Tonebox Recommended Pedals
Electro-Harmonix Bass Big Muff Pi
The Electro-Harmonix Bass Big Muff Pi is all about giving the beefy bottom ends of bass guitars some warm Muffy love. The Bass Big Muff Pi is actually based on two classic Big Muffs, taking the classic fuzz sounds of the Sovtek Big Muff Pi and the Electro-Harmonix Big Muff Pi and optimizing them to handle rib-rattling low frequencies. Dedicated tone, Volume, and Sustain knobs give you a wide range of control over your fuzzed-out tone, while a Bass Boost/Dry toggle switch lets you bump your low-frequency content up.
Dunlop Germanium Fuzz Face Mini
Based on the mid-’60s Fuzz Faces, Dunlop’s FFM2 Germanium Fuzz Face Mini distortion pedal gives you warm vintage fuzz tones thanks to slightly mismatched germanium transistors. It features an AC power jack, battery door, and status LED. Unlike traditional Fuzz Face pedals that come in an unusually large housing, this pedal provides you with the convenience of a pedalboard-friendly enclosure. If you are craving for that vintage germanium fuzz tone, the FFM2 Germanium Fuzz Face Distortion Mini has got you covered.
Fender Tre-Verb
The Fender Tre-Verb puts individual reverb and tremolo effects at your feet within a portable, user-friendly pedal. Fender has incorporated vintage reverb voicings based on its famed ’63 and ’65 spring reverb units as well as several tremolo modes to ensure you can achieve your ideal sound for your music. A comprehensive set of tone-shaping controls makes the Tre-Verb sonically versatile, while stereo inputs and outputs guarantee it is convenient to connect to any amp or pedalboard.
Boss BD-2W Blues Driver Waza Craft
The Boss BD-2W Blues Driver Waza Craft Special takes the venerable Boss BD-2 Blues Driver guitar effects pedal to a whole new level via a newly revised, all-analog discrete amp circuit and a new two-position mode toggle. All of the original Blues Driver’s warm and bluesy overdriven tones are faithfully recreated in Classic mode while switching to Custom mode enhances your sound with more body and sustain. The Boss BD-2W Blues Driver Waza Craft Special remains highly responsive to your unique picking dynamics and volume changes in either mode.
MXR Six Band EQ
Covering all the fundamental guitar frequencies, the M109S Six Band EQ from MXR has been revamped with brighter LEDs for improved visibility, true bypass switching, noise-reduction circuitry, and lightweight aluminum enclosure. Each slider is ready to provide +/-18dB of boost or cut for unparalleled control of your sound. The M109S Six Band EQ is capable of eradicating onstage feedback, adding natural-sounding warmth to a quack acoustic pickup, producing scooped-mid rhythm tones with massive low end, and many more.
Vemuram Jan Ray
The Jan Ray overdrive from boutique guitar effects pedal maker Vemuram delivers truly transparent overdrive, an ultra clean boost, and sweet singing sustain minus any stray sonic artifacts and unwanted compression. The Jan Ray lets you juice up your guitar signal with everything from subtle tube amp drive to Blackface-level breakup tones without changing its core tonal characteristics. Sculpt your tone with the dedicated Gain, Bass, and Treble pots and dial in the saturation via a small trimpot.
Drive Pedals
Boss OD-3 OverDrive
The Boss OD-3 Overdrive guitar effects pedal give you rich, fat, and dynamic overdrive with a single tap of your foot. A dual-stage overdrive circuit gives you insane levels of sustain and compression that you can’t find in any other overdrive pedal without straying into buzzsaw distortion territory. The OD-3’s Increased dynamics also let you put out a “bigger” sound than any other previous Boss overdrive pedal without sacrificing the warm natural tones of a classic overdriven stack.
MOOER Hustle Drive Distortion
Budget stomp maker Mooer puts the tried and tested Fulltone OCD sound in reach of even the most budget-tight musicians with the Hustle Drive. Mooer didn’t just go and make a great copy of a great drive stomp, though; they also gave the Hustle Drive more flexibility than the original OCD by giving it two voicing modes. In Warm mode, you get the warm, natural drive of a hot tube amp. Switch to Hot mode and you crank up the heat for searing leads and massive crunch.
Old Blood Noise Endeavors The Fault
Boasting the ability to give you a sensitive drive for a clean signal, push your amp over the edge, or serve as a full distortion for your singing leads, chugging rhythms, or noise experiments, the Fault by Old Blood Noise Endeavors is the drive you never thought you needed. A bypass switch turns the pedal on/off. The Fault consists of Gain 1, Gain 2, Low, Mid, High, and Volume controls. It also features LED Indicator lights and two-button operation.
Way Huge Conspiracy Theory
The Way Huge Smalls Conspiracy Theory Professional Overdrive infuses your instrument signal with lush harmonics for smooth and transparent overdrive. Treble, Gain, and Volume controls make for an extremely simple command center. Twisting the Gain knob initiates a kind of fusion formerly unknown to science, bonding lush harmonics with your signal to yield a seamless, transparent overdrive. Utilize the Treble and Volume controls to determine how far your signal enters the limits of the universe as well as its shape when it gets there.
smallsound/bigsound Fck Overdrive
Inspired by the Disintegration Loops by William Basinski, the Smallsound/Bigsound Fck Overdrive is a humble attempt to emulate in a pedal format some of the crackling, disintegrating sounds heard on the recordings. A very distinctive effect unlike any other, several of the tones are evocative of torn up speakers, blown-out compression, overdriven tape, and overloaded tubes/amp “sag.” At the core of the Fck Overdrive are several JFET gain stages. It features an extensive range from beefy fuzz to clean boost to gritty drive.
Boss OD-1X Overdrive Waza CRaft
Boss distilled more than three decades of overdrive expertise to create the Boss OD-1X Overdrive guitar effects pedal. The result is a modern masterpiece, an overdrive stompbox with an unmatched level of performance and range of expression. You get rich, high-gain sounds with natural compression and minimal noise thanks to the OD-1X’s cutting-edge real-time processing technology, while BOSS’ Multi-Dimensional Processing (MDP) technology gives you bold, refined tones that let your guitar’s unique tonal characteristics shine through.
Caline Sandstorm Distortion
The Caline CP-27 Sand Storm Distortion guitar effect pedal continues Caline’s legacy of reasonably priced, incredibly responsive, and highly versatile stompboxes. This distortion pedal can serve up anything from a lightly boosted sound, through to a classic crunchy rock tone, and, once cranked all the way up, screaming high-gain distortion. The Caline CP-27 Sand Storm Distortion is very responsive to picking attack and string dynamics, comes with a true bypass feature, and can be powered by a 9V battery or compatible power supply.
Danelectro DJ-13 French Toast Octave Distortion Mini
The Danelectro DJ-13 French Toast Octave Distortion brings the Foxx Tone Machine’s legendary octave-up fuzz tones back to life in budget-priced stompbox form. Turn the octave up function on and its searing, screaming distortion is perfect for solos; leave it off and you get Big Muff-like mid-scooped distortion dripping with harmonics when you crank the Dist knob up. A dedicated EQ knob also gives you a lot of leeway in sculpting your tone to your precise specifications.
Caline English Man
The Caline CP-14 English Man Distortion guitar effect pedal gives you searing, high-gain distortion tones ripped straight from the classic Plexi-powered rock sounds of the ‘70s and ‘80s. This is basically a Marshall Plexi amp crammed into a tiny but sturdy slimform stompbox, serving up red-hot tube tones that feature that distinct cranked up Plexi tone. The Caline CP-14 English Man Distortion lets you sculpt your sound with dedicated Level, Gain, and Tone knobs and comes with a true bypass feature.
Dunlop Fuzz Face
The JDF2 Fuzz Face Distortion by Dunlop features the vintage Germanium PNP transistor design to deliver a lush, creamy fuzz sound. In the stompbox lore, the Fuzz Face Distortion is sitting among the legends. It boasts an exceptional ability to inject hair and harmonic richness around clean tones at lower settings. With a list of power users, including guitar icons and new stars from Jimi Hendrix and David Gilmour to Joe Bonamassa and Eric Johnson, the Fuzz Face possesses a distinctive, unmistakable sound regardless of the player.
Amptweaker FatMetal Pro
The FatMetal Pro delivers an assortment of new functions to the earlier FatMetal pedal. This Pro version contains a dual-boost function, three effects loops, and a handy 3-band EQ, which facilitates tone shaping, and still brings the classic Fat-Metal tone curve. The FatMetal Pro is a super high-gain pedal featuring a Smooth switch to temper the highs and Thrash switch to transform the basic tone into a heavier, more mid-scooped one. It is crafted for players who sought a warmer metal tone which works best with brighter guitars and amps.
NUX Metal Core
Plenty of bottom and aggressive high make the NUX Metal Core perfect for hardcore players. It is controllable using the Gain, Level, Treble, and Bass knobs. Bass and high controls your tone effortlessly. The Metal Core boasts two voice of metal sound. Voice 1 and voice 2 contain significant difference from old school to contemporary thrash metal. The Metal Core also features a two-band EQ, next-generation 32-bit DSP, high-performance 24-bit, tone lock functionality and a single preset save or recall.
ZVex Fat Fuzz Factory
The Fat Fuzz Factory from boutique guitar effects pedal maker Zvex is versatile enough to keep the fuzz traditionalists happy with everything from subtle fuzz to woolly, gritty hair, while letting the more experimental push the envelope with some of the wildest and most out of this world oscillating fuzz tones imaginable. Whether you’re the former or the latter, the Fat Fuzz Factory will let you dial in your own idea of the perfect fuzz and then tweak it whichever way you like, even on the fly. This hand painted version comes with a lifetime warranty.
Skreddy 1971
In 1971, the Big Muff Pi by Mike Matthews ignited a revolution in fuzz. Creamy, sustaining, and thick, yet refined and more amp-esque instead of buzzy. Skreddy’s 1971 pedal merges the exact elements of the vintage “triangle knob” BMP, like ceramic capacitors, 2N5133 transistors, and carbon comp resistors, into a design that has its gain pulled back slightly. It enables the distortion to preserve a balance of openness and tightness and a more amp-like vibe as opposed to a liquid fuzz character.
Rowin LEF-606 Fuzz
The LEF-606 Fuzz stompbox from budget guitar effects pedal maker Rowin is a fuzz head’s dream come true. This compact and affordable little pedal packs the classic hairy fuzz tone of a much bigger, more expensive boutique stomp. You get a rich, creamy, natural fuzz that sounds neither harsh nor sterile. Dedicated Volume, Tone, and Sustain control pots let you dial in the exact flavor of fuzz you want. Rugged, road-tough construction and true bypass switching make the LEF-606 Fuzz perfect for use both onstage and in-studio.
JHS Pedals Green Russian Pi Moscow Mod
The Green Russian Pi Moscow Mod by JHS Pedals takes Electro Harmonix’s classic Green Russian Big Muff pedal and transforms it into a tone machine. It incorporates two toggles: the upper toggle is the +/- while the lower is the Mode. The Mode switch enables higher/lower gain sounds or completely bypasses the mods delivering the true EHX Green Russian fuzz tone. The Green Russian Pi Moscow Mod provides everything you will need to craft a radioactive tone and shape your fuzz to taste.
Dunlop Jimi Hendrix Fuzz Face Mini
Featuring the same circuit as the classic JHF1, Dunlop’s FFM3 Jimi Hendrix Fuzz Face Mini gives you that thick, smooth fuzz tone popularized by Jimi Hendrix within a compact pedal. Aside from classic Hendrix tone, this pedal features some advanced modifications, including a convenient battery door, AC power jack, and bright status LED for modern convenience. The FFM3 Jimi Hendrix Fuzz Face Mini is the perfect choice if you are a fan of Fuzz Face or Hendrix.
