Way Huge founder Jeorge Tripps, a.k.a. Mr. Huge, has been a key figure of the independent boutique guitar effects pedal community since the early ‘90s. Although he’s also worked on effects pedals for companies like Line 6 and MXR, Way Huge remains Mr. Huge’s baby. Products like the in-your-face Piercing Moose wah pedal, the ambitious and extremely limited-run Swank-O-Matic 5000, and the popular Swollen Pickle Jumbo Fuzz have already made Way Huge a significantly influential brand in the stompbox community.
Way Huge
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Delay
Way Huge Aqua-Puss Analog Delay MkIII
The Aqua-Puss Analog Delay is renowned for its amazingly simple operation and bright, jangly repeats. Now, you can experience all that wholesome goodness in a Way Huge Smalls chassis that perfectly fits your pedalboard. The Aqua-Puss Analog Delay MkIII serves up vintage delay tones and tape-based echo. Featuring 20ms to 300ms of delay time on tap, this marvelous unit is all about tone thickening and old school slap-back. It consists of controls for Feedback, Delay, and Blend.
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Delay
Way Huge Aqua-Puss MkII
The Aqua-Puss Analog Delay MkII from Way Huge is making its epic comeback, geared to bathe a tone-thirsty world in beautifully smooth delay. With a roll of the Delay control, you can go from a tight 20ms delay to whooping 300ms. The Feedback knob adjusts delay duration and intensity. Be warned though as extreme settings can send the pedal into a self-oscillating insane mode. The Aqua-Puss Analog Delay MkII dishes out vintage delay tones and tape-based echo without the hassle of old-fashioned gear.
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Chorus
Way Huge Blue Hippo MkIII
The Blue Hippo Analog Chorus MkIII by Way Huge serves up a variety of tasty, liquefied modulation and incorporates a Vibe switch that lets you add lush vibrato goodness to your aqueous tones. Packaged within a Way Huge Smalls enclosure, the pedal sounds as lusciously liquefied as ever. Its intuitive Depth and Speed control interface lets you dial in anything from lush tone-widening to intense rotating speaker modulation. The Blue Hippo Chorus is no-frills and straightforward.
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Overdrive
Way Huge Camel Toe Triple Overdrive MkII
Way Huge has merged its Red Llama Overdrive with the Green Rhino Overdrive in an uncanny union to build the Camel Toe Triple Overdrive MkII pedal. The Red Llama circuit delivers an extensive gain range and enough output to push any amp into its red zone, while the Green Rhino side provides enhanced sustain and amp-esque grit. If you want anything from full-on distortion to subtle grind in one high-quality unit, the Camel Toe Triple Overdrive MkII is the way to go.
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Fuzz
Way Huge Conquistador Fuzzstortion
Way Huge is going all out with the Conquistador Fuzzstortion pedal. This incredibly simple pedal dishes out a tone described by Way Huge as “a giant Velcro strip being torn apart with great vigor.” While it sure is an aggressively voiced grit box, the controls for fuzz, volume, and tone enable the Conquistador Fuzzstortion to be musically sounding always. If you want a bold-sounding fuzz pedal with a ferocious gated sound, you certainly have to check out the Conquistador Fuzzstortion.
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Overdrive
Way Huge Conspiracy Theory
The Way Huge Smalls Conspiracy Theory Professional Overdrive infuses your instrument signal with lush harmonics for smooth and transparent overdrive. Treble, Gain, and Volume controls make for an extremely simple command center. Twisting the Gain knob initiates a kind of fusion formerly unknown to science, bonding lush harmonics with your signal to yield a seamless, transparent overdrive. Utilize the Treble and Volume controls to determine how far your signal enters the limits of the universe as well as its shape when it gets there.
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Delay
Way Huge Echo-Puss
Designed by pedal specialist Jeorge Tripps as a convenient to use, versatile pedal, the Way Huge Echo-Puss Analog Delay offers the adjustable parameters guitarists want. Acclaimed for his unconventional and innovative techniques, Tripps gave this pedal up to 600ms of natural analog delay with gravelly-voiced bucket brigade chips. A configurable LFO circuit lets you add a fluid texture to the sound of repeats. The Echo-Puss is perfect if you wish to add a new dimension to your guitar effects.
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Distortion
Way Huge Fat Sandwich
Place the Fat Sandwich Distortion by Way Huge between your amp and guitar, and discover how thick your distortion tones could be. It generates plenty of crunchy distortion when you want it. The Fat Sandwich Distortion carries a Volume control that provides you with enough output oomph to drive the front end of your amp over the top. It also consists of a Tone control that interacts with presence (high frequency) and resonance (low frequency) adjustments for convenient tone-sculpting.
