Overdrive
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Overdrive
Keeley D&M Drive
The brainchild of Keeley maestro Robert Keeley and That Pedal Show’s Dan Steinhardt and Mick Taylor, the dual-channel D&M Drive is effectively two pedals in one. One channel acts as a boutique-level high-gain overdrive while the other channel is an independent, highly-tweakable, and stackable boost. Each channel has its own Level, Gain, and Tone controls, plus you can choose which goes first: Drive or Boost. Whether you just want some extra dirt, a sweet sustain-heavy solo, or full-on fuzz-style noise, the D&M Drive can do the job.
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Delay, Overdrive, Reverb
Keeley DDR
As its name implies, the Keeley DDR Drive Delay Reverb gives you access to three different effect types. This dual-channel stompbox features a Wet channel that holds the delay and reverb effects and a separate Drive channel that brings the dirt. It doesn’t stop there; each effect comes in two flavors. You get a Vintage/Modern switch for both the delay and reverb effects plus two overdrive styles: British-flavored crunch and harmonically-saturated Tube Screamer-style drive.
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Distortion, Overdrive
Keeley Filaments
The Filaments guitar effects pedal fills the role of high-gain tube amp-style overdrive and distortion stomp in Keeley Electronics’ pedal lineup. With a full complement of wide-range EQ control knobs and three toggle switches for precise and flexible tone shaping, the Filaments will work well with whatever amp and guitar you’re currently using. And it can dish out enough gain and nuanced tone to handle whatever kind of metal you play. The Filaments is so metal you’ll automatically grow long hair once you stomp on it.
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Overdrive
Keeley Germanium Super Phat Mod
Keeley’s Super Phat Mod has been around for a while now, but the Super Phat Mod Germanium takes the popular overdrive circuit to a whole new level. Germanium transistors inserted after the tone stack give the Super Phat Mod a tone powered by screaming hot tubes. You get a warm, classic overdrive that is extremely sensitive to your picking dynamics. You also get a choice between two voicings: go Flat for a level EQ or switch to Phat to give your signal a low-frequency boost.
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Overdrive
Keeley Oxblood
A new type of overdrive pedal from Keeley Electronics, the Oxblood is a high-gain guitar effects pedal that can go from clean boost to aggressive distortion and through to broken fuzz. The Drive knob alone gives you access to a wide range of tones, while a dedicated Tone knob lets you control your signal’s treble content. You also get your choice between two clipping diodes—one saturated and sustain-heavy, the other dynamic with an enhanced headroom—as well as a bass control switch.
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Overdrive
Keeley Red Dirt Mini
The popular Red Dirt guitar effects pedal is the distillation of Keeley’s highly-prized Mod Plus and Baked Tube Screamer pedal mods, serving up classic overdrive with extreme sonic versatility. The Red Dirt Mini features the original’s extremely versatile and touch-sensitive overdrive tone in a new, very compact but still road-tough chassis. It also comes with an internal dip switch that lets you access four different overdrive mode: Amp Mode, Crunch Mode, Overdrive Mode, and full-on Distortion Mode.
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Overdrive
Keeley Red Dirt Overdrive
The Red Dirt is the distillation of Keeley’s highly-prized Mod Plus and Baked TS09 mods, serving up classic overdrive with extreme sonic versatility. From mild dirt all the way to full-on tube-breaking overdrive, you get a highly dynamic and touch-sensitive tone. Its complement of tone-sculpting tools includes a dedicated Tone control for treble, Drive and Level knobs for gain and output, and a two-position mode switch that lets you choose between Hi and Lo gain modes.
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Overdrive
Keeley Super Phat Mod
The Super Phat Mod Full Range Overdrive pedal takes Keeleys’s popular Super Phat Mod overdrive circuit to the next level. An updated JFET gain circuit gives your signal a layer of transparent overdrive tone powered by screaming hot tubes. You get a warm, classic overdrive that is extremely sensitive to your guitar volume picking dynamics. You also get a choice between two voicings: go Flat for a level EQ or switch to Phat to give your signal a low-frequency boost.