TC Electronic Spark Mini
Drive your guitar amp into glorious overdrive with the Spark Mini Booster from TC Electronic. You may also utilize it as a clean boost for a mild volume increase during solos. Either way, this innovative pedal boasts premium analog circuitry that does not degrade your tone. Additionally, you can utilize the Spark Mini Booster in two ways—hold the footswitch for a momentary boost or kick it on/off like other pedals. It comes in a compact footprint that easily fits on your pedalboard.
Supro Boost
The Boost pedal from Supro is perfect for transparently driving your tube amp. The JFET based pedal design gives you up to 20dB noiseless gain boost along with an optional Low Pass or High Pass filtering to sculpt your sound. Straightforward, simple, and efficient, the Supro Boost stays sweet and clean at any setting, regardless of how hard you drive it with your other pedals ahead in the chain. It remains frequency linear as you adjust the gain, letting you dial in your preferred boost level without compromising the overall tone.
TC Electronic Rush
The Rush Booster by TC Electronic slices through the clutter and places you at center stage with only one tap of your toe. The pure analog circuit delivers a whopping 20 dB of incredibly transparent clean boost, suitable for blatantly aggressive rhythm and solos. All of that magic is packaged within a durable chassis with true bypass. The Rush Booster is a real tonal team player, making your already outstanding performance louder with all the power and punch your soul clamor for.
Friedman Amplification Buxom Boost
Taking its cue from Friedman Amplification’s Buxom Betty amp head, the Buxom Boost pedal lets you push a clear, uncorrupted tone to the absolute limit without coloring its tonal characteristics. Use the Buxom Boost’s three-band EQ for a wide range of tonal possibilities, or disengage the EQ circuit stack completely with the EQ Bypass switch for pure, transparent, boosted tone. There’s also a dedicated Tight knob that lets you rein in your low end for added sonic definition while boosting your signal.
Joyo Wild Boost
The Joyo JF-302 Wild Boost is an all-around drive and volume boost pedal that’s so small you can carry it around in your front pocket. Despite its small size, this stompbox can dish out a sizeable sound boost. Dedicated High and Low control knobs let you fine-tune your tone precisely while the Volume and Drive dials control your output. Give your clean tone a bit of a kick or crank the Drive knob up to break into fuzz territory.
Fuzzrocious Playing Mantis
The Fuzzrocious Playing Mantis pedal is suitable for players who love to stand out from the crowd. Since this pedal is exceptional, you will sound unlike anyone else. You can use the left and right footswitches to activate the quirkiest oscillator and a natural-sounding drive respectively. The Playing Mantis carries a three-way toggle that lets you choose between drive, boost, and distortion. All three settings are jam-packed with volume on tap to push your speakers/amp or other pedals.
MOOER 010 Two Stone
Mooer Audio’s Micro Preamp line of guitar effects pedals is all about giving shoestring budget shoegazers easy and affordable access to the legendary tones served up by classic and boutique amp models. The Mooer 010 Two Stone gives you professional-grade stompbox sound by replicating the tone of a Two Rock Coral amp. It comes with two switchable channels as well as volume, gain, bass, mid, and treble controls. It also features a cab sim on and off switch.
Donner Black Devil
The Donner Black Devil is an astonishing mini digital preamp pedal housed in an aluminium-alloy stompbox. This versatile dual-channel preamp pedal boasts an organic tube amp sound based on Peavey 6505. The Black Devil consists of seven function knobs labeled as Low, Middle, High, Gain, Reverb, Level, and Cab Sim. The Level, Reverb, and Gain knobs control the effect output, reverb amount, and effect gain amount respectively, while Low/Middle/High is a three-band EQ for tone shaping.
MOOER 019 UK Gold PLX
Mooer Audio’s Micro Preamp line of guitar effects pedals is all about giving shoestring budget shoegazers easy and affordable access to the legendary tones served up by classic and boutique amp models. The Mooer 019 UK Gold PLX, in particular, replicates the warm tube-powered sound of a British 1967 50W classic amp. It comes with two channels as well as volume, gain, low, mid, and high controls. It also features a cab sim on and off switch.
JHS Pedals Colour Box
The Colour Box by JHS Pedals gives you everything you need to emulate the signature tones of Steely Dan, Led Zeppelin, The Beatles, and others. It is a pure analog design that copies the input of an original Neve console. It is a versatile and powerful device for stage and studio, with inputs for microphones and instruments. It delivers a vibrant and musical sound. The Colour Box pedal lets you sculpt your sound in a way that is impossible with standard amps and effects.
MOOER 002 UK Gold 900
Mooer Audio’s Micro Preamp line of guitar effects pedals is all about giving shoestring budget shoegazers easy and affordable access to the legendary tones served up by classic and boutique amp models. The Mooer 002 UK Gold, in particular, replicates the warm tube-powered sound of a Marshall JCM900’s preamp section for true British-style grit. It comes with two switchable channels as well as volume, gain, bass, mid, and treble controls. It also features a cab sim on and off switch.
GOKKO ACBOX
The GOKKO AcBox GK-35 guitar effects pedal gives your tone a touch of British crunch reminiscent of a Vox AC30 amp. You get a lot of tonal range from the Volume and Drive controls, with the latter going from warm, harmonic overdrive that’s perfect for giving your clean tone a little extra crunch to lightly dirty distortion. A three-band EQ gives you full control over your lows, mids, and highs, plus a unique Voice dial opens up even more tone-sculpting possibilities.
Rowin Booster
The RW-LEF-318 Booster from budget guitar effects brand Rowin is a solid boost pedal choice, especially if your wallet is hurting and your pedalboard is getting a little too crowded. It serves up a high headroom signal boost that’s surprisingly transparent. If any coloration still creeps into your tone, the Booster comes with dedicated Bass and Treble EQ knobs for fine-tuning your sound. This reliable clean boost will do well straight in front of an amp or behind another drive or dirt stomp.
Donner Booster
The Donner Booster is an all-analog circuit booster pedal capable of providing you with a lush distortion sound and making it more powerful. It is perhaps the tiniest analog booster effect in the market. The Booster lets you switch between Mid and Normal modes to adjust the effect of the Metal drive. Tweaking the Gain knob gives you a transparent frequency boost. Complete with basic adjustment knobs (Volume, Tone, and Gain), the Booster will make it convenient for you to craft your unique guitar sound in various live performances.
Big Joe B-403 Vintage
The most transparent guitar effects pedal in Big Joe’s B-400 line, the Big Joe B-403 Vintage Tube perfectly captures the sound of an overdriven tube amp cranked right up to its distortion threshold. This stompbox has plenty of gain to spare, but it’s more about making full use of its broad dynamic responses; you get grittier, more biting tone the harder you pick and attack your guitar strings. The Big Joe B-403 Vintage Tube comes with a two-position toggle that lets you boost your tone’s low-end and features true bypass switching.
Rowin TOP
Whether you plug it straight into your amp or put it directly behind a drive or dirt stomp, the LN-318 Top booster pedal from budget guitar effects pedal maker Rowin will juice up your signal to let you cut through the mix like a hot knife through butter. The LN-318 Top also gives you more control over your tone as it comes with a dedicated Tone pot and a two-way selector toggle that lets you switch between Mid and Normal modes.
NUX Lacerate
A tiny pedal with a ginormous boost, the Lacerate FET Boost from NUX features two bypass modes (True Bypass or Buffer Bypass), two boost options, and a simple control-knob. Its surprisingly simple user interface comes from NUX’s intricate dual FET circuit design. It allows you the choice between two boosting modes: Clean and Crank. The Lacerate FET Boost pedal includes an integrated voltage-doubler that automatically converts 9V to 18V, providing you with massive headroom and dynamic.
Laney Black Country Customs Tony Iommi
The Black Country Customs Tony Iommi boost pedal is meticulously handcrafted and designed to satisfy your craving for that coveted extra scream. The TI-Boost has been created in the sonic image of Tony Iommi’s Range Master boost pedal. It will deliver a significant mid boost and a bass cut, injecting a crisp edge to your fuzzed-up or overdriven sound. You are also equipped with additional gain and EQ options, so you are not restricted to one signature sound.
Modulation Pedals
JOYO VISUAL MODULATION
With modulation effects up the wazoo, the R-09 Vision guitar effects pedal from Joyo is bound to be an instant shoegazer favorite. It features two separate channels, each with its own set of highly tweakable modulation effects, that you can mix and match in parallel or series. Use a chorus on Channel A and an optical trem on Channel B. Phaser on A, Vibrato on B. It’s a giant sonic sandbox for you to play in. The R-09 Vision is an R Series pedal, meaning it also has cool ambient LED effects built into it.
Donner Mod Square
The Donner Mod Square is a modulation pedal that lets you have seven modulation effects, including Flanger, Vibrato, Rotary, Tremolo, Phaser, Chorus A, and Chorus B, to add musical color to your tone. It comes in an aluminium-alloy chassis consists of three function knobs (Rate, Depth, and E.Level) for setting the effect level. Use the E.Level control to adjust the effect level, Depth for the effect depth, and Rate to set the effect speed. Mod Square also features a true bypass switch and an LED indicator that displays the working state.
Carl Martin Classic Chorus
Carl Martin spent a year researching and creating the Classic Chorus for the vintage guitar nut in you. The pedal comes in a solid diecast housing consists of off-white chicken-head knobs. Plug into this pedal, step on the Bypass switch to on the effect, tweak the depth and speed controls to achieve your preferred chorus effect, and then raise the level to show off the awesomeness of your sound. You will be astonished at how the Classic Chorus brings you back to the “day” with its full, round, classic chorus sound.
Koogo Mod Digital
The Mod Digital pedal from Koogo allows you to enjoy eleven distinct modulation effects—A.FILTER, B.TREMOLO, O.TREMOLO, PHASER, VIBRATO, U.VIBRATO, JET, S.CHORUS, T.CHORUS, P.FLANGER, and N.FLANGER. It is a fantastic pedal, leveraging a 32-bit high-performance DSP chip. Every tone is comparable. A range of modulation effects imparts musical color to your sound. The Mod Digital also consists of three function knobs labeled as Depth, Speed, and Level for setting the depth, speed, and level of the effect respectively.
Boss CE-2W Waza Craft Chorus
The Boss CE-2W Waza Craft Chorus takes the still-venerated sounds of the classic Boss CE-1 Chorus Ensemble, the first Boss pedal ever, and its successor, the CE-2, and then crams all of those gloriously spacious modulated effects into a single all-analog stompbox. A two-position toggle lets you switch between the CE-1’s chorus and vibrato effects and the CE-2’s classic chorus sound, while all-new analog circuitry adds more variable chorus depth to the former and stereo output to the latter.
Electro-Harmonix Tone Tattoo
The Tone Tattoo has the versatility, power, and amazing sound to match its awesome looks. This analog multi-effects pedal combines three of Electro-Harmonix’s most popular analog stompboxes—the Memory Toy delay, the Neo Clone chorus, and the Metal Muff distortion—into one compact and easy-to-use unit. Each effect gets its own dedicated footswitch and control knobs for maximum tone-sculpting pleasure, plus there’s a new built-in noise gate for cutting down on the unwanted buzzes, hisses, and hums.
