Overdrive
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Overdrive
J. Rockett The Dude
The Dude by J. Rockett pays tribute to the legendary boutique guitar amps favored by Eric Johnson, Larry Carlton, Joe Bonamassa, Robben Ford, and several other revered guitarists. The mythos about these amps, handmade individually in California, focus on their unique playing feel and tone. The Dude is capable of going from a transparent clean boost to high gain while staying very responsive to your pick attack. It features a straightforward four-knob design that lets you easily whip up the killer tone for various musical scenarios.
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Overdrive
J. Rockett Tim Pierce
The J. Rockett Tim Pierce Signature OD/Boost has been crafted to simulate the Naylor SD60—one of Tim’s favorite amps. It is an incredibly smooth, warm, punchy drive created to stand out with singing leads. It includes a fat and loud Power Amp section with nothing but punch, intended to simulate the sound of a full-blown tube power amp with 5881s. The two sides can be utilized individually or cascaded together, providing you with an innovative two-in-one pedal.
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Overdrive
J. Rockett Touch Overdrive
Living up to its name, the J. Rockett Touch Overdrive provides an extremely interactive playing experience between the instrument output and technique of the player. Touch dynamics stay whole even at higher gain levels. Volume swells and rolls may have a dramatic impact on the pedal’s perceived roar and purr. The Touch Overdrive carries a Tone control that gives musical sweep players of various guitars are sure to make liberal use of. Tone-preserving true bypass switching and small current draw reduce the Touch Overdrive’s footprint on your board and tone.
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Fuzz, Overdrive
J. Rockett WTF
The WTF Fuzz by J. Rockett is designed for individuals who hate fuzz. You can achieve sounds ranging from slight overdrive to insane random octave fuzz. You may also get sounds similar to a trombone or trumpet as popularized by Paul Trombetta, the creator of this circuit. Move from smooth and dark to bright and neutral conveniently and instantaneously. The bright setting works nicely with Marshall and Fender while the darkest setting is great for Vox-style amps. The WTF can be powered by a nine-volt battery.
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Bass, Overdrive
JAM Pedals LucyDreamer Bass
The Jam Pedals LucyDreamer Bass is an ultra-versatile bass overdrive boasting tube amp-esque response and saturation. It carries a Mix knob that lets you find your ideal Wet/Dry signal ratio and a footswitch that alternates to a higher gain stage. The LucyDreamer Bass includes componentry and design variations which enable more low end to come through and move the sweet spot of the saturation to complement the register of the bass. It also consists of controls for Gain, Tone, Level, Dry/Wet Mix, and high gain footswitch.
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Overdrive
JHS Pedals AT+
The AT+ by JHS Pedals gives you soaring distortion and overdrive with several options to design your tone. It includes a Volume knob that provides you with lots of headroom to explore and EQ that functions as a conventional dark/bright tone control. The Drive control features an extensive range from high gain blues to intense distortion. A foot-switchable Boost generates another channel and gain stage for the pedal. The AT+ also carries a three-way toggle that lets you experience various wattage amps.
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Overdrive
JHS Pedals Bonsai
Created as a homage to the legendary Tube Screamer, the Bonsai by JHS Pedals loads nine classic overdrives into one enclosure—OD1, TS808, TS9, MSL, TS10, XR, TS7, Keeley, and JHS. This nine-way screamer overdrive replicates four decades worth of pedals leveraging analog circuitry. An intuitive rotary knob lets you switch through nine vintage, classic, hard to find, or rare variations of the Screamer. Picking a mode from the Bonsai rotary activates the components explicit to each unit.
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Overdrive
JHS Pedals Charlie Brown V4
Put those killer Marshall JTM45 tones onto your pedalboard with the Charlie Brown V4 amp-in-a-box from JHS Pedals. While designing the Charlie Brown, JHS Pedals went to great pains to copy an entire Marshall-esque tone stack. The Charlie Brown V4 features controls for Treble, Middle, and Bass, which allow you to fine-tune your tone. The Volume and Drive knobs interact like a master volume amp head. Get yourself the Charlie Brown V4, and transform your rig into an iconic JTM45.