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Distortion, Overdrive
Keeley White Sands Luxe Drive
There’s magic around the sound of an amp whose tubes are just starting to be pushed far enough to heat up. That’s the low-gain overdrive tone that Keeley captured and distilled into the White Sands Luxe Drive guitar effects pedal. This addition to Keeley’s extensive line of high-grade dirt stomps features a Tone control that’s heavy on the highs and a Drive knob that puts it smack dab between the Katana’s clean boost and the Red Dirt’s aggressive drive.
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Bass, Overdrive
KHDK Abyss
The Abyss Overdrive from KHDK is a game-changing bass overdrive, allowing bassists full control of their tone by performing the job of two amplifiers. Instead of employing a cranked amplifier for overdriven midrange tone and clean bass amp for thick bottom end, you can obtain the signature bass rock tone with only one pedal. Abyss gives a whole-body punch sans altering your natural tone, and the Clean and Dirty channels let you draft your ideal sound with the perfect amount of richness added.
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Overdrive
KHDK Ghoul Jr.
Tiny yet lethal, the KHDK Ghoul Jr is a mighty overdrive circuit packed within a compact box—proving that size doesn’t matter. It gives you massive overdrive with an added dose of gain, plus a broad range of colors. This workhorse is powerful enough to serve as your primary overdrive and also works well for bringing out the best of its neighbors on your pedalboard or boosting your already overdriven amp. The Ghoul Jr carries Tone, Volume, and Drive knobs.
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Overdrive
KHDK Ghoul Screamer
Devised within the dark depths of Kirk Hammett’s brain, a legendary circuit has been tweaked to perfection and armed with five switches to allow you supreme control of your tone. The Ghoul Screamer by KHDK is a multipurpose device capable of drastically enhancing your sound palette. The incredible versatility of controls spans from a clear boost to intense overdrive. Besides the three standard controls (Volume, Drive, Tone), KHDK incorporated five tiny toggle switches offering enhancements for Body, Bass, Highs, and two variations of Compression.
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Overdrive
KHDK No.1
Powered by KHDK’s proprietary circuit, the No.1 pedal is built on the spirit of an overdriven tube amp. Turn this device on, and you will feel like you have connected to a mighty distortion channel on a tube amp. The No.1 consists of Treble, Bass, Volume, and Gain knobs, as well as a Hi/Lo toggle. The Gain adjusts the circuit’s unity gain, while Volume controls the pedal’s overall output volume. Similar to other KHDK pedals, the No.1 is quality tested and manufactured in Kentucky, USA.
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Overdrive
Koogo Overdrive
The Koogo Overdrive pedal carries Tone, Level, and Gain knobs. It allows you a choice between Warm and Hot modes. Select the Hot model if you want a more powerful full tone or Warm for a sweeter and smooth sound, making the tone performance more unique and dynamic. The Koogo Overdrive is made of high-quality zinc alloy. It is sturdy, durable, and compact, saving plenty of space on your pedalboard. It also features an LED indicator that displays the working state and true bypass for transparent tone.
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Overdrive, Preamp
Lehle Sunday Driver
Maximize your guitar tone with the Sunday Driver by Lehle. This high-end preamp comes in a portable footprint. It boasts JFET-based circuitry and gives you two operation modes. It eradicates signal loss through effects and leads, keeping your signal clear and strong. Position the Sunday Driver preamp between your amp and pedals, select the Driver setting and get ready for tonal bliss—regardless of how many stompboxes you are running. With the Sunday Driver, your sound becomes fuller, livelier, and more dynamic.
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Buffer, Overdrive, Preamp, Switching
Lehle Sunday Driver SW
The Sunday Driver SW from Lehle is a portable high-end preamp for acoustic and electrical instruments. It allows acoustic guitars, electric guitars and basses, as well as other stringed instruments like cellos, double basses, and violins to unleash their musical potential. Boasting a high-quality JFET technology, the Sunday Driver SW lets you switch between two operation modes: D (Driver) and S (Sunday). In off status, the Sunday Driver SW offers two modes of operation—TB (True Bypass) and TS (True Sound).