Source Audio Soundblox 2 MANTA Bass Filter
The Soundblox 2 Manta Bass Filter from Source Audio boasts 12 meticulously tailored filter effects along with eight distortion variations, a feature never available before in the Soundblox line of filter effects. These styles of distortion are not only crunch or amp simulation; they are configured to work alongside the filter effect selections. The Manta’s filters are controllable by two envelope followers, square, sine, and saw tooth LFO. Similar to its fellow Soundblox 2 pedals, the Manta is compatible with the Hot Hand 3 Wireless Effects Controller, Source Audio Dual Expression Pedal, and MIDI control signals through the Soundblox HUB.
Koogo Mod Digital
The Mod Digital pedal from Koogo allows you to enjoy eleven distinct modulation effects—A.FILTER, B.TREMOLO, O.TREMOLO, PHASER, VIBRATO, U.VIBRATO, JET, S.CHORUS, T.CHORUS, P.FLANGER, and N.FLANGER. It is a fantastic pedal, leveraging a 32-bit high-performance DSP chip. Every tone is comparable. A range of modulation effects imparts musical color to your sound. The Mod Digital also consists of three function knobs labeled as Depth, Speed, and Level for setting the depth, speed, and level of the effect respectively.
TWA Dynamorph
The DM-02 Dynamorph, an envelope controlled harmonic generator from Totally Wycked Audio, is a super versatile dirt stomp that morphs between distortion, fuzz, filter, and synth pedal with ease. You can dial in a wide range of distortion tones, from subtle drive to thick fuzz and even extreme synth filter sweeps. An envelope detection circuit makes it possible to control the distortion tone via picking dynamics, giving your tone more harmonic depth and dimension than any other distortion pedal can.
TWA Mini Morph
The Mini Morph dynamic waveshaper pedal is a minified and simplified version of Totally Wycked Audio’s DM-02 Dynamorph envelope controlled harmonic generator. It’s a unique dirt stomp that dynamically morphs the distortion tone’s EQ components via an envelope dependent drive circuit. You can create a wide range of bizarre sizzling dirt tones via the Drive, Morph, Gain, and Dry controls, plus there’s a Mode switch hidden on the left side of the chassis that lets you switch between two distinct overall EQ settings.
DOD Gonkulator
The DOD Gonkulator packs two effects into a single chassis consists of Ring, Frequency, Output, Distortion, and Gain knobs. It is capable of the clangy, robotic sounds of the ’90s original plus the ability to cover distorted experimental ground. The Gonkulator pushes boundaries and makes statements with boundless modulating effects. Other features include an adjustable carrier signal, lighter aluminum chassis, true bypass circuitry, and revamped PSU jack. True bypass lets your tone stay pristine even when the pedal is off.
EarthQuaker Devices Spatial Delivery V2
The Spatial Delivery isn’t your ordinary garden-variety envelop filter; with its latching and momentary switching features, this guitar effects pedal from EarthQuaker Devices gives you unprecedented control over your filter effects’ sound and tone. The Filter knob lets you sweep from Lowpass to Bandpass through to Highpass filter modes, the Range dial controls the response to your unique picking dynamics, and the Resonance control lets you serve up anything from subtle filter effects to balls-to-the-wall mayhem.
Marshall Regenerator
Give your pedalboard an extra dose of ambiance with the RG-1 Regenerator, a two-in-one chorus and phaser guitar effects pedal from tone masters Marshall. Think of it as the ‘80s sound crammed into a sturdy, compact stompbox. You get six easily customizable modes: chorus, M chorus, flanger, phaser, step phaser, and V vibe, with the latter two being particular standouts. Separate speed and depth dials let you tailor the RG-1 Regenerator’s sound to your exact tonal tastes, plus there’s a dedicated knob for controlling the effect’s intensity.
Caline Lucky 7
The Caline CP-38 Lucky 7 Seven Modes guitar effects pedal packs seven different modulation effects into a tiny, sturdy, and very affordable stompbox. You get high-quality Detune, Flange, Phase, and Vibe effects, plus custom effects including a bias tremolo effect, a classic Roland amp-style jazz chorus, and a U-Vibe effect that simulates an effect close to the classic tonal characteristics of the venerable Uni-Vibe chorus and vibrato pedal. The Caline CP-38 Lucky 7 comes with a true bypass feature.
TC Electronic Thunderstorm
The Thunderstorm Flanger from TC Electronic beautifully captures those vintage analog flanger tones of yesteryear, from lush chorusing and gentle, tape-esque sweeps to a no-holds-barred flanger madness. Designed by guitarists around a pure analog Bucket-Brigade Device, it delivers the goods in a very affordable package—one that lifts your music as well as mood. The Thunderstorm Flanger comes in a durable metal enclosure, featuring a true bypass for superb signal integrity and lush, three-dimensional modulation tones.
Alexander Pedals F.13 Neo
The Alexander Pedals F.13 Neo Flanger sounds like the outcome of hostile aliens trying rock ‘n’ roll. It is perfect if you want to implement bizarre flanger sounds into your sonic palette. It is a flexible effect featuring the usual MIX, DEPTH, and RATE controls along with a “REGEN” knob controlling your wet signal feedback. Three switchable modes (Dynamic, Step, and Sweep) mean you can be as full-on or subtle with your flanging as the music requires.
Blackstar HT-Modulation
The Blackstar HT-MODULATION delivers all the musicality of standard vintage effects, from mild tremolo to roaring jet engine flange. For the convenience of use, the SLOW/FAST control allows you to set the modulation time of the eight modulation effects as you play. You may add harmonics and real tube compression through the SATURATION control. The SLOW/FAST mode footswitch allows seamless control. The eight modulation effects include Phaser 1, Phaser 2, Multi Chorus, Vintage Chorus 1, Vintage Chorus 2, Flanger, Rotary, and Tremolo.
MOOER Mod Factory MKII
If modulation effects are what you’re looking for, you won’t go wrong with the Mod Factory MKII guitar effects pedal. This tiny wonder from budget-priced stomp creator Mooer packs 11 distinct modulation effects into its tiny, pedalboard-friendly chassis. It lets you dial in everything from a watery chorus to a dynamic auto wah and through to an extreme envelope ring effect. Three control knobs give you enough flexibility to create a wide range of lush sonic soundscapes for each effect mode.
Old Blood Noise Endeavors Dweller
The Dweller Phase Repeater by Old Blood Noise Endeavors boasts the ability to remember, be it familiar vibe and phase sounds or resonant random step filtering, warm delays, and formerly unheard in-betweens. It is capable of infinite sonic textures with six modes and five controls. It carries toggle switches for choosing between three wave shapes (triangle, sine, and random step) and two phaser voices (eight stage and four stage). The Dweller also consists of Rate, Depth, and Regen controls for shaping the phaser’s sound.
Empress Effects Phaser
Leveraging an innovative VCA-based design, the Empress Effects Phaser delivers exceptional signal-to-noise ratio. It is the new generation in the advancement of digitally-controlled analog tech. It boasts a pure analog signal path but is managed by a microprocessor, enabling it to preserve its analog flavor and character while adding possibilities for adaptability and control. It is capable of very funky auto-wah, classic jet sounds, and ring modulators, as well as Univibe and vibrato sounds on tap.
JAM Pedals Ripple Bass
Delivering a distinctive deep “vibey” tone, the Ripple is a tribute to two-stage phasing. This smooth, transparent, and sweet two-stage phaser pedal works nicely before and after overdrive pedals. You may leave it always on without mashing up your sound. The Ripple sounds perfect with Jam Pedals’ WaterFall chorus/vibrato. Neither the Ripple’s bass nor guitar variants will sacrifice low-end content, but the bass versions are tuned differently to accommodate the modulation’s response to lower register content favorably.
Walrus Audio Lillian
The Lilian multi-stage analog phaser from boutique guitar effects pedal maker Walrus Audio gives you all the whirls, whooshes, and pulses that you could ever need from a phaser pedal. Dedicated Rate, Width, and Feedback controls let you dial in a wide range of phaser flavors, while the multi-stage select lets you switch between a tight four-stage phase and a more complex six-stage effect. The Lilian also features a special D-P-V knob that lets you blend the ratio of dry, phase-shifted, and vibrato-laced signals for pure phaser bliss.
Joyo JF-06
Budget guitar effects pedal company Joyo couldn’t have picked a better stompbox to model the JF-06 Vintage Phase’s sound after: MXR’s Phase 90, which was instrumental in helping Eddie Van Halen craft his signature sound. You hear the Phase 90 at the forefront in such classics as “Eruption” and “Ain’t Talkin’ Bout Love,” and that’s the exact sound you’ll hear when you plug into a JF-06 Vintage Phase. A very practical solution for musicians who want to expand their arsenal of tonal textures.
Blackstar HT-Modulation
The Blackstar HT-MODULATION delivers all the musicality of standard vintage effects, from mild tremolo to roaring jet engine flange. For the convenience of use, the SLOW/FAST control allows you to set the modulation time of the eight modulation effects as you play. You may add harmonics and real tube compression through the SATURATION control. The SLOW/FAST mode footswitch allows seamless control. The eight modulation effects include Phaser 1, Phaser 2, Multi Chorus, Vintage Chorus 1, Vintage Chorus 2, Flanger, Rotary, and Tremolo.
Rowin Trelicopter
An impressive, expressive, and wide-ranging optical tremolo effect packed into a stompbox literally small enough to put in your pocket. The Trelicopter from budget guitar effects pedal maker Rowin manages to conjure up a gentle, natural tremolo that hews close to a classic Fender tremolo sound. Rowin also threw in a Bias pot that lets you adjust the clipping waveform’s hardness or softness. It also comes with true bypass switching to keep it quiet when it’s not in use.
Mooer MTR2
The MTR2 Varimolo guitar effects pedal from budget pedal company Mooer is a versatile tremolo stomp that features three different effect modes accessible via a three-position toggle switch. Normal mode gives you a classic tremolo sound, Filter is an auto wah-flavored tremolo effect, and Variable mixes things up with some extra rhythmic variations. The MTR2 Varimolo is part of Mooer’s Micro series, so all of its great sound and features are packed into a very small and pedalboard-friendly enclosure.
Eventide H9 Core

Eventide H9 Core
The H9 Core acts as the entry-level version of Eventide’s monstrous H9 MAX multi-effects pedal. It comes with 25 presets from the original glitch-heavy, pitch-shifting H910/H949 Harmonizers, plus for a fee, you can augment its effects arsenal via the H9 Control app. You can pick and choose the effects you purchase to make an H9 Core that’s truly unique to your needs, or just go all out and turn your H9 Core into an H9 MAX.
Wampler Latitude Standard
Wampler’s Latitude Standard tremolo boutique guitar effects pedal from lets you dish out everything from shimmering vintage tremolo tones to modern helicopter chops, all at the highest sound quality possible thanks to its pure signal path. Perhaps best of all, it’s dead simple to dial in a great tremolo effect using the Latitude’s standard sine wave and dedicated Speed, Depth, and Volume pots. This is what a great tremolo pedal should be: versatile, easy to use, and highly musical.
ammoon Mini Tremolo
The Trelicopter is an impressive, expressive, and wide-ranging optical tremolo effect packed into a stompbox literally small enough to put in your pocket. This budget-friendly guitar effects pedal from Ammoon can conjure up a gentle, natural tremolo that hews close to a classic Fender tremolo sound. Ammoon also threw in a Bias control knob that lets you adjust the clipping waveform’s hardness or softness as well as a true bypass function. Small, versatile, and highly musical.
Source Audio Vertigo
Enjoy three distinct tremolo effects with the Vertigo Tremolo pedal from Source Audio. Normal tremolo gives you a divine regeneration of the thumping “opto trem” amplitude modulation seen in old-school Blackface Fenders. Harmonic revitalizes the unforgettable sway of the early 60s Fender Super’s “Vibrato” effect. Ultimately, the sweetly overdriven Bias tremolo simulates the swampy “bias wiggle” of vintage tube bias modulation. The Vertigo Tremolo is taking the tonal possibilities further with its Shape control, which lets you morph the LFO wave shape from square to opto or sine to saw tooth.