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Overdrive
JHS Pedals Double Barrel V4
Enjoy two stackable, well-loved overdrives in one pedal with the Double Barrel V4. It features the latest versions of JHS Pedals’ Moonshine V2 and Morning Glory V4. It is designed for players who need a transparent and versatile overdrive at light and medium gain levels. It gives you an overdrive featuring the character and stacking abilities to satisfy virtually any tonal need. The Morning Glory side works great as a clean boost and to impart some dirt and sparkle to amp breakup, while the Moonshine delivers classic shades of green midrange-forward overdrive for a fat chordal crunch and glassy solos.
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Overdrive
JHS Pedals EHX Soul Food
It’s the Soul Food, now with extra meat! JHS Pedals took Electro-Harmonix’s affordable Centaur Klon sound-alike and made it even more powerful and versatile. In the Soul Food Meat and 3 mod, the “Meat” part of the equation is a new side-mounted bass contour knob for extra tone-shaping power. The “3”, meanwhile, is a three-way toggle that lets you choose from three different clipping modes: the stock Soul Food clipping, open clipping, and authentic Klon-style germanium clipping.
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Overdrive
JHS Pedals Moonshine V2
If you are in the market for an overdrive that is not transparent and imparts its attitude and character, check out JHS Pedals’ Moonshine V2. Packed within a compact chassis, this overdrive is a novel and modified version of the most well-known overdrive of all time. The Moonshine V2 is an indispensable overdrive for jazz, country, rock, blues, and even metal players. It preserves the version one’s core tone and intuitive Drive, Volume, and Tone controls, plus a new Clean knob for blending in your desired amount of clean signal to your tone.
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Overdrive
JHS Pedals Morning Glory V4
Built to be among the most transparent overdrives, the Morning Glory is undoubtedly JHS Pedals’ most popular overdrive pedal, receiving more recognitions and bagging more awards than any of its other designs. It gives you all the tonal and responsive nuance your amp is missing. Utilize it if you wish to impart mid- to low-level grit to your crystal-clean tone, add tube-esque touch response to a less-than-ideal amp, or boost a crunchy tone into thicker sustain.
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Boost, Fuzz, Overdrive
JHS Pedals Ruby Red
Designed alongside artist/producer Butch Walker, who is a JHS Pedals user himself, the Ruby Red squeezes a powerful boost and the renowned Super Bolt overdrive into a convenient pedal. The Ruby Red consists of Boost, Drive, Tone, and Volume knobs, as well as a + toggle and an order toggle for selecting the order of effects. Walker wanted a pedal that can do anything in the most convenient way possible, and with the Ruby Red, he owns one now.
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Compressor, Overdrive
JHS Pedals Steak & Eggs
The Steak Eggs is a compressor/overdrive pedal that loads two killer pedals from two pedal powerhouses. JHS Pedals has teamed up with Keeley Electronics to provide you with two must-have circuits and some delectable surprises within one pedal. Delivering the right combination of compression and overdrive, the Steak Eggs pedal boasts a tweaked Keeley Electronics Compressor circuit and modified JHS Pedals Morning Glory circuit. The Steak Eggs is arguably one of the best compressor/overdrive pedals ever existed.
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Overdrive
JHS Pedals SuperBolt V2
The SuperBolt V2 by JHS Pedals is an overdrive pedal that simulates the sound of combo amps utilized on iconic recordings by Brian Setzer, Jimmy Page, and several others. It provides you with the power amp sag and touch sensitivity that made the vintage amps incredibly fun to play through. The SuperBolt V2 becomes nasty and mean when you crank it up. At lower settings, it gives you a more subtle, darker tone. The SuperBolt V2 will sound amazing on your pedalboard no matter how you utilize it.
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Distortion, Overdrive
JHS Pedals Sweet Tea V3
Blending JHS Pedals’ Angry Charlie V3 and Moonshine V2 into one stompbox, the Sweet Tea V3 does everything from yelling tube-esque overdrive to British high-gain distortion. On the right side, you will find the Moonshine V2, which takes your instrument’s signal and adds an attitude. The left side houses the Angry Charlie V3, which captures the spirit of the iconic Marshall JCM800, transforming your guitar into a sonic monster. The Sweet Tea V3 is handmade for durability and exceptional sound.
