EBS has been livening up bass players’ sound and tone for over three decades. Flea, Jimmy Earl, and Billy Talbot were among those who first pushed the envelope with EBS’s early rack-mounted bass preamps, and now the company is building all-new bass guitar effects pedals, amps, heads, cabs, and other gear for a new generation of bass players. EBS’s extensive range of bass pedals, which the dual-band Multi-Comp, the MultiDrive overdrive, and the OctaBass octave divider, can give any stale bass pedal chain the breath of fresh air it needs.
EBS
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Bass, Filter
EBS Bass IQ
The BassIQ by EBS is an analog envelope filter pedal activated by the notes you play. It delivers the most responsive and funkiest sounds within a stompbox. From classic auto-wah to your distinct space-bass or “Funkadelic” sound, the BassIQ does it all. It includes controls for attack and threshold, and operates in three separate modes—Up, Down, and Hi-Q. The BassIQ contains multiple trim pots, including a dynamic high-pass filter mix-in, high-pass filter mix-in, and gain trimmer.
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Overdrive
EBS Billy Sheehan Signature Drive
In celebration of its 25th anniversary, EBS launched the Billy Sheehan Signature Drive pedal for bassists who wish to beef up their bass tone. Equipped with compression, level, tone, and drive controls, the Sheehan Overdrive provides a dual loop input and pure analog design for various tonal possibilities and connection options. It gives you inbuilt compression, aggressive overdrive, and ultra-versatile effects loops for fine-tuning your sound. Individual level controls for your overdrive and clean tones allow you to preserve your low end’s solid thump while injecting overdrive.
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Bass, Distortion, Overdrive
EBS Billy Sheehan Signature Drive Deluxe
The EBS Billy Sheehan Signature Drive Deluxe is the extended variant of the earlier signature model. It is an all-analog design boasting innovative features to transform it into your signature pedal. Built in collaboration with Billy, this signature pedal provides relatively more gain compared to the original purple version. The Billy Sheehan Signature Drive Deluxe carries Clean, Level, Tone, and Drive knobs, a phase inverter switch, boost drive footswitch, as well as three compressor modes—Mid, High, Off.
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Bass, Phaser
EBS D-Phaser
The DPhaser from EBS provides three distinct phaser effects. Choose anything from vintage 70’s sounds to contemporary swirling phasing effects. DPhaser users include Jamareo Artis (Bruno Mars) and Pete Griffin (Dr. John, Zappa Plays Zappa, and others). The DPhaser features three distinct modes of phaser effects. Wide delivers swirling flanger-like effects, Long highlights the effect, while Short is the classic phaser effects known from the ’70s. Hi, Lo and Off set the effect’s resonance while the two knobs adjust the rate and width.
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Delay
EBS DynaVerb Guitar Edition
The EBS DynaVerb Guitar Edition employs a 24-bit digital processing circuitry for noiseless and excellent performance both in the recording studio and on stage. It is optimized for use with your guitar and offers Room, Hall, and Plate types as well as controls for Tone and Reverb. The Hall reverb provides two variations while Plate and Room can work in three variations, creating a total of eight unique reverbs. The DynaVerb Guitar Edition is among the three first released products in EBS’ Red Label Pedals for guitar.
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Bass, Delay
EBS DynaVerb Studio Edition
The EBS DynaVerb Studio Edition leverages a 24-bit digital processing circuitry for noiseless and excellent playing both in the recording studio and on stage. It features three types of reverb—Hall, Room, and Plate. The Hall reverb has two variations, while Plate and Room are capable of running in three variations. The knobs select the tone volume (Tone) and the amount of reverb you want to blend in (Reverb). The DynaVerb Studio Edition is great for use with keyboard and bass.
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Bass, Distortion
EBS FuzzMo
The EBS FuzzMo gives your signal an abundance of gritty distortion. Built with bassists in mind, it carries an intuitive Blend knob that allows you to combine your dirty and clean signal to taste. You can also sculpt your ideal tone using the Character switch and Shape control. The true bypass design eradicates the annoying tone suck when the pedal is off. If you are in the market for a pedal that will stand out from the pack, then you have to check out the FuzzMo.