JOYO VISUAL MODULATION
With modulation effects up the wazoo, the R-09 Vision guitar effects pedal from Joyo is bound to be an instant shoegazer favorite. It features two separate channels, each with its own set of highly tweakable modulation effects, that you can mix and match in parallel or series. Use a chorus on Channel A and an optical trem on Channel B. Phaser on A, Vibrato on B. It’s a giant sonic sandbox for you to play in. The R-09 Vision is an R Series pedal, meaning it also has cool ambient LED effects built into it.
JOYO Vision
The R-09 Vision guitar effects pedal from Joyo is a modulation maniac’s dream pedal. It features two separate channels, each with its own set of highly tweakable modulation effects, that you can mix and match in parallel or series. Use a chorus on Channel A and an optical trem on Channel B. Phaser on A, Vibrato on B. It’s a giant sonic sandbox for you to play in. The R-09 Vision is an R Series pedal, meaning it also has cool ambient LED effects built into it.
Carl Martin Purple Moon
Carl Martin’s 2019 Purple Moon features the Uni-Vibe Level, Speed, and Depth controls of the old version. It retains the silicon Fuzz chip with Level and Fuzz controls which let you add mind-bending Fuzz to the sweeping Uni-Vibe. It remains the sole analog, true bypass Fuzz/Vibe pedal in the market. The new Purple Moon still brings you back to players like Anastasio, Gilmour, Trower, or Hendrix, but it is more compact. It is housed within a two-toned, anodized diecast case with top mounted jacks.
TC Electronic Viscous Vibe
The Viscous Vibe by TC Electronic is a marvelous vibe pedal that allows you to emulate the Shin-Ei Uni-Vibe’s iconic sound in a contemporary, portable piece of kit. It features spot-on accurate reproduction of the unique tones and dramatic swirls of the Shin-Ei Uni-Vibe plus the ease of a modern pedal. It is TonePrint-powered so you can beam beautiful signature tones into your pedal using the free TonePrint App. The Viscous Vibe comes in a durable die-cast metal chassis built for life on the road.
Fulltone Custom Shop Mini DejaVibe Mk II
Massive Uni-Vibe sound from the smallest Uni-Vibe clone ever. Fulltone cast some weird voodoo magic on the original Mini DejaVibe to make it 30 percent smaller and create the Fulltone Custom Shop Mini DejaVibe Mk II. The Mini DejaVibe Mk II also features a wider range of vibe speeds compared to older Fulltone vibes while retaining its vintage-flavored vibe effects. Also added were a linear-ramping Speed knob, expression pedal support, and twice the available volume of any Uni-Vibe clone.
MOOER Mod Factory MKII
If modulation effects are what you’re looking for, you won’t go wrong with the Mod Factory MKII guitar effects pedal. This tiny wonder from budget-priced stomp creator Mooer packs 11 distinct modulation effects into its tiny, pedalboard-friendly chassis. It lets you dial in everything from a watery chorus to a dynamic auto wah and through to an extreme envelope ring effect. Three control knobs give you enough flexibility to create a wide range of lush sonic soundscapes for each effect mode.
Walrus Audio Luminary V2
With four octave options available, the Luminary quad octave generator from boutique guitar effects pedal maker Walrus Audio is a polyphonic force to be reckoned with. You can dial in any combination of the octave options, which range from -2 to +2, to create complex and dynamic textures. For the Luminary V2, Walrus Audio increased the attack time, added a tremolo effect to the Flutter dial, threw in Smart Momentary Bypassing, and revised the octave volume knobs as well as the envelope low-pass filter.
T-Rex Quint Machine
While standard octave doubling is nice, throwing in a fifth up and providing all three modulated sounds with a separate volume control unlocks a different world. The Quint Machine by T-Rex Engineering lets you emulate an organ, 12-string, or synth sound. Eliminate your dry signal and sound like a synth merely possessing that lonely heart. Designed to give you more, the Quint Machine will keep you discovering new sounds for years. It consists of +1 Fifth, +1 Octave, -1 Octave, and Mix knobs.
T-Rex Octavius
A tri-tone generator with a brilliant Boost function and a comprehensive set of controls, the Octavius by T-Rex Engineering delivers everything you seek in octave generation—plus a beautiful T-Rex tone. It enables you to capture that classic octave-down effect heard from Machine Gun by Jimi Hendrix and other recordings. You may also add in a high octave and blend the octaves to your liking to produce your signature sound. The Octavius is controllable using the Boost, Master Mix, Lo Oct, and Hight Oct knobs.
JOYO XVI
The Joyo R-013 XVI polyphonic octave guitar effects pedal adds meat to your sound by layering on an extra octave and sub-octave. It tracks notes fast, comes with a dry mix knob, and has independent volume controls for the extra octaves for complete tonal control. A warbling, wriggling chorus/trem-like modulation effect opens up even more sonic soundscapes to explore. The R-13 XVI is an R Series pedal, meaning it also has cool ambient LED effects built into it.
EarthQuaker Devices Hoof Reaper V2
EarthQuaker Devices’s Hoof Reaper double fuzz with octave up guitar effects pedal dumps a lot of fuzz power right at your feet. This unholy hybrid of the popular Hoof and Tone Reaper stompboxes already puts out massive levels of thick, meaty fuzz, and then EarthQuaker went ahead and added an old-school analog octave up function. Each effect can be used alone or in a series, plus in V2 the octave effect features Flexi-Switch technology so you can use it as both a latching and a momentary-type footswitch.
Zvex Instant Lo-Fi Junky Vertical
Boutique guitar effects pedal company Zvex built the Instant Lo-Fi Junky to replicate the crazy low fidelity sounds of the Lo-Fi Loop Junky in real time. That in itself is impressive enough, but the Instant Lo-Fi Junky actually ups the ante by giving you full control over the dry and wet signal blend. You can create haunting chorus sounds, strange vibrato pulses, and otherworldly lo-fi warbles that push your arsenal of sonic textures to the next level. The Instant Lo-Fi Junky Vertical does everything its horizontally-oriented sibling does; the only difference is the chassis design.
Top Categories
Timing, Dynamics & EQ Pedals
Mooer Reecho
It might be a digital delay pedal, but budget stomp maker Mooer’s Reecho guitar effects pedal absolutely nails the sound of a true analog delay. It features a delay time that ranges from 5ms to 780ms and three distinct effect modes. There’s a throaty, warbly, ambient Tape Echo mode; a Real Echo mode that simulates an echo in a real, natural environment that skips the harsh edges of a digital delay and the grain of an analog one; and a true-to-form bucket brigade device-style Analog mode.
Mad Professor Hand-Wired Deep Blue Delay
Classic slapback, modern delays, and everything else in between is yours for the stomping with the Deep Blue Delay. This hand-made and hand-wired Mad Professor creation features an analog direct signal path and a bandwidth nearly identical to vintage tape echo machines. The Deep Blue Delay works well with both clean signals and distorted tones, which is an area that a lot of delays fail at. It also has no noise reduction circuits, making the echo decay as naturally as possible.
Donner Alpha FX
The Donner Alpha FX is an effects chain combining nine meticulously selected reverb, modulation, and delay effects in one. Every effect module features three thoroughly picked effect types. The additional Tap Tempo function is designed for instant time/rate control and is handy for playing with bands. Characterized by its simple form factor, stunning tone, and portable size, the Alpha FX fits any music style. It comes in a convenient compact size, featuring an LED indicator and buffer bypass.
Seymour Duncan Dark Sun
The Seymour Duncan Dark Sun Digital Delay + Reverb was built based on Mark Holcomb’s favorite sounds from the Silver Lake Dynamic Reverb and the Andromeda Dynamic Delay. It blends a clean, warm digital delay algorithm and a rich Hall reverb, plus the ability to route both in virtually any configuration you desire. You may also sculpt the effect’s EQ, add saturation, or rich choral modulation, or utilize Dynamic Expression to adjust the effect’s mix with your playing.
Fender Mirror Image Delay
The Fender Mirror Image Delay lets you combine atmospheric effects to your rig. Tape, Digital, and Analog modes provide you with several options to select from. A dotted-eight function allows for producing dreamlike washes of sound. The delay tails go on when you bypass the pedal, ensuring a natural sound. The Mirror Image Delay features an amp jewel LED that gives the signature Fender look, as well as LED-backlit knobs that are easily viewable on a dim stage.
Xvive V5 Delay
The Xvive V5 Delay is an analog delay pedal that was built to replicate the warmth of old-school delay stomps and throw in a very pleasing retro-style repeat decay. The pedal’s delay times range from 25 to 600 milliseconds, meaning you can go from rockabilly slapback straight through to syncopated passages. The V5 is no slouch in the self-oscillation arena, either. No matter the delay time you’ve set it to, once you crank that feedback knob up will deliver instant space alien UFO tones straight to your signal.
Rowin Ocean Verb
The LEF-3800 Ocean Verb earns its name thanks to the watery reverberations it conjures up. This compact and extremely affordable stompbox from budget guitar effects pedal manufacturer Rowin is a versatile workhorse. It features a full complement of Mix, Tone, and Decay pots for shaping the reverb effect, of which there are three selectable via a three-way toggle switch: Room, Spring, and Shimmer. If you want to add depth and dimension to your tone, you won;t go wrong with the LEF-3800 Ocean Verb.
MXR Reverb
The Reverb gives you six unique high-end reverb styles, each beautifully created and tuned by the award-winning design team at MXR. You can select between Plate, Spring, Epic, Mod, Room, and Pad settings. The Reverb is packaged within a standard-sized MXR box featuring an intuitive three-knob layout as well as a hi-fi analog dry path with a massive 20 volts of headroom. It also includes stereo input/output capability, full wet mode, and true relay/trails bypass.
MOOER SHIMVERB PRO
Budget stomp maker Mooer gives the elegant sound of the ShimVerb ambient reverb guitar effects pedal the Pro treatment. The ShimVerb Pro now rocks five distinct reverb effect types: Room, Hall, Church, Plate, and Spring. The adjustable Shimmer mode that made the original a must-have for reverb fans has been expanded to five shimmer types with up to +9 half-step modulation (+12 including the separate Octave button) and can now be activated via a dedicated footswitch.
J. Rockett Monkeyman
The J. Rockett Monkeyman can tour you back in the past. Imagine Hotel California, Kid Charlemagne, Hurricane, Funk 49, and many more. An inbuilt Spring Reverb for some atmosphere is the icing on the cake. No vintage Tweed has provided reverb, so it is J. Rockett’s simple gift to you. By simply rolling the Speaker Breakup control, the Monkeyman can go from gritty clean to an erupting speaker sound. You may hit the front end with everything you have, and it compresses like an old tweed.
Old Blood Noise Endeavors Rever
Banking on Old Blood Noise Endeavors’ pedal building expertise and Datachoir’s sonic ideas, the Rever is a collaborative mix of modulated reverb, reverse, and delay. Featuring two toggles, two footswitches, and seven knobs, familiar effects join forces to produce several inspiring new textures. It features order switching—place reverse last for glitchy textures or first for an ambient wash. Initially launched in a limited quantity in 2018, the Rever is back to introduce its distinctive sound to more players seeking to stretch beyond.
