to keep your control dial settings safe.
Boss AC-3 Acoustic Simulator
Want to dive into a soft and sweet acoustic ballad in the middle of a set but don’t have the slightest inclination to bring along a big and bulky acoustic guitar? The Boss AC-3 Acoustic Simulator lets you travel light. With its powerful Composite Object Sound Modeling (COSM) technology and four different acoustic simulation modes, you can turn any electric guitar into a variety of warm and bright acoustics using the Boss AC-3 Acoustic Simulator.
JOYO Clean Glass Mini
The JF-307 Clean Glass guitar effects pedal from Joyo brings the classic tone of blackface-era Fender amps straight to your feet. As its name suggests, this tiny stompbox does justice to Fender’s classic twangy and clear clean channel sound. There’s also a dedicated Drive knob for when you want to add saturated, sustain-friendly dirt. The JF-306 Night Train is an Ironman pedal, so it’s small enough to fit in your front pocket and features a flip cover to keep your control dial settings safe from stray stomps.
Catalinbread SFT
The Catalinbread SFT is the brand’s take on the respected Ampeg SVT circuit, offering tone shaping and drive options for bass and guitar. Boasting a two-band Baxandall EQ circuit, along with the Gain and Volume knobs, the SFT is capable of outright distortion, amp emulation, subtle tone-shaping, or painting all shades of saturation in between. Whether you are in the market for a bass overdrive, guitar distortion, or the ultimate heavy drop tune saturator, the Catalinbread SFT can do the job.
Mooer TresCab
The TresCab lets you plug directly into a soundboard without sucking the life out of your tone. This speaker sim from budget guitar effects pedal maker Mooer even helps make your tone sound full by way of five different cab type sounds: small 1×8″ and 1×10″ combo amps, open 1×12″ and 2×12″ cabs, and a closed-back 4×12″ stack. You also get two additional modes for fine-tuning: EQ mode for sculpting high and low frequencies and Mic mode for adjusting the mic placement.
Joyo British Sound
The JF-16 British Sound rounds out Joyo’s early series of compact and affordable amp simulator pedals. It comes packed full of a Marshall amp’s Brit-flavored crunch, from the warm, vintage overdrive of early ‘60s Marshall amps to the high-gain tube scream of the JCM800 and JCM900 amp heads. The JF-16 British Sound features a three-band EQ for flexible tone sculpting, plus it has a unique Voice dial that opens your tone up to more exciting sonic possibilities.
TC Helicon Talkbox Synth Pedal
The Talkbox Synth pedal from TC Helicon serves up new and vintage sounds to your arsenal. From wonderfully electronic talking robot effects to easily distinguishable talkbox hose-in-the-mouth sounds, picture yourself commanding attention at gigs and jams. Even while the effect is off, the Talkbox Synth is capable of drastically enhancing your core vocal sound with studio-quality reverbs, pitch correction, and Adaptive Tone. Designed and engineered in Canada, the Talkbox Synth comes in a sturdy, roadworthy chassis for years of reliable performance.
WMD Geiger Counter Pro
This is the future of digital dirt. WMD’s Geiger Counter boutique distortion guitar effects pedal delivers a cornucopia of dirt tones, from the classic and recognizable to some insanely twisted, octave folded lo fi fuzz that brings to mind the irradiated wind that follows in the wake of a mushroom cloud. The Geiger Counter Pro is the evolved version of the Geiger Counter that crawls out of that radiation fallout. It ups the number of wavetables to 512 in total, has a wavetable morphing feature, comes with 16 switchable presets, and is even upgradeable via USB..
Boss MO-2 Multi Overtone
The Boss MO-2 Multi Overtone guitar effects pedal is among the vanguard of Boss’s next generation of stompboxes. Powered by the magic of Roland’s innovative Multi-Dimensional Processing (MPD) technology, the MO-2 generates harmonically rich overtones that complement, enhance, and thicken your guitar or bass sound, whether you’re playing clean or distorted. Three unique modes and a dedicated Detune knob let you add all-new dynamic resonance textures to your sound, ranging from shimmering multi-string sounds to organ- and synth-like voicings.
Rowin Cursh Bit
Forget the typo in the name; the LEF-3810 Cursh Bit (or Crush Bit, in keeping with what it does) is a powerful bit crusher pedal from budget guitar effects pedal maker Rowin. Bit crushers reduce the sample quality of your guitar signal to make it sound all kinds of lo-fi. Blend your dry and wet signals with the Mix knob and control the reduction of the sample’s rate and depth using the Bit and Crush pots, respectively. It also comes with a three-way toggle that lets you switch between low-pass, high-pass, and normal modes.
Sabbadius Mostro Synthesizer Fuzz Modulator
A significant fuzz pedal created using top-grade materials and silicon transistors. The Sabbadius Mostro Synthesizer Fuzz Modulator was designed and inspired by Dante Spinetta, who asked Nico if he could devise a pedal for his band, IKV, and said he wanted one that is capable of delivering an explosive fuzz sound yet very deformed. The Mostro Synthesizer Fuzz consists of Wah Wah Trick, Bias, Fuzz, and Synth Controller knobs, as well as a toggle switch that lets you select from Normal or Deform settings.
Dwarfcraft Devices HAX2
Dwafcraft Devices has mastered the art of crafting guitar effect pedals that do many things extremely well, and the HAX2 ring modulator is no different. Lightyears ahead of the original HAX circuit it’s based on, the HAX2 combines ring modulation, an envelope follower, and a filter in one sturdy stompbox that can serve up everything from deep tremolo-style effects and psychedelic modulation to a pleasant, sparkly chorus. Four dials and four toggle switches give you all the control you could ever need.