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Bass, Distortion, Overdrive
EBS Metal Drive
The EBS MetalDrive brings a pure, aggressive metal distortion for bass and more. It provides high-gain distortion for utilization in contemporary metal music and other music genres which require a mean distorted sound. It is based on a personalized MultiDrive created for bassist John Moyer of Disturbed. The Black Label Pedals offer exceptional tone for keyboard, guitar, as well as other instruments. Smooth working effects with minimal to zero noise and a fat tone which keep the bottom firm.
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Bass, Distortion
EBS MetalDrive Studio Edition
Get pure, aggressive metal distortion with the EBS MetalDrive. It offers high-gain distortion for use in various music styles that require a mean distorted sound. It works well with both bass and guitar. It can handle drop-tuned, 7-, and 8-string guitars sans choking. The MetalDrive operates in Tubesim, Standard, and Flat mode with controls for Output and Distortion. The Studio Edition features a signal relay type of switch, optimized signal path, and protection against over-voltage use up to 18V.
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Bass
EBS MicroBass II
Touted as the Swiss army knife of bassists, the EBS MicroBass II is a DI box, dual-channel preamp featuring effects loop, speaker simulation, phones output, and several other innovative features. You can use it as an active direct box, a single or dual-channel preamp, blender, or instrument switcher. The two channels offer tone sculpting from high-end, solid-state kinds to distorted timbres, leveraging the famed tube-emulation circuitry seen in EBS’ collection of bass heads.
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Bass, Overdrive
EBS Multi Drive
Spice up your sustain with the MultiDrive pedal by EBS. This Class A overdrive pedal is capable of yielding overdrive, sustain, and several other valuable tube amp distortion sounds. It carries a Mode switch that lets you choose from standard, tube-simulation, or flat overdrive sounds, as well as Volume and Drive knobs for controlling the output level and amount of effect. EBS bass effect pedals are crafted to maintain the whole frequency range of your bass signal, leverage silent FET switching, and are perfect both for live and studio use.
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Bass, Compressor
EBS MultiComp
The MultiComp from EBS is a high-performance, true dual-band analog compressor pedal with an option for multi-band compression, tube simulation, or solid state. It is capable of enhancing an already good sounding instrument and is equally wondrous for guitar as bass. Since the MultiComp is well thought out and seamless, all you have to do is select the level of Comp/Limit and Gain, then pick the mode or type of compression between Normal, Tubesim, and Multi Band (MB).
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Compressor
EBS MultiComp Guitar Edition
The EBS MultiComp Guitar Edition is capable of enhancing an already great-sounding guitar sound. Optimized for use with guitar, it strikes the right balance of providing supersonic qualities and ease of use. Since the MultiComp is meticulously formed, all you have to do is select the level of Comp/Limit and Gain with the knobs, then set the mode—Normal, Multi Band (MB), and Tubesim. It also includes an Active/Passive switch and is suitable for studio and live use.
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Bass, Compressor
EBS MultiComp Studio Edition
The EBS MultiComp Studio Edition is a high-performance analog multi-band compressor pedal which will transform your sound immediately. It is great for bass and guitar and is capable of making your already good sounding instrument sound even better. Reaching “Hall of Fame” status at several prominent online shops, the MultiComp has all the fundamental features you would expect in a convenient format. It carries Gain and Comp/Limit knobs. You can also select between Normal, Multi Band, and Tubesim modes.
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Bass, Distortion
EBS MultiDrive Studio Edition
The EBS MultiDrive Universal Overdrive Pedal is useful for spicing up your sustain. It is capable of creating distortion, sustain, and tube-like overdrive effects. Use the Mode switch to choose from Flat, Standard, or Tubesim overdrive sounds, and the Volume and Drive knobs to adjust the output level and amount of effect. With guitar, the MultiDrive delivers a somewhat overdriven bluesy sound with plenty of sustain and body. The MultiDrive Studio Edition comes with an optimized signal path, fresh design, new signal relay switching technique, and more.