Alexander Pedals Sky FI
The Sky FI Delay and Reverb Pedal gives you full tonal control over amazingly ambient helpings of delay and reverb. Aside from its tone-sculpting Reverb, Delay, Mix, and Repeat knobs, he Sky FI also has a Hold function that lets you control its Wash, Gleam, and Echo modes by keeping the footswitch held down. In Wash and Gleam modes, holding down the footswitch enables you to crank up the Reverb time and mix to infinity. Doing the same while in Echo mode pushes the pedal’s Delay feedback to the max.
Origin Effects SlideRIG Compact Deluxe
The SlideRIG Compact Deluxe from Origin Effects packs the incredible sustain and transparent tone of the original SlideRIG into a portable enclosure. With its intuitive three-way parallel compression mix controls, the SlideRIG Compact Deluxe is capable of delivering thrice the tone-sculpting potential. It lets you access conventional single-stage compression and the SlideRIG’s signature dual-stage compression. Thanks to its innovative three-way mixer stage, you may blend in your dry, uncompressed signal with dual- and single-stage compression signals.
Electro-Harmonix Tone Corset
Just like its namesake, the Tone Corset squeezes your tone to give it all the right curves. This analog compressor pedal from Electro-Harmonix features an intuitive four-knob design for all your compression needs. You can control the amount of compression via a Sustain knob, adjust the compression’s recovery rate with the Attack knob, adjust the compressed and dry signal mix with the Blend knob, and dial in overall output with the Volume knob. The Tone Corset also has a Pad switch that helps minimize unwanted distortion caused by high-output pickups.
Carl Martin ATCOMPLIM Compression
The Andy Timmons Signature Compressor/Limiter from Carl Martin shares the same quietness, performance, sonic clarity, and features as the most exceptional studio compressor/limiters. It was built in collaboration with Andy Timmons, a long-time fan and user of the Carl Martin Compressor/Limiter who requested for a version with two presets. The outcome of the cooperation is a two-preset option for Level and Compression Rate. To save knobs and make it as user-friendly as possible, the Response and Threshold settings are fixed for both presets.
Diamond Bass Comp
The Bass Comp is the first Diamond pedal specially designed for bassists. It was launched in response to the interest of bassists in its famed Compressor. With higher headroom and low-frequency response extending down to 20Hz, the Bass Compressor is perfect for active and passive 4/5/6 string basses. The Tilt EQ control has been revoiced, letting you select between the original 900Hz and new 250Hz setting using the mini toggle. The Bass Comp boasts premium audio components, smooth optical compression/limiting, and true bypass signal path.
Caline Hot Mushroom
Built on the classic Dyna Comp compressor pedal design from MXR and enhanced with Caline’s own unique twist, the Caline CP-10 Hot Mushroom Compressor guitar effects pedal gives budget-conscious musicians a reliable compressor pedal that doesn’t break the bank. Its simple two-knob interface lets you go from a soft, subtle compression effect to full-on heavy compression. Boost quiet parts and even out loud spikes for rock-solid tone. The Caline CP-10 Hot Mushroom Compressor comes with a true bypass feature.
Donner Alpha Bass
The Donner Alpha Bass is a mini effects chain that features three types of bass guitar effects, including a rich chorus, a versatile bass drive, and an opto-voiced compressor. Distinguished by its user-friendly form factor, portable size, and remarkable tone, the Alpha Bass is perfect for any music style. It features an LED indicator displaying the working state, buffer bypass that offers a transparent tone, and classic-voiced bass drive with a broad tonal range.
Danelectro DJ-14C Fish & Chips Mini
Don’t let its funny-looking design and funny-sounding name fool you; the Danelectro DJ-14C Fish and Chips 77-Band EQ is a seriously hardworking and versatile EQ pedal. Its seven EQ bands, which range from 100Hz to 6.4kHZ and include up to 15 decibels of cut or boost, pack quite the tone sculpting punch, giving you sound-adjusting functions comparable to more expensive guitar effect pedals. It stays very quiet, as well, which is important for a pedalboard essential like an EQ.
Empress Effects ParaEq
If you are continuously aiming to improve your tone, it’s about time to unleash the ParaEQ’s power on your instrument. It features a very transparent, sweet-sounding EQ, letting you refine your sound without covering your instrument’s tone. The ParaEQ gives you all the control you need—a switchable Q, 15dB of cut and boost, and over-lapping sweepable frequency selection. The Empress ParaEq w/Boost leverages true bypass to ensure that it will not affect the signal when disengaged.
Amptweaker Curveball Jr
The Amptweaker Curveball Jr 3-Band EQ boasts dual Boost functions and can be utilized as a clean channel preamp. The Curveball Jr is a convenient but potent tool for tweaking your pedalboard, boosting your amp, or shaping your tone. This 3-band active EQ is flat when set halfway and can emulate different classic passive guitar amp EQs. The Mid switch allows you to select the mid frequency for Thrash, UK, or US style of midrange. You can use the Curveball in front of distortion to increase the gain while tailoring the thickness and attack of your distortion.
Wampler EQuator
There are way too many cool guitar effects pedals available nowadays, so it’s easy to overlook one of the most essential ingredients in a good pedalboard: the EQ pedal. The EQuator from boutique guitar effects pedal maker Wampler, though, flat-out demands your attention with its ease of use and top-of-the-line feature set. Instead of the usual band sliders, the EQuator features fixed bass and treble pots plus two semi-parametric mid pots. Wampler even went ahead and marked the sweet spots for the latter two control knobs to make it even easier to dial in a great tone.
EarthQuaker Devices Tone Job V2
It’s not easy to cram the tone-sculpting capabilities of an audiophile-grade stereo preamp into a compact stompbox, but EarthQuaker Devices did exactly that with the Tone Job EQ and boost guitar effects pedal. The Treble, Bass, and Mid control knobs each have up to 20db of cut or boost, so you get a wide range of frequency responses from your signal. And speaking of your signal, the Level knob can kick it up by up to five times its original input level, letting you soar through the mix when you need a boost.
MXR Six Band EQ
Covering all the fundamental guitar frequencies, the M109S Six Band EQ from MXR has been revamped with brighter LEDs for improved visibility, true bypass switching, noise-reduction circuitry, and lightweight aluminum enclosure. Each slider is ready to provide +/-18dB of boost or cut for unparalleled control of your sound. The M109S Six Band EQ is capable of eradicating onstage feedback, adding natural-sounding warmth to a quack acoustic pickup, producing scooped-mid rhythm tones with massive low end, and many more.
Utility Pedals
Korg Pitchblack Custom (Blue)
Korg’s Pitchblack pedal tuner has established a reputation as a must-have tool for any pedalboard due to its excellent visibility, high sensitivity, and solid built. To continue its legacy, Korg launched the Pitchblack Custom, which gives you unprecedented precision and visibility. Besides the ultra-high +/- 0.1 cent tuning accuracy, the Pitchblack Custom includes true bypass switching that prevents any coloration or loss in your sound. It also features four kinds of meter display modes. The Pitchblack Custom comes in a limited edition bright blue finish and is built to provide years of worry-free operation.
Ammoon Pockmon
The Pockmon is a highly portable multi-effects processor from budget guitar effects pedal maker Ammoon. It has three effects sections. First up is a digital delay that comes in three flavors: Tape, Echo, and Analog. It also has a biting wide-range high-gain distortion section and a natural, mid-humped overdrive. The Pockmon also has a tuner, tap tempo control, a parallel FX loop, and a built-in cab sim for when you want to plug in headphones or connect straight to a PA or mixer.
Koogo Magic Tuner
The Magic Tuner pedal by Koogo maintains high precision chromatic tuning. Perfect for broad range tuning, this chromatic tuner lets you experience fast tuning with one cent precision. It comes with a deluxe LED screen that displays clear, easy to read results of tuning. The Magic Tuner boasts an enhanced analog circuit, without loss of tune. You can use it with most electric instruments, including five-string bass or seven-string guitar. Enjoy your vibrant and fun life with the Magic Tuner.
TC Electronic Polytune Noir Mini 2
The original PolyTune Noir has set the benchmark for how supercool a tuner could be with its sleek black appearance and compact design. Now the PolyTune 2 Noir is a portable tuner featuring strobe, chromatic, and polyphonic tuning for quick and precise tuning. It comes with an ambient light detector and an ultra-bright 109-LED display that give you a clear and instant readout in any viewing condition. It loads the most groundbreaking tuning technology into an ultra-compact chassis sporting a basic black paint job.
Korg Pitchblack Advance
The Pitchblack has become a favorite of amateurs and professionals across the globe. Korg has now introduced the new generation model—the Pitchblack Advance. It carries the roster’s easiest-to-read and largest display yet. Nearly twice the size of the earlier model’s display and leveraging high-brightness LEDs, you can view your tuning whether you are out in the bright sunlight or inside a dark club. You will also enjoy the option to utilize the Pitchblack Advance in regular, mirror, strobe, and half-strobe modes.
Xvive PT-05 Pedal Tuner
Xvive’s PT05 chromatic tuner pedal is built to be unobtrusive but easy to see when you do need to use it. Its small chassis makes it easy to find space for it on any pedalboard, while its color display lets you tune your guitar without having to bend over and squint. Whether you’re playing on a dark stage, outdoors on the street, or in the comfort of a studio, you’ll be able to tune your instrument quickly and painlessly. It’s small, speedy, and straightforward—the three S’s that make for a great chromatic tuner pedal.
Joyo GEM BOX III
The Gem Box III is Joyo’s flagship entry in the guitar multi-effects processor arena, and it packs quite a punch. The Gem Box III features 61 preamp models, 157 effect types, and 300 preset tones. It also comes loaded with 26 impulse responses, to which you can add your own via Joyo’s Studio software. For playing solo, the Gem Box III’s drum machine with 40 presets and 10 metronome rhythms will come in handy along with the 52-second looper. And when it’s time to hit the stage, this sturdy unit will hold up to the rigors of the road.
Donner Tiny Looper
The Donner Tiny Looper is the ideal blend of simplicity, quality, and creativity. It lets you have ten minutes of looping time and unlimited undo/redo functionality and overdubs. It combines all the fundamental looper features and enables you to play loops in reverse. It also features a USB interface which you can use to move a file to and from the box as well as upgrade the fireware of the box. The Looper can make for a jaw-dropping show or subtle performance.
Joyo PXL-PRO
Got a cluttered pedalboard? Have you started taking tapdancing lessons just to keep up with constant stompbox switching? Make your life easier and get a Joyo PXL-PRO effect pedal loop controller and switcher. The PXL-PRO comes with eight programmable effects loops; use it to chain eight effects together or split them into two loops of four stompboxes each, then save up to 32 different effects sets. The PXL-PRO also comes with four programmable latching/ momentary switch triggers for controlling switchable functions on your other pedals or amp.
Line 6 JM4 Looper
The JM4 Looper from Line 6 is an incredible looping pedal boasting plenty of features. It provides you with a complete array of exceptional loops and jams to spark your creativity, all loaded within a portable foot pedal-esque enclosure for hands-free operation. It has more than 100 Endless Jam tracks and drum grooves recorded by prominent players. You have as much as 24 minutes of recording time and storage for up to 100 jams, letting you hang onto amazing ideas and riffs.
GOKKO Repeater
The GOKKO Repeater Looper GK-27 guitar effects pedal is a workhorse loop stomp at a price that’s very hard to beat. You get one control dial, one footswitch, and a lengthy 10 minutes of available loop time to craft your own highly intricate, multilayered tracks. Recording a loop and adding unlimited overdubs is simplicity in itself; press on the footswitch once to turn the LED red and you’re recording. Step in it again to turn the LED blue and that marks the end of the loop. Rinse, repeat, and enjoy.
