Seymour Duncan Vise Grip

Powered by a modded MXR Dyna Comp circuit combined with the Attack knob from the Boss CS-2 compressor, the FCP2 is a full-featured compressor in mini form that helps you fatten up your sound and achieve insane levels of sustain by gradually increasing a note’s volume as it decays. A fully analog circuit, a broad adjustable range, true bypass, and anti-skid rubber pads make the FCP2 Mini Compressor Pedal an excellent bargain for those in need of a budget-priced compressor pedal.

With control knobs for volume, blend, and sustain as well as Junction Field Effect Transistor (JFET) gain staging, the Barber Tone Press Parallel Compressor is a small but muscular high-end compressor pedal fit for even the most tonally demanding of guitar players. The new Speed toggle on the left lets you play percussively without losing any attack, while the Brilliance toggle on the right adds an extra layer of luster to your tone’s treble frequencies.

Recording studios usually employ rackmount vocal channels, a mic preamp, EQ, and compressor all within a single unit as the front end for vocal recording. The Diamond Compressor comes in a straightforward three-control package consists of Volume, Comp, and EQ knobs. It is Diamond’s take on a guitar channel, a tone and dynamics shaping tool for studio and live use with smooth opto-based compression, low-noise, ultra-linear signal buffering, and versatile tilt EQ.