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Bass, Octave & Pitch
EBS OctaBass Studio Edition
The EBS OctaBass Triple Mode Octave Divider identifies two to three-note chords and triggers the lowest note. It takes the vintage octave pedal and loads it with new features. Capable of adding a Korg-esque quality to the sound for dance-punk or sending a bass signal falling into stoner metal lows, this handcrafted pedal performs the job of three different octaves and plays nicely with other effects for more innovative sounds. The OctaBass can also work well with distortion.
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Chorus
EBS Red Twister Guitar Edition
The Red Twister from EBS gives you a thick, smooth, and warm sounding flange/chorus effect, handy for both studio and live performances. It is based on the legacy of the UniChorus Studio Edition, but with changes in the frequency range and delay times to perfectly fit the guitar. The pedal output is capable of running in stereo or mono. The Red Twister features a mix level control which allows you to select the amount of the effect you wish to be blended with the natural tone.
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Delay, Midi
EBS Retracer
The EBS ReTracer is a full delay workstation crammed into a portable pedal that leaves space for other effects on your pedalboard. It allows you access to various engines with individually adjustable parameters. Build your signature presets and record them at any of the over 200 slots available. You may run the ReTracer in stereo, mono, or dual (true stereo) mode, with Buffered, Tail, or True bypass mode set separately for every sound. The ReTracer boasts comprehensive tap tempo settings and is compatible with MIDI and expression pedals.
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Bass, Wah-Wah
EBS Stanley Clarke Signature Wah-Wah
Achieve bass legend Stanley Clarke’s signature tone with the EBS Stanley Clarke Signature Wah/Tone Filter. This ultra-versatile wah-wah pedal does not affect the whole frequency range and lets you choose from four distinct pre-shape pass modes (Low-pass, High-pass, Band-pass, and Boosted Band-pass). It also provides controls to set the Width and Range of the effect span. It features a unique pedal design that meets Stanley’s high standards with the best wah-wah effects possible. It is the first time EBS has launched a signature product.
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Overdrive
EBS The Drive
The Drive by EBS is a fascinating analog boost/overdrive pedal included in the Blue Label Pedals collection which you may utilize with guitar and bass. It is a handy device if you want your amplifier to come alive or raise the volume for a slight overdrive or solo. It carries Volume, Drive, and Tone knobs. The Drive will add beautiful harmonics and richness to your guitar sound. Use it with your bass for the lovely slightly saturated sound of a classic tube amp.
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Bass, Tremolo
EBS TremoLo
The TremoLo from EBS is a welcomed addition to the famed Black Label Pedals collection. It is a stereo vintage-style tremolo or sweeping filter effect for keyboard, guitar, and bass. It features full-bodied thick sound within a compact yet durable tiny box that fits well on your pedalboard, providing you with all the astounding tremolo effects you desire. Best known as a guitar effect, the tremolo is also capable of imparting a beautiful character to bass.
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Bass, Chorus
EBS Uni-Chorus
Suitable for bass, guitar, or whatever you play, the UniChorus by EBS provides you with a sort of quality modulation effects you would expect from an expensive unit of EBSOC studio gear. It makes dialing your sound a breeze. It carries a three-way switch that allows you the choice between low noise studio-quality Flange, Chorus, and Pitch Modulation effects, letting you craft effects ranging from surf rock vibratos to classic Hendrix-style flange. You only need two knobs to select the depth and rate of the modulation.
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Bass, Chorus
EBS UniChorus Studio Edition
The EBS UniChorus is constructed with top-grade analog processing circuitry. It delivers a thicker, warmer, and smoother sounding flange/chorus effect, great for studio and live performances. The pedal output is capable of running in stereo or mono. The UniChorus is perfect for keyboard and bass. It includes a mix level control which let you determine the amount of the effect you want to be combined with the original sound. It features Chorus, Flanger, and Pitch Mod modes, as well as controls for Rate and Depth.
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Bass, Volume, Wah-Wah
EBS WahOne
The WahOne by EBS lets you produce anything from vintage classics to contemporary wah-wah sounds with depth and warmth. This genuinely versatile wah-wah pedal is specially developed to level up your bass groove. The WahOne is built on the classic wah-wah concept plus additional features. It includes various cool options such as an inbuilt tube simulator circuit. Boasting a convenient dial-in design, the WahOne keeps you in control. Employ it as a volume pedal, wah-wah, or envelope filter.
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