Boss RC-505 Loop Station
As Boss’s flagship tabletop looper, the Boss RC-505 Loop Station is packed full of essential tools and features for serious beatboxers, club performers, and singers the world over. The RC-505 comes with five simultaneous stereo phrase tracks, each of which has its own dedicated controls and independent volume faders, plus you can apply up to three simultaneous effects to both its Input FX and Track FX sections. The RC-505 also features 99 phrase memories, 85 onboard rhythm patterns, external controller support, a USB port, and more.
TC Helicon VoiceLive 2
With the VoiceLive 2 from TC Helicon, it is more convenient than ever to craft beautiful-sounding vocal harmonies on stage. You can produce as much as eight harmony voices and manage them from your MIDI keyboard, guitar, or even MP3 player. Six effects blocks offer delay, pitch shifting, doubling, distortion, reverb, and megaphone effects. The rugged floor-based VoiceLive2 also incorporates a digitally controlled mic preamp allowing you to set its gain even when you are singing. The Tone algorithm instantly sets EQ, de-essing, and compression features.
Korg EXP-2
The Korg EXP-2 Foot Controller can serve as a handy and lightweight expression or volume pedal. You can utilize it as a volume pedal when using OUTPUT-1 and INPUT-1 or an expression pedal when employing OUTPUT-2. The EXP-2 Foot Controller is extremely versatile and works with various Korg keyboards, modules and effect processors. It includes a tweakable minimum setting through the side-mounted slide control as well as a three-conductor cable. Express yourself now with the EXP-2.
Strymon Timeline
Explore your creativity with the TimeLine from Strymon. It serves up twelve distinct delay machines, each with far-reaching control of sonic character and vibe. You may go from clear and crisp, studio-grade digital delays to the fluctuating and saturated sounds of tape delay machines. Capture fuzzy and warm analog style repeats to sparkling, crystalline, and shimmery ice delays. Tweak to your liking and record up to 200 presets of your favorite sounds. Top it off with a routable, 30-second stereo looper and full MIDI implementation, and you are en route to delay bliss.
Chase Bliss Audio Dark World
The Dark World is a powerful, fun, and player-friendly reverb pedal. It is an innovative two-channel reverb created with some help from Chase Bliss Audio’s friends. Keeley Electronics developed the “World” channel that houses three beautiful Spring, Plate, and Hall algorithms. Cooper FX is behind the “Dark” channel, a collaborative effort slightly influenced by its Generation Loss and Outward designs. Put together, the channels may be routed in 33 different ways, forming an incredible reverb palette ranging from subtle, tasteful, and rich to glitch shimmer, infinite freeze, and broken video cassette.
Chase Bliss Audio Faves
Delivering increased functionality within a tiny package, the Chase Bliss Audio Faves MIDI controller pedal serves as an ideal companion for your favorite Chase Bliss pedals. The Faves gives you access to six presets and live mode on-the-fly settings. It is incredibly convenient to use and only requires a 9V power source. With its streamlined design, simple connectivity, and multi-functional footswitch, the Faves MIDI controller pedal is a nice add-on for any Chase Bliss pedal.
Donner Blues Drive
The Donner Blues Drive allows you to switch between Hot and Warm modes. Hot gives you a powerful full tone, while Warm sounds sweeter and smooth, making your tone performance more distinctive and dynamic. It comes in a classic and sturdy enclosure made of aluminium alloy. The Blues Drive includes an LED indicator that displays the working state as well as a true bypass that delivers a transparent tone. This simple pedal has loads of versatility in its three knobs: Level, Gain, and Tone.
JHS Pedals Switchback
The Switchback from JHS Pedals is a little unassuming box boasting an extensive feature set. It started as a tool designed by JHS Pedals for themselves to examine and compare pedals in their workshop but later on recognized that it was incredibly handy for anyone’s rig in the studio or on stage. The Switchback includes two separate selectable effects loops (Return/Send), an input, output, as well as an A/B toggle controllable using the Red Remote switching system.
Marshall Original Footswitch
Every good pedalboard setup needs an amp footswitch or two. If you’re gunning your signal through a Marshall amp, then there’s no better fit than a Marshall footswitch. The PEDL-10009 or P802 footswitch is a dual footswitch pedal; it’s basically the big brother of the P801. This musician must-have is built to work with both valvestate and tube amps and handles switching duties for your amp’s channels and reverb. It’s built to be road-tough, so you don’t have to worry about it conking out while you’re onstage.
Lehle Sunday Driver SW
The Sunday Driver SW from Lehle is a portable high-end preamp for acoustic and electrical instruments. It allows acoustic guitars, electric guitars and basses, as well as other stringed instruments like cellos, double basses, and violins to unleash their musical potential. Boasting a high-quality JFET technology, the Sunday Driver SW lets you switch between two operation modes: D (Driver) and S (Sunday). In off status, the Sunday Driver SW offers two modes of operation—TB (True Bypass) and TS (True Sound).
Marshall P801
Every good pedalboard setup needs an amp footswitch or two. If you’re gunning your signal through a Marshall amp, then there’s no better fit than a Marshall footswitch. The Marshall PEDL-10008 or P801 single latching footswitch pedal gives you full control over your amp’s Channel signal. Run your guitar signal through the clean channel for softer passages, then use the P01 to seamlessly switch to the overdrive channel when it’s time to bust out a scorching-hot solo.
Chase Bliss Audio Midibox
The Chase Bliss Audio Midibox converts the five-pin MIDI cable into a TRS patch cable and lets you connect Empress or Chase Bliss pedals to a standard MIDI cable. It includes internal jumpers, allowing you to make any port you desire compatible with Meris, Chase Bliss, or Empress products. The jumpers available in this product make them “ring active” rather than “tip active” on the TRS jack, letting them interface to the Chase Bliss Audio tap/midi jack with only a standard TRS patch cable.
JHS Pedals Mini A/B Switcher
Get full A/B switching within a compact footprint with the Mini A/B Switcher from JHS Pedals. Perfect for live playing, this pedal is constructed in a sturdy metal enclosure that also loads a two-color LED (green and red) to show you which signal path you are utilizing. Whether you want to play through two amps simultaneously or are looking for an instant mute switch, the Mini A/B will prove to be a handy addition to your board.
Mission Engineering VM-PRO
Not your dime a dozen volume pedal, the VM-PRO by Mission Engineering is a multi-output, buffered, adjustable volume pedal that is ready for action. Imagine it as an excellent starting point for your signal chain. Suitable for your acoustic-electric guitar, bass, and electric guitar, you can set the VM-PRO’s input jack for active or passive instruments. The buffered output guarantees proper frequency response via your pedals and lengthy cable runs. The VM-PRO volume pedal can handle whatever rig you are running.
TC Electronic Bonafide Buffer
Joining TC Electronic’s renowned collection of mini pedals, the Bonafide Buffer is another essential tone tool that will help you win the battle against treble loss due to massive pedalboards and lengthy cable runs. This no-frills pure analog buffer provides you with a 1K ohm output and 1M ohm input so your instrument’s signal can flow freely through your chain. You get an unaltered and transparent tone just like you would when you connect directly to your amp. The Bonafide Buffer serves as your natural gateway to a strong tone.
MOSKY PURE BUFFER
Buffer pedals are indispensable weapons in the constant struggle against tone suck. Budget guitar effects pedal manufacturer Mosky Audio’s Pure Buffer is a tiny one, which makes it the ideal candidate for inclusion in compact and crowded pedalboards. The Pure Buffer helps eliminate the inherent issues of multiple daisy chained pedals and long cables, making your guitar signal’s core tone sound like you’ve plugged your instrument straight into an amp with a short cord.
Emerson Custom Concord
Get superb clarity and signal response with the Concord Utility Buffer from Emerson Custom. It will maintain a clear and strong signal for your board. It is equipped with premium audio-grade components to put back the sparkle and clarity, which can sometimes vanish when you utilize long cable runs or multiple effects pedals. You can place the Concord anywhere in your chain for optimal performance. It also includes a bright blue LED that tells you it is working to give you the best tone imaginable.
T-Rex Nitros Hypergain
The Nitros Hypergain by T-Rex Engineering is capable of capturing a very punchy and scooped high gain distortion. As a highly tweakable dirt pedal, the Nitros Hypergain will make the “80s hair rock” sound to a T as well. Lower gain settings are perfect if you want Texas boogie-rock. By featuring an active three-band EQ, the distortion’s color is adjustable, and the EQ knobs’ range is extensive. The Nitros Hypergain features an aggressive and bold clipping circuitry.
Mission Engineering VM-Pro (Black)
An incredibly sophisticated volume pedal, the VM-PRO by Mission Engineering addresses several typical issues with volume pedals, which cause mismatching and tone sucking problems. The VM-PRO works with your electro-acoustic, electric, bass, or baritone guitars. It is also compatible with several other electric and acoustic instruments, including steel guitars, electronic keyboards, and instrument microphones like horn mics and harmonica. The VM-PRO features onboard buffers, sparkle control, isolated tuner out, and compatibility switches for utilization with active and passive pickups.
TC Electronic Iron Curtain
Presenting the no-nonsense way to get rid of your sound gremlins, the Iron Curtain Noise Gate by TC Electronic. It is an ultra-fast and efficient noise gate that minimizes unwanted noise from your instrument signal. Its convenient two-knob interface controls decay and threshold. The toggle switch allows you to select between reducing unwanted noise or muting signal entirely. Designed and engineered in Denmark, the Iron Curtain Noise Gate comes in a durable metal chassis. It features a true bypass for supreme signal integrity.
Donner Noise Killer
The Noise Killer is arguably one of the most competitive noise gate pedals you can find on a limited budget. It delivers the core performance and features that are essential for a decent pedal of this kind. It lets you choose between Hard and Soft modes, which provide hard effect and soft effect of noise reduction respectively. The threshold range goes from -70dB to +10dB. The Noise Killer comes in an aluminium-alloy enclosure, and like many great effector pedals, it also features a true bypass function.
Xvive Noise Gate
The innocuously named Noise Gate from budget guitar effects pedal creator Xvive is a wide range noise suppressor that packs an excellent amount of dynamic response. It features 100% attenuation when gated and makes great use of ultra-high speed circuitry to get rid of all the unwanted noise lurking in your signal. Perhaps best of all, it doesn’t require a manual to get the settings right. The Naoise Gate is easy to use, compact, road-tough, and comes with true bypass switching.
Alexander Pedals Defender
Don’t let the Defender Stargate Drive’s classic arcade game-inspired graphics fool you. This new stompbox from Alexander Pedals is a shapechanging beast that takes fuzz, distortion, and overdrive to intergalactic heights. The Defender allows you to create your quirky, clipped tones from various built-in modes. It offers several configurable options with preset storage and expression control. With simultaneously selectable “special effect” (PIT, SPC, FLT) and Distortion mode (OD, DST, FZ), it sets a course to marvelous guitar tone.
GOKKO KULT
Rein in unruly and unwanted signal noise with the Kult Noise Gate GK-28 guitar effects pedal from GOKKO. This budget- and pedalboard-friendly stompbox helps reduce the hums, hisses, and buzzes that invariably show up to pollute your signal when you have a lot of pedals, especially high-gain ones, in your chain. Use the sensitivity control knob to tell the noise gate when to kick in and use the two-way selector switch to choose between a soft, gradual volume cut or a hard and steep drop.
ZVex Loop Gate
Noise gates are infinitely useful, but gating becomes a lot more challenging when you’re facing a pedalboard full of sonically complex effects such as fuzz boxes and delay stomps. The Loop Gate is boutique guitar effects company Zvex’s answer to that conundrum. It acts as a loop switch with an excellent built-in high headroom noise gate with zero distortion and hiss. You can switch effects loops in and out at will, plus you can even crossfade them using the Mix knob and deliver tremolo-style effects in Chop mode.