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Overdrive
Way Huge Green Rhino MKIV
While it is more compact than its predecessors, the Green Rhino Overdrive MkIV from Way Huge possesses more force than ever behind its mighty charge. Besides the original’s Drive, Tone, and Volume controls, this beastie features the MkII’s 100Hz control plus a new 500Hz control so you can boost or cut your mids and lows by 12dB each way. The Green Rhino Overdrive MkIV is as flexible as it is rambunctious. It is capable of taking your clean amp from pristine purity to punchy, dynamic rhythm tone.
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Overdrive
Way Huge Overrated Special
Designed alongside bluesman Joe Bonamassa, the Overrated Special Overdrive by Way Huge serves up a variety of bold, punchy grit. Jeorge Tripps hot-rodded a vintage Green Rhino OD for a more pronounced midrange and incorporated a Freq knob, allowing you to punch up the low mids. Drive, Tone, and Volume controls round out a simple user interface so you can connect and get right to it. Now in a Way Huge Smalls chassis, the Overrated Special Overdrive will easily find a home on your pedalboard.
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Overdrive
Way Huge Overrated Special
Built to fulfill Joe Bonamassa’s sonic requirements, the Way Huge Smalls Overrated Special overdrive pedal provides you with a midrange boost that feels like a gut punch. Way Huge founder Jeorge Tripps modded the Green Rhino OD pedal for a more pronounced midrange and incorporated a Freq knob for fine-tuning the midrange emphasis. The outcome is a punchy tone you can sculpt for virtually any guitar, whether you are punishing the front end of your overdriven tube amp or beefing up your clean tone.
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Bass
Way Huge Pork & Pickle Bass
The Pork & Pickle Bass Overdrive & Fuzz by Way Huge delivers a well-balanced diet of gnarly tones for bassists who want to get down and dirty. This tasty dish serves up a combination of the rich, fatty tones of the Russian Pickle Fuzz and the warm, soft-clipping tones of the Pork Loin Overdrive within one package. Flip the OD/Fuzz toggle switch to change between the two. The Drive, Volume, and Tone knobs do their usual functions, applying to the selected dirt circuit.
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Overdrive
Way Huge Pork Loin
The Pork Loin Overdrive by Way Huge incorporates two different tonal pathways that are combined—a contemporary soft clipping overdrive and configured vintage British preamp for clean. The overdrive path features a soft clipped BiFET overdrive gain stage with a passive Tone knob, rounded out by a Curve feature which allows you the liberty to fine-tune corner frequencies. The Volume knob manages the chunks of pork power radiating from its space-age circuitry. Boasting an extensive range of dynamic tones, the Pork Loin Overdrive is arguably the premier overdrive pedal.
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Overdrive
Way Huge Purple Platypus MkII
The Purple Platypus Octidrive MkII from Way Huge merges the Red Llama Overdrive’s amp-clobbering gain and burly, buttery tones with a frequency doubler that produces an octave-up effect. But unlike other octave-up pedals, the Purple Platypus Octidrive MkII cleans up beautifully—you can take it from uncanny ring modulator-esque effects to massive octave fuzz. Besides the standard Drive and Volume knobs, the MkII carries a Hi-Cut control so you can season and sculpt the sonic wizardry to your liking.
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Overdrive
Way Huge Red Llama
A faithful reissue of the first-ever Way Huge stompbox, the Red Llama Overdrive MkII takes you from juiced clean tones to tight, bottom-heavy riffage and buttery leads. It is a continuation of where the legendary model left off in 1999. All the features that made the Red Llama OD so great remain where Mr. Huge left them. Season to taste whatever amp, dirty or clean, big or small—the pedal serves as a perfect compliment to them, with a lush harmonic palette accessible on the simple control panel.
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Overdrive
Way Huge Red Llama 25th Anniversary Overdrive
Over two decades after the debut of the first-ever Way Huge stompbox, the Red Llama 25th Anniversary Overdrive pedal infuses a luscious boutique amp-esque Tweed overdrive directly into your amp. Leveraging a CMOS circuit, the Red Llama dishes out responsive and transparent tube-like dynamics and tone. The anniversary edition comes in a more compact enclosure with a Hi Cut knob for seasoning any amp to taste. Only 1,000 Red Llama 25th Anniversary Overdrive pedals will be available worldwide.
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Fuzz
Way Huge Russian Pickle
The Russian-Pickle Fuzz by Way Huge gives you smooth, creamy fuzz tones with a clear midrange to slice through the mix and a thick bottom end that makes your sound full and fat. Featuring a no-frills interface consists of Distortion, Volume, and Tone controls, you may conveniently dial in your sound and start playing. Bassists need to remember that the Russian-Pickle Fuzz has enough low end to tremble the universe. Whether you want a raw two-piece garage rock, swinging stoner grooves, or 90s grunge, this pedal will be a celebrated addition to your pedalboard.