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Overdrive
LunaStone Big Fella
The Big Fella guitar effects pedal is all about big rock sound. This is one of Lunastone’s “True Overdrive” pedals; instead of clipping diodes, its overdrive tone is powered by cascading gain stages. This translates to a tube-like, naturally compressed sound. You get two distinct switch-selectable overdrive flavors: OD1 goes up to low-gain crunch, while OD2 serves up a smooth distortion with more gain. There’s also a dedicated boost footswitch, so you can use the overdrive and the boost independently or together.
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Overdrive
LunaStone Blue Drive 1
It won’t be able to push your amp much further than a low growl, but high-gain aggression is not what Lunastone’s Blue Drive 1is all about. This guitar effects pedal is the perfect low-gain distortion for giving your amp’s clean tone a more gritty bite without compromising your sound’s core tonal characteristics. It’s very transparent and has a sweet, lingering sustain that lets held notes decay naturally. Volume, Tone, and Dist knobs give you plenty of tone-shaping flexibility.
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Overdrive
LunaStone Smooth Drive 1
As a low-gain option for musicians who want the tone of True Overdrive 1 but don’t have much use for the higher gain stages, the Smooth Drive 1’s overdrive is subtle, smooth, and gentle. With a little persuasion, though, this guitar effects pedal from Lunastone can still give you a dirty, low-gain growl that’s perfect for blues and rock. And since the control knobs are placed diagonally, you can quickly adjust them with your foot even when you’re in the middle of a solo.
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Midi, Overdrive
LunaStone Three Stage Rocket MIDI
Lunastone’s Three Stage Rocket guitar effects pedal completely captures the great sound of a true analog overdrive. Its MIDI version takes all that power and makes it even easier to control, letting you store and control the settings of the original Three Stage Rocket’s four switches via a MIDI controller. The Three Stage Rocket MIDI also features soft touch switches, direct OD1 and OD2 access, and a light indicator for pre/post boost and drive.
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Overdrive
LunaStone True OverDrive 1
The True Overdrive 1 is based on Lunastone’s own Big Fella overdrive guitar effects pedal. You get the Big Fella’s big, tube-like, naturally compressed overdrive sans the boost circuit. This translates to a versatile overdrive pedal with a compact, pedalboard-friendly footprint. Oh, and the diagonal knob placement? That’s not just about style; making the control knobs diagonal makes it easier to quickly adjust them with your foot on the fly, even when you’re in the middle of a solo.
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Overdrive
Mad Professor 1
The “Brown Sound” blew minds around the world during the late ‘70s and early ‘80s. Mad Professor took that sound, distilled it into stompbox form, and turned it into the 1. The 1 runs from medium- to high-gain for sheer rock and roll aggression while a built-in ‘70s-style reverb effect lets you add just the right amount of ambience and depth. You can get an instant dose of legendary rock guitar sound with a single stomp.
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Overdrive
Mad Professor Big Tweedy Drive
The Big Tweedy overdrive guitar effects pedal from Mad Professor takes its tonal cues from the super rare High Powered Tweed Twin amp. You get the same fat, punchy mid-range and bite you’d expect from a vintage ‘50s American tweed amp. The Big Tweedy’s tone is very touch-sensitive, too; once you dial in your preferred gain level using the Drive knob, you can still use different picking attacks and your guitar’s volume level to fine-tune it even further.
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Overdrive
Mad Professor Little Green Wonder
The hand-wired Little Green Wonder from Mad Professor is the perfect stackable overdrive to slip into your pedal chain. This guitar effects pedal serves up a low compression, high headroom overdrive that works extremely well with high compression amps and pedals. Use it as a standalone overdrive or as a filter for pedals that may be a bit too rough on your amp. The Little Green Wonder features the regular complement of Volume and Drive controls plus a dedicated Body knob that lets you adjust your tone’s low-mid content and treble.