Joyo JAM BUDDY (Orange)
With its pair of built-in 2” speakers packing 4W of output each, the Jam Buddy is Joyo’s solution for musicians looking for a quick way to practice without having to lug along a big and heavy amp. Bluetooth connectivity also lets you connect your phone or media player to the Jam Buddy so you can play along to a song or rhythm track. This floor-based multi-effects unit also features clean and overdrive channels,
BOSS DB-90 Talking Dr. Beat
Practicing alone becomes a whole new experience with the Boss DB-90 Dr. Beat, the flagship product of Boss’s Dr. Beat Metronome line. This monstrous metronome packs four great metronome sounds—including human voice!— as well as dozens of drum patterns in its tiny, lightweight frame. The Boss DB-90 Dr. Beat also comes with a Rhythm Coach function, a reference-tone tuning function, instrument and MIDI input, and other useful tools for making solo practice less mundane.
Rowin Beat Loop
The LBL-01 Beat Loop is a versatile and affordable combination drum machine and looper pedal from budget-priced guitar effects pedal manufacturer Rowin. The looper section can record for up to five minutes in each of 30 separate storage locations. The drum machine has two drum groups with 40 drum types, half of which are standard while the other half is electronic. The LBL-01 Beat Looper also has a separate dual footswitch controller that lets you control the drum section.
NUX MFX-10
The MFX-10 boasts 55 models overall (you may use as much as eight simultaneously), vintage three-band passive EQ for each amp model, 19 classic amp and pedal models with A/B channel switching, and parametric EQ with additional mid-frequency sweep control for pedals. Twelve cabinet models give you two distinct modes for a guitar amp or mixer/PA input. The MFX-10 also features an inbuilt drum machine with CD quality PCM sounds, and 72 presets: 36 user plus 36 factory presets. The A/B switch lets you utilize up to 144 presets.
Singular Sound BeatBuddy Mini
The Singular Sound BeatBuddy Mini is a drummer within a guitar pedal enclosure. It provides entirely hands-free, creative control of the beat. No matter what instrument you use, you can easily transition from verse to chorus, insert fills, throw in drum breaks, add accent hits, and more to yield an unparalleled live drummer effect. Utilized in the music programs of Berklee College of Music and Frost School of Music, the BeatBuddy Mini is arguably the most efficient way to enhance your rhythm and master different genres while improvising and having a great time.
JOYO O.M.B
Joyo’s OMB Looper and Drum Machine turns you into a one-man band with a single stomp. This single pedal can act as a looper, a drum machine, or a combo looper plus drum machine. The looper function lets you record up to 40 minutes of audio and features unlimited overdubs, auto-align, and count-in. You get seven drum patterns and seven drumbeats in drum machine mode, plus you can add fills to the patterns and use a tap tempo function. The OMB is an R Series pedal, meaning it has cool ambient LED effects built into it.
Other Pedals
Fulltone Clyde Deluxe Wah
It’s Fulltone’s popular Clyde Standard wah pedal, but more versatile. The Clyde Deluxe Wah enhances the original Clyde’s Vox-style wah voicings and added a 10-step variable input level control pot and three new selectable modes. You get a Wacked mode, a Jimi mode that recreates the Clyde Standard sound, and a Shaft mode for fighting your way to the top of Funk Mountain. The Clyde Deluxe Wah also features true bypass and is powered by the most authentic and most quiet ’60’s Vox type inductor available.
Ibanez Weeping Demon Junior
A more reasonably priced variant of the Ibanez Weeping Demon pedal, the Weeping Demon Junior gives you a high-quality wah-wah pedal that won’t break the bank. It activates with little pedal pressure. The Weeping Demon Junior features Push-Lok rotary pots, volume control, auto switch operation, auto-off control, retracting control knobs, adjustable spring tension, side output jack, and easy-access battery compartment. It also includes a maintenance-free optical sensor, so you don’t have to worry about creating annoying noise from the volume pot.
Dunlop Cry Baby Chrome
Take control of your wah tone with the Dunlop 535Q Cry Baby Multi-Wah Chrome pedal. Dunlop engineers have cooperated with acclaimed guitarists to build the 535Q Cry Baby Multi-Wah, which lets you fine-tune your wah sound. It features a six-position Range Selector control that enables you to select from six frequency ranges, every position based on the distinct tonal characteristics of Dunlop’s most valuable wah specimens. Use the Variable Q control to take the 535Q’s response from sharp and narrow to subtle and broad.
ZVEX Vexter Wah Probe
The Vexter Wah Probe from boutique guitar effects pedal company Zvex is a wah pedal that replaces the standard-issue rocker pot with a proximity sensor that allows for insanely fast wah action. It also packs a built-in Super Hard On for extra volume drive. Zvex’s Vexter line of silk screened pedals feature the exact same tone, feature set, and internal parts and circuits as their hand-painted counterparts. The only differences are the painting process and the price.
Rowin Auto Wah
Boutique level auto wah sound at a price that won’t flatten your wallet. The LEF=3804 Auto Wah from budget guitar effects pedal maker Rowin can serve up a wide range of classic wah tones, from a soft, slow wah to a faster, more watery Cry Baby-esque attack. You can dial these in using the dedicated Cutoff, Shape, Reso, and Speed control knobs. The LEF-3804’s Auto Wah’s footswitch also has a secondary function: hold it down to store a parameter to create some interesting layered tones.
Dunlop GCB95F
Add an authentic vintage sound to your rig with Dunlop’s GCB95F Cry Baby Classic! It leverages the original Italian-made Fasel inductor—similar to that of the first wah pedals, including the iconic Cry Baby, which are among the most coveted effects of all time. It sports the familiar, heavy-duty, time-tested Cry Baby body style, featuring a Hot Potz potentiometer and heavy die-cast construction. You can be sure that your Cry Baby Classic perseveres its incredible sound after years of stomping.
Rowin LT-901
A tuner is arguably the most important tool a musician can have in their arsenal. The tiny LT-901 mini chromatic guitar tuner from budget guitar effects pedal manufacturer Rowin is an ideal fit for those who want to make efficient use of space on their pedalboards. Short of a clip-on tuner, the LT-901 is one of the most inconspicuous and affordable tuners available on the market. Don’t let its small size deter you, though; it’s fast and has a large display so you won’t have to squint.
Mooer Baby Water
The Baby Water delay and chorus guitar effects pedal from budget stompbox maker Mooer provides acoustic guitar players a pair of must-have effects in a very tiny, very affordable package. Even if you don’t have a pedalboard, the Baby Water is so small you can literally put it in your pocket and take it to gigs. It comes packed with delay and chorus effects that can be used either individually or in conjunction with each other, all selectable via a dedicated rotary dial.
Mooer Woodverb
The Woodverb from budget stompbox maker Mooer is a reverb guitar effects pedal tuned specifically for expanding the tonal palettes of acoustic guitars. The Woodverb comes with three reverb modes, all selectable via a three-position toggle switch. First is the classic, lush space of the pedal’s magnificent plate reverb. The second mode adds a subtle chorus effect to the reverb. The third and final mode adds mild filtering into the mix for a snappier attack.
Radial AC Driver
The Tonebone AC Driver from Radial is a portable acoustic instrument preamp designed for live performances, boasting innovative features for streamlining your setup and optimizing your acoustic-electric guitar’s tone. It includes Radial’s Class-A buffer circuit to guarantee the superb audio quality, allowing you to employ longer pedal chains and cable runs sans signal degradation or loss. Compared to a simple DI box, the AC Driver gives you more control over your sound, making it perfect for onstage use, especially if you have no dedicated sound engineer.
Rowin AC Stage
The LEF-320 AC Stage pedal from budget guitar effects stompbox maker Rowin gives your electric guitar the strummy goodness of an acoustic. The AC Stage is particularly adept at adding a deep layer of the shortened, glassy resonance that characterizes a good acoustic guitar. It features three acoustic modes, with Standard being the basic acoustic sound. Jumbo mode simulates the deep voice of a full bodied dreadnought guitar while a Piezo mode rounds out the three voicings.
TC Electronic Body-Rez
Capture studio-grade acoustic tones at live gigs with the BodyRez Acoustic Pickup Enhancer from TC Electronic. This invaluable tool serves up tweaked and sweetened tones that give your piezo pickup realistic and natural acoustic guitar tones. It features intuitive single-knob control that takes the guesswork out of achieving exceptional tone. The BodyRez merges pre-configured filters with just the right amount of compression to stir your plugged-in acoustic tone. An inbuilt feedback suppression keeps the pesky low-end howl at bay.
Electro-Harmonix Bass Preacher
Electro-Harmonix gives bass players a lot of pedal love with the Bass Preacher Compression Sustainer, a pedal designed specifically to handle a bass guitar’s vast dynamic range and powerful low-end frequencies. Intuitive Volume and Sustain knobs make it easy to dial in subtle shifts and extreme tonal transformations alike. There’s also a three-way attack selector switch that lets you choose between Fast, Medium, and Slow compression timings. The Bass Preacher features true bypass switching and works equally well with both active and passive basses.
Source Audio Aftershock
The AfterShock Bass Distortion pedal from Source Audio delivers three bass overdrive engines spanning the gamut of low-end crunch from smooth, organic overdrive to full-on fuzz attack. The Tube engine produces a subtle yet powerful classic tube overdrive with plenty of punch and a smooth breakup. Heavy belts out an aggressive scooped sound with thundering lows and ample highs. The Fuzz engine serves up extreme germanium fuzz tones with lots of bottom as well as mucho grit.
Darkglass Vintage Ultra
Enjoy broader sonic options for live and studio applications with the Darkglass Vintage Ultra V2 pedal. At the request of players, the Vintage Ultra V2 has an individual switch for the overdrive section, letting you toggle it without changing your other settings. Every mid control includes a three-way toggle switch for six distinct mid-emphasis settings in total. The Master volume control allows you to adjust your signal. Boasting a switchable impulse-response cabinet emulation for realistic direct tone, the Vintage Ultra V2 serves as a one-stop shop for an awesome bass tone.
Carl Martin Bass Drive
The Carl Martin Bass Drive Bass EQ Effect Pedal boasts tweaked EQ and crunch to give a warm “tube” sound to new digital bass rigs and enhance their performance. Achieve that signature John Entwistle tone, round, big and phat with the perfect amount of sustain to position your bass properly within the mix and enable it to “pop” in recording and live situations. Instead of sitting on top, the Drive knob blends with your bass tones evenly and naturally keeps a full bottom-end.
Darkglass Vintage Deluxe V3
The Vintage Deluxe V3 serves up the tube-like tone of Darkglass’ Vintage Microtubes and provides improved functionality, including a balanced line driver, active four-band equalization, and parallel outputs. Apart from Drive and Level controls, the pedal equips you with four secret weapons—Grunt switch, Attack switch, Blend control, and four-band EQ. The Vintage Deluxe V3 is perfect if you want to supercharge your bass tone with the organic compression and natural dynamics of vintage tube amps and tape machines within a tiny unit that fits inside your gig bag.
Darkglass Microtubes X
The Darkglass Microtubes X perfects the recipe for a powerful distorted bass that keeps the low-end impact. The key to punchy distorted bass is letting your highs and mids give the harmonic drive while keeping your low fundamentals undistorted and firm. The Microtubes X pedal does that by dividing your signal to two variable filters before the gain stage, allowing you to shape your drive tone with the perfect blend of bite and boom. It is capable of delivering defined bass tones regardless of how thin or boomy your bass may sound alone or how old your strings are.