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Fuzz
Way Huge Russian-Pickle MkIII
Now within a Way Huge Smalls chassis, the Russian-Pickle Fuzz MkIII delivers smooth, creamy fuzz tones in an incredibly pedalboard-friendly housing. It features the same controls and circuit as the original, so you may keep trembling the world with a similar fat bottomed thunder and a punchy midrange. Whether you are going for a 90s grunge, organic two-piece garage rock riffage, or swinging stoner grooves, the Russian-Pickle Fuzz serves as the perfect companion for your pedalboard.
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Compressor
Way Huge Saffron Squeeze Compressor MkII
Way Huge did not merely resurrect the legendary Saffron Squeeze compressor, it relaunched it with awesome new tweaks, making it handier than ever. Many guitarists love the focused and tight sound it delivers to an extensive range of guitar playing styles. Besides the standard Sustain and Volume knobs, the revamped Saffron Squeeze offers Attack, Tone, and Gain controls, which let you dial in different aspects of your guitar’s sonic character. With the Saffron Squeeze Compressor MkII, you get the same thick, dripping tones as the original.
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Overdrive
Way Huge Saucy Box
The aptly named Saucy Box Overdrive from Way Huge lends that coveted “special sauce” to your instrument tone. Transparent and natural, the Saucy Box Overdrive preserves every bit of your guitar and amp’s meticulously dialed-in tone. It responds to your guitar’s volume and tone controls expressively and beautifully. Discrete clean boost and overdrive signal paths even out the optimum ratio of both with one Drive control. Meaning, increasing the pedal’s gain automatically reduces its clean boost and vice versa.
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Overdrive
Way Huge Supa Lead MkIII
The Way Huge Supa-Lead Overdrive is a dynamic, touch-sensitive pedal that cleans up instantly as you roll down your guitar volume control. Crafted to yield amp-esque crunch tones from a slightly dirty or clean amp, it creates a focused midrange grind with plenty of output volume to drive your amp over the edge. Utilize the large sweep of the Tone knob to capture the ideal warmth, and with the Gain control twisted up, you will achieve a sonically monstrous sound evocative of an exploding tube amp stack with hints of cone cry and enormous grain power saturation.
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Delay
Way Huge Supa-Puss
The Supa-Puss Analog Delay from Way Huge was designed by Jeorge Tripps for examining the maximum reaches of real analog delay potential, boasting an eternity of delay time and exceptional control of several delay signal parameters. Tripps armed the Supa-Puss with six bucket-brigade chips, offering up to 900 milliseconds of delay time. Using the Tap Tempo switch, you can program up to three seconds of delay time for ethereal ambience. The Supa-Puss Analog Delay consists of controls for tone, gain, speed, depth, mix, feedback, and delay.
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Fuzz
Way Huge Swollen Pickle Jumbo Fuzz MkIIS
The Swollen Pickle Jumbo Fuzz MkIIS by Way Huge gives you the beefy high gain fuzz of a full-sized MkII in a smaller package. With a roll of the Sustain knob, you can go from gentle crunch to Armageddon. The Filter knob maintains its signature insane range of extremely bandpass-filtered tones, marked by remarkable sizzle and girth, while the Loudness gives enough volume to smack any amp. The Swollen Pickle Jumbo Fuzz MkIIS also incorporates a Scoop tone stack control and a Crunch knob for adjusting the fuzz’s compression intensity.
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Fuzz
Way Huge Swollen Pickle MKII
The Swollen Pickle Jumbo Fuzz MkII from Way Huge yields extremely high-gain fuzz with abundant amounts of smooth low-end to anyone who plugs into it. With a roll of the Sustain knob, you go from gentle crunch to Armageddon. The Filter knob preserves its signature crazy range of heavily band pass-filtered tones, marked by extraordinary sizzle and girth, while the Loudness gives enough volume to smack any amp. Additional features include a Crunch control for adjusting the fuzz’s compression intensity as well as a tone stack Scoop knob.
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Overdrive
Way Huge WHE201
The Pork Loin by Way Huge allows you to dial in a mix of sparkling clean tones and beautiful-sounding overdrive—from articulated grit to fat, sustaining crunch. The flexible Pork Loin pedal incorporates a passive Tone circuit, Volume knob, Curve corner-frequency control, and Overdrive knob. Utilize the Clean control to take British-voiced clean tones into the mix, and you get plenty of possibilities from this unit. What’s more, adjustable mini-controls are available within the Pork Loin for customized tones.
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Delay
Way Huge WHE707
With the Way Huge Supa-Puss Analog Delay, you get up to three seconds of delay time with tap tempo mode, modulation, a repeat subdivision mode, and several features for fine-tuning your delay signal. It comes equipped with six bucket-brigade chips, providing you with up to 900 milliseconds of delay time. Use the Tap Tempo switch to program as much as three seconds of delay time for ethereal ambience. The Supa-Puss Analog Delay had been designed by delay legend Jeorge Tripps.
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