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Overdrive
Mad Professor Little Green Wonder Overdrive
The Little Green Wonder from Mad Professor is the perfect stackable overdrive to slip into your pedal chain. This guitar effects pedal serves up a low compression, high headroom overdrive that works extremely well with high compression amps and pedals. Use it as a standalone overdrive or as a filter for pedals that may be a bit too rough on your amp. The Little Green Wonder features the regular complement of Volume and Drive controls plus a dedicated Body knob that lets you adjust your tone’s low-mid content and treble.
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Overdrive
Mad Professor Little Tweedy Drive
The Little Tweedy Drive guitar effects pedal from Mad Professor takes its tonal cues from the sought-after sound of a vintage small Tweed amp. It serves up a fat, punchy sound with the mid-range and growl of an amp from the late ‘50s. Multiple gain stages make the tube-style drive even more amp-like. This compact boutique stomp doesn’t just copy the Tweed sound, either; it also packs the same tonal dynamics and touch sensitivity that make Tweed amps extremely well-loved.
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Overdrive
Mad Professor Loud N Proud
A vintage four-input Marshall in stompbox form. That’s not an exaggeration; Mad Professor replicated a complete amp signal path and crammed it inside their Loud’n Proud guitar effects pedal. The Loud’n Proud also has the same moderate amount of gain a Marshall amp has, along with a boost/fuzz to kick the medium-gain overdrive circuit an extra kick. The fuzz itself is designed to sound like a germanium fuzz, giving you the classic tone of a germanium transistor plus Marshall plexi combo.
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Overdrive, Preamp
Mad Professor Simble Predriver
The Simble Predriver effects unit from Mad Professor is more than just a preamp pedal. It pulls quadruple duty as a preamp, a boost pedal, a compressor, and an upper harmonic enhancer. You get a very wide range of tonal control with just one very simple and easy to use stompbox. The Simble Predriver’s tone is also easily adjustable using only your picking attack and guitar volume knob. It also comes with a Hot/Cool selector switch that provides additional boost control.
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Overdrive
Mad Professor Sweet Honey Overdrive
The Sweet Honey Overdrive guitar effects pedal from Mad Professor was built to push already distorted amps past their breaking points. It also works well for adding a light, subtle overdrive to a clean channel. The Sweet Honey Overdrive’s highly dynamic and touch-sensitive overdrive tone can be controlled using your picking attack and your guitar’s pickup volume. Pick softly for a clean sound and hit those strings harder to make the Sweet Honey Overdrive growl.
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Overdrive
Mad Professor Sweet Honey Overdrive Deluxe
The Sweet Honey Overdrive guitar effects pedal from Mad Professor was built to push already distorted amps past their breaking points. It also works well for adding a light, subtle overdrive to a clean channel. The Sweet Honey Overdrive’s highly dynamic and touch-sensitive overdrive tone can be controlled using your picking attack and your guitar’s pickup volume. The Deluxe edition expands the control layout from three knobs to five. New are a pair of Bass and Treble EQ controls for dialing in the exact amount of dark lows and bright highs you want.
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Overdrive
Mad Professor Twimble
The Twimble guitar effects pedal from Mad Professor pulls double duty as an overdrive unit and as a predrive. It’s basically the two Simble pedal versions mashed together into a single stompbox. Both the overdrive and the predrive have their own dedicated footswitches and their tones have been given slight tweaks to make them even more organic. You get enhanced clarity, more compression, and a three-dimensional tone that’s easy to push from a sweet clean sound to dirty, aggressive overdrive.
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Overdrive
Marshall Bluesbreaker II
This modern redesign of the famous Marshall Bluesbreaker overdrive guitar effects pedal faithfully captures the tonal characteristics that made the original one of the world’s most well-loved stompboxes. The BB-2 Bluesbreaker serves up everything from a subtle “tube valves starting to break up” drive to scorching hot lead tones. To make the BB-2 Bluesbreaker even more versatile, Marshall added a transparent boost function that can push your signal through the mix. You can switch between Blues and Boost mode via a rotary selector knob.