Boss FV-500L
The FV-500 series takes Boss’s industry-standard volume pedal designs into the future. Tank-tough with a stylishly designed high-grade aluminum body and packing silky smooth action, the FV-500 line of volume pedals were created to go above and beyond the needs of even the most hard-touring and demanding musician. The FV-500H is the line’s stereo low-impedance model with a convenient tuner-output jack and an Expression output for use with expression pedal-compatible amps, synthesizers, and other effects pedals.
CNZ Audio Active Volume
The CNZ Active Volume Pedal is constructed with a sturdy steel housing, weighted knobs, and a golden CNZ Audio logo. It holds up under an overzealous volume controllers and intense heavy-footed players. This volume pedal is easy to use, making it an ideal choice for beginners. Just plug the pedal in and you get complete control of your volume. The CNZ Active Volume Pedal also boasts boost capabilities and adjustment knobs that advanced players will enjoy.
Ernie Ball 250k Mono Volume Pedal
Get complete and precise volume control right at your feet. The Ernie Ball 6166 250k Mono Volume Pedal is an excellent hands-free option for controlling your volume. It features a super-smooth sweep and has a micro taper switch that lets you choose between two different volume swell rates. It’s calibrated specifically for the perfect handling of passive audio signals and comes with an independent tuner output for unobtrusive onstage tuning. The 250k’s rugged aluminum construction means it can withstand the rigors of constant use.
Mission Engineering VM-Pro (Black)
An incredibly sophisticated volume pedal, the VM-PRO by Mission Engineering addresses several typical issues with volume pedals, which cause mismatching and tone sucking problems. The VM-PRO works with your electro-acoustic, electric, bass, or baritone guitars. It is also compatible with several other electric and acoustic instruments, including steel guitars, electronic keyboards, and instrument microphones like horn mics and harmonica. The VM-PRO features onboard buffers, sparkle control, isolated tuner out, and compatibility switches for utilization with active and passive pickups.
Morley Mini Volume
Need a good volume pedal but you’re already running out of pedalboard space? The Morley Mini Volume turns the volume pedal, a pedalboard essential that unfortunately often takes up so much space, into a small but road-tough workhorse that won’t let you down in the studio or on the road. It features a smooth, quiet audio taper for perfect and seamless volume control, Morley’s signature electro-optical circuit structure, and glow-in-the-dark treadle rubber and toe-end logo designs.
Mission Engineering EP-1
The EP-1 by Mission Engineering is a sturdy and reliable expression pedal that enables you to control an extensive range of your effects processors with expression inputs. It is perfect if you want to manage your modulation and delay effects instantly. Built in California, the EP-1 boasts high-quality components and all-metal construction for years of seamless operation and rock-solid reliability. This expression pedal is designed for use with your synthesizers, effects pedals, and other expression-capable products.
Mission Engineering EP1-L6
Manage all your Line 6 gears that incorporate expression inputs with the EP1-L6 expression pedal from Mission Engineering. You will appreciate the EP1-L6 if you love to whammy and wah with your Pod HD or other Line 6 equipment. Built in the USA, the EP1-L6 boasts a stainless steel and all-aluminum construction as well as high-quality components for years of seamless operation and rock-solid reliability. It features a non-slip rubber pedal surface so it will stay in place during your highly energetic performances.
Mission Engineering SP-25L-Pro Aero (Black)
The Aero design’s extended sweep makes it an outstanding, versatile expression pedal for volume and effects parameter controls. The rear cut away as well as extended length curved surface have been ergonomically designed for ease of use whether you are sitting or standing. The SP-25L-PRO includes dual 25K outputs with polarity selection and a latching toe switch that works with various devices for acoustic instruments, keyboards, and guitar both in the studio and live. The SP-25L-PRO comes in a black stealth style powder coat finish.
Ernie Ball Expression Overdrive
Silky smooth transitions from clean to tube-style overdrive are made super easy by the Ernie Ball Expression Series Overdrive pedal. No need to play around with a guitar, pedal, or amp dial mid-song; it’s all hands-free so you can smoothly pile on the gain even in the middle of a complicated solo. Dial-in natural, tube-like overdrive via the dedicated Drive, Tone, and Boost knobs and then rock the treadle forward to effortlessly increase the foot-sweepable gain. Leave the treadle open and you get ultra-clear transparency that doesn’t color your core tone at all.
Tapestry Audio Bloomery Passive Volume Pedal (White)
Conserve valuable pedalboard space with the compact, convenient to use, and efficient Bloomery passive volume pedal from Tapestry Audio. It includes some very unique differences from a standard volume control pedal. Its portable size necessitates less space while remaining comfortable for your foot. It has been machined out of steel for a tough, solid feel. Direct shaft drive and slide potentiometer eradicate the need for pesky strings. The passive model lets you convert the tuner output into an expression output.
Mission Engineering EP-25-Pro Aero Gold Carbon
Donning a beautiful gold carbon fiber graphic finish, the EP-25-Pro Aero Gold Carbon expression pedal is perfect for guitar, acoustic instruments, keyboards, and both studio and live use. It incorporates individual polarity switches for every channel. That enables compatibility with a broad range of pedals, modeling amps, MIDI controllers, keyboards, rack effects, and other expression controlled devices. The EP-25-Pro features a fully sealed 25K Ohm linear taper potentiometer for durability and smooth action. The all-aluminum Aero is half the weight of a regular Mission pedal.
Joyo Boogie Master
The JF-309 Boogie Master guitar effects pedal from Joyo is a Mesa Boogie amp sim that gives you that trademark “roided-out Marshall” sound without having to spend over a thousand bucks on an actual Mesa Boogie amp. Crank the Drive knob up for a high-gain Mesa sound or stay clean to hew closer to a Boogie. The JF-309 Boogie Master is an Ironman pedal, so it’s small enough to fit in your front pocket and features a flip cover to keep your control dial settings safe from stray stomps.
Joyo JF-307
The JF-307 Clean Glass guitar effects pedal from Joyo brings the classic tone of blackface-era Fender amps straight to your feet. As its name suggests, this tiny stompbox does justice to Fender’s classic twangy and clear clean channel sound. There’s also a dedicated Drive knob for when you want to add saturated, sustain-friendly dirt. The JF-306 Night Train is an Ironman pedal, so it’s small enough to fit in your front pocket and features a flip cover to keep your control dial settings safe.
Koogo Acoustic
The Koogo Acoustic pedal makes your electric guitar sound like an acoustic guitar. It also boasts the ability to transform an intermediate level electronic or acoustic guitar into an incredible sounding professional guitar. The beautiful sounds produced by each knob and switch make it suitable for virtually any style or player. The Acoustic pedal carries a toggle switch that lets you select between Jumbo, Standard, and Piezo modes. All three modes work well for various genres and effects.
JOYO CAB BOX
Calling the Joyo Cab Box an amp modeler and IR loader is technically accurate, but it does so much more that it stretches the definition. You get four different tube amp models, 20 cabinet models, and 11 classic mic models. Tweak the model parameters, load up to 30 impulse response (IR) files, and then save all your personal presets in up to 128 cab memory slots. The Cab Box also comes with a three configurable five-band post-EQs for guitar, bass & parametric.
Two Notes Torpedo Captor 8
The 8 Ohm Torpedo Captor from boutique guitar effects pedal maker Two Notes is the minified version of the award winning Torpedo Reload reactive loadbox. Using Two Notes’ reactive technology, the Captor can mimic the impedance of a speaker perfectly, making you sound like you’re connected to a real amp cabinet even when you’re plugged straight into a PA, a mixer, a recording station, or even a pair of headphones. Use it with the Torpedo C.A.B.’s virtual cabinet collection for an even wider array of ampless tonal possibilities.
Suhr A.C.E.
The A.C.E. Analog Cabinet Emulator has been configured to provide guitarists with a convenient and portable way to capture the intricate qualities of a guitar speaker cab for different recording (in a studio or silent) and live performance applications without using a mic. The A.C.E. leverages a sophisticated Multi-StageFiltering (MSF) network to yield lifelike speaker cabinet simulations that bring to life or capture all the punch, warmth, and character of a mic’d speaker cabinet to whatever performance without DSP assistance.
Electro Harmonix Superego Plus
Make your guitar sound like a synthesizer; give your tone insane levels of sustain; sustain a chord then freeze it so you can solo over it—the Superego+ has all of the features that made the Superego Synth Engine great, but with tone-sculpting features cranked up to 11. Electro-Harmonix has added 11 onboard effects, each of which can be independently switched on to give your tone added depth. You can also control individual parameters with an external expression pedal.
WMD Geiger Counter Pro
This is the future of digital dirt. WMD’s Geiger Counter boutique distortion guitar effects pedal delivers a cornucopia of dirt tones, from the classic and recognizable to some insanely twisted, octave folded lo fi fuzz that brings to mind the irradiated wind that follows in the wake of a mushroom cloud. The Geiger Counter Pro is the evolved version of the Geiger Counter that crawls out of that radiation fallout. It ups the number of wavetables to 512 in total, has a wavetable morphing feature, comes with 16 switchable presets, and is even upgradeable via USB..
EarthQuaker Devices Rainbow Machine V2
Lose yourself in the mesmerizing, mind-altering sounds conjured up by the Rainbow Machine from EarthQuaker Devices. Every sound you can dish out with the Rainbow Machine is frankly unnatural, making this polyphonic pitch mesmerizer the perfect tool for musicians who want to experiment and push the sonic envelope. V2 sports double the output level, longer delay times, and deeper chorus compared to the original. Both the Activate and Magic footswitches have also been upgraded to Flexi-Switches, so you can use them as both latching and momentary-type footswitches.
Earthquaker Devices Data Corrupter
EarthQuaker Devices’ Data Corrupter puts your guitar signal through a meat grinder, mangling it beyond all recognition—and in this context, that’s a good thing! A modulated monophonic PLL circuit turns your tone into a three-voice synth with a heaping helping of thick fuzz, and with six dials, two rotary selectors, and two toggle switches you get all the tone sculpting tools you’ll ever need. If you really want your guitar to stop sounding like an actual guitar, plug it into the Data Corrupter and watch the sonic sparks fly.
Korg Miku
Inspired by Japanese animation star Hatsune Miku, the Miku Stomp from Korg lets you change your guitar tone into vocal phrases, voiced by the iconic character. It features a Hatsune Miku graphic and eleven distinct phrases that are conveniently selectable using the one rotary control. It leverages an eVocaloid effect, built on Yamaha’s NSX-1 sound engine. With such a distinctive sound, you will either find yourself enjoying the Miku Stomp’s often humorous character or discover infinite inspiration as you conjure new sounds.
Dwarfcraft Devices HAX2
Dwafcraft Devices has mastered the art of crafting guitar effect pedals that do many things extremely well, and the HAX2 ring modulator is no different. Lightyears ahead of the original HAX circuit it’s based on, the HAX2 combines ring modulation, an envelope follower, and a filter in one sturdy stompbox that can serve up everything from deep tremolo-style effects and psychedelic modulation to a pleasant, sparkly chorus. Four dials and four toggle switches give you all the control you could ever need.
















































































































































































