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Overdrive
JHS Pedals The AT
Developed as a collaborative work between JHS Pedals and Andy Timmons, the AT is Andy’s signature pedal, modifying and adding to his favorite Angry Charlie pedal. Four controls for Drive, EQ, Volume, and Air, which serves as a low-pass filter, allow you control of your signal. A three-way toggle handles headroom, letting you select between 25w, 50w, and 100w modes. The AT is a good start if you fancy some vintage British tones like those of the Marshall JCM800.
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Fuzz, Overdrive
JHS Pedals The Calhoun V2
Equipped with a classic overdrive and fuzz circuit, the Calhoun V2 from JHS Pedals is your go-to device for rhythm and lead tones. Its overdrive side is akin to the Twin Twelve pedal, giving amp-esque breakup from subtle to thick. The fuzz is built upon the popular 60s and 70s Tone-Bender fuzzes. The Calhoun V2 carries EQ, Fuzz, Bias, Volume, Drive, Bass, and Treble knobs. This dual effects pedal is designed in collaboration with Mike Campbell.
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Fuzz, Overdrive
JHS Pedals The Kilt V2
The Kilt V2 by JHS Pedals is a modified Expandora-esque dirt box that provides you with truckloads of tonal options. A specially selected op-amp delivers extremely low noise and a better slew rate for more seamless structure. The Flat/Cut toggle lets you cut the low end frequencies. In Flat position, you get a beefy bass response for intense guitar riffs or bass grit. Using the G1 and G2 toggles, you can pick different kinds of distortion through select resistance values.
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Overdrive
JHS Pedals Twin Twelve V2
The Twin Twelve V2 by JHS Pedals replicates the tone of the Silvertone 1484 “Twin Twelve” amp and augments it with overdrive capabilities and fleshed-out tone controls. Its response and sound are meticulously hand-tuned to emulate the tones popularized by the likes of Coldplay, Beck, and Jack White, among others. It carries a toggle that lets you select between Dirt and Clean modes. The Clean mode produces a clean preamp that works well as an always-on tonal enhancement or boost, while Dirt brings the gritty amp-esque tones of a cranked Silvertone.
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Overdrive
Joyo AC Tone
True to its name, the JF-13 AC Tone guitar effects pedal from Joyo lets you recreate the legendary sound of the classic Vox AC30 amp. It’s that vintage British crunch from dusk ‘til dawn. Dial in a warm, subtle overdrive laden with harmonic overtones with the Drive dial, then crank that knob up to go full-on scorched tube amp dirty. The JF-13 AC Tone also features a three-band EQ for precise and flexible tone shaping, plus it features a Voice dial that opens up even more sonic possibilities.
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Midi, Overdrive
Joyo American Sound
Looking for that classic American amp sound but don’t want to waste money on a boutique pedal’s sky-high price? Joyo has your back. The aptly-named JF-14 American Sound guitar effects pedal perfectly simulates the sound of a Fender ‘57 Deluxe tube amp, from its trademark pristine clean sound to its smooth and creamy overdrive. Shape your tone to your exact taste using the JF-14 American Sound’s three-band EQ plus dedicated Level, Voice, and Drive knobs.
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Overdrive
Joyo AT Drive
Lurking beneath the JF-305 AT Drive’s tiny chassis is a smooth, versatile, and harmonically rich overdrive sound. It can do warm blues dirt, aggressive hard rock, and everything in between. With dedicated Volume, Drive, High, and Low control knobs you can fine-tune your tone to your specific taste. As part of Joyo’s Ironman line, the JF-305 AT Drive is small enough to fit in your front pocket and features a flip cover to keep its control dials safe.