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Overdrive
Maxon 9 Series Over Drive Pro+
Finally, an overdrive unit that satisfies and transcends the demands and rightfully takes its place beside the iconic 808—the Maxon OD-9 Pro+ Overdrive. While building the OD-9 Pro+, Maxon sought the assistance of an advisory board of professional guitarists to craft a classic overdrive pedal. The OD-9 Pro+ efficiently serves as a four-voiced monster, providing you with anything from the vintage, bluesy tones of the legendary 808 to the fiery saturated chunk required by modern intense metal music.
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Overdrive
Maxon 9-Series Overdrive
The OD-9 Overdrive from Maxon may look like your classic fave, but the similarities end there. Enhanced circuitry with the JRC4558 IC delivers that creamy, smooth, and dynamic overdrive fancied by guitarists. Level and Drive knobs adjust the volume and intensity, while Hi Boost/Hi Cut tone controls set the brightness from smooth and warm to red-hot. From mild boosts to outrageous roars, the OD-9 gives you the most extensive range of valuable, noticeably tube sounds available.
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Bass, Overdrive
Maxon Hybrid Bass Driver
The first Maxon overdrive intended for bass guitar, the Hybrid Bass Driver provides you with an articulate distortion blendable with clean signal for a range of saturated tones. It works equally great with a guitar to produce clean/dirty amp simulations and full-bodied overdrive. The Hybrid Bass Driver takes Maxon’s more than four decades of expertise in overdrive design into the bass guitar world. Aggressive yet dynamic, it is capable of articulating rapid playing techniques like the multi-finger picking and two-handed tapping Masaki is known for.
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Overdrive
Maxon OD808 Overdrive
First launched in 1979, the Maxon OD808 was among the earliest tube-amp overdrive simulators to enter the market. Its creamy, smooth crunch tone was a quick hit and helped to introduce a long list of predecessors and imitators. The OD808 is a well-loved overdrive pedal among famous artists like Nick Hipa, Metal Mike, and Adam D among several others. It packs the smooth, natural overdrive of a full-up tube amp into a portable pedal. It responds accurately to playing nuances and lets your instrument’s organic tone shine through.
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Overdrive
Maxon OD808-40
Over the years, the 808 has taken on different incarnations and ignited the careers of several aspiring pedal designers wanting to create a better mousetrap. To celebrate the 40th anniversary of this legendary overdrive’s launch, Maxon, in cooperation with Godlyke, Inc., is releasing the limited-edition OD808-40. Boasting a remarkable collectible appeal and distinctive tonal characteristics, the Maxon 40th Anniversary OD808 is bound to take its place alongside the iconic units it has descended from. The OD808-40 is limited to only 400 pieces, each with a signed certificate of authenticity.
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Overdrive
Maxon OD820
After setting the standard for overdrives with its legendary OD808, Maxon is now raising the bar with the Overdrive Pro. Special voltage-doubling circuitry delivers increased headroom, capturing the most transparent, warmest, smoothest overdrive you will ever find. The Overdrive Pro’s unique circuit reacts accurately to any playing dynamic and picking nuance, making just about any amp or instrument come alive. It consists of Level, Tone, and Drive controls. Your search for the ultimate overdrive ends with the Overdrive Pro.
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Overdrive
Maxon Organic Overdrive
The OOD-9 Organic Overdrive takes Maxon’s revived OSD-9 circuit and replaces the NOS 741 Op Amps with NJM (JRC) 4558s. Delivering an open-sounding, warm overdrive similar to the OSD-9 only with a more pronounced high-frequency response, the OOD-9 is ideal for livening up your dark-sounding amp or guitar. The OOD-9 reacts seamlessly to input level changes, giving a very interactive response to your dynamics. You can also stack it with other ODs to add character and clarity to their tone.
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Distortion, Overdrive
Maxon OSD-9 Overdrive Soft Distortion
While it looks like your vintage overdrive/soft distortion stompbox, the Maxon OSD-9 Overdrive Soft Distortion boasts an enhanced circuitry. It leverages a signal-distorting diode found in the amp stage’s negative feedback loop. It distorts your signal within the amp section, yielding a more subtle, natural-sounding, and smoother distortion compared to an individual clipping stage. This reissue of Maxon’s first Overdrive, the OD880, works well as an amp booster. You may stack it with other ODs for broader tonal options.
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