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Overdrive
Joyo California Sound
The JF-15 California Sound guitar effects pedal from Joyo captures that classic high-gain roar of a Mesa Boogie amp and places it at your feet. This very versatile compact pedal comes packed with a ton of tone-shaping options. There’s a three-band EQ as well as dedicated Level and Drive knobs, plus there’s a unique Voice dial that opens your tone up to more sonic possibilities. It’s perfect for when you just want to rock out.
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Compressor, Overdrive
Joyo Dr.J CompDriver
The Dr. J JDC CompDriver guitar effects pedal is the signature pedal of Spanish guitarist Jose de Castro, hence the name. It’s a compressor and an overdrive in one budget-friendly floor unit. There’s a pair of two-position switches, one of which lets you turn the compressor effect on or off while the other controls whether the effect is applied before or after the overdrive effect. The overdrive effect itself has been tuned to match de Castro’s exacting specs, making for a warm, dirty tone that cuts through the mix.
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Boost, Overdrive
Joyo Dr.J Emerald Overdrive
The Dr.J D-60 Emerald Overdrive is a budget-friendly overdrive and boost guitar effects pedal from Joyo. It can dish out a healthy amount of warm, creamy overdrive tones that can be sculpted further using dedicated Tone, Drive, and Output knobs. The D-60 Emerald also features a two-position clip switch, giving you a choice between MOSFET and diode clipping. Its 15dB boost can also be placed before or after the overdrive effect for even more tonal variety.
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Overdrive
Joyo Dr.J Green Crystal
With its transparent, crystal-clear overdrive tone, Joyo’s Dr. J D-50 Green Crystal overdrive guitar effects pedal is aptly named. The D-50 Green Crystal gives you a warm, tube amp-style sound that’s natural and dynamic without being compressed. You get four dedicated knobs for sculpting your tone: Drive, Output, and a pair of dials for shaping your signal’s high and low frequencies. The D-50 Green Crystal also features a three-position diode clipping selector for even more tonal control.
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Bass, Overdrive
Joyo Dr.J Soloman Bass Overdrive
The Joyo Dr. J Soloman overdrive effects pedal delivers outstanding overdrive tone specially optimized for bass. Using a simple two-knob Level and Drive interface and a three-way tone selector switch that lets you pick between Normal, Bright, and Warm, you can drape your bass signal in natural and harmonically saturated overdrive tones perfect for cutting through the mix. Whether you need a dirty boost to lock down a rhythm or want to break out for a hot bass solo, the D-52 Soloman has your back.
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Overdrive
Joyo Green Legend
Overdrive guitar effects pedals based on the Tube Screamer circuit aren’t anything new, but few of them are a third the size of the original. Joyo’s JF-319 Green Legend doesn’t just nail the classic Tube Screamer tone, either, but cleans it up and makes the mids less muddy. The JF-318 Quattro is an Ironman pedal, so it’s small enough to fit in your front pocket and features a flip cover for keeping your control dial settings safe from stray stomps.
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Overdrive
Joyo Hot Plexi
Massive, harmonically drenched plexi-style “brown” sound that’s responsive to picking dynamics in a small, budget-friendly package. The Joyo JF-32 Hot Plexi guitar effects pedal emulates the classic aggression of a Marshall JCM800 amp. It cleans up well when turned down, but the JF-32 Hot Plexi’s magic really shines through when you crank the Volume and Dist knobs up for that giant Marshall stack attack. This pedal may do clean and subtle well, but it’s really built to wake up your neighbors.
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Overdrive
Joyo Husky Drive
The JF-314 Husky Drive is another Joyo take on Fulltone’s often-imitated OCD overdrive guitar effects pedal. You get a fat, amp-like overdrive that’s versatile enough to use with great effect on a range of musical styles. For tone-sculpting, this pedal features Gain, Tone, and Volume knobs plus a High/Low clipping switch. As part of Joyo’s Ironman line, the JF-314 Husky Drive is small enough to fit in your front pocket and features a flip cover for keeping your control dial settings safe.
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Overdrive
Joyo Lion’s Roar
Joyo built the JF-MK Lion’s Roar overdrive guitar effects pedal to capture the wide, spacious harmonics that exemplify the style of FirstBourne guitarist and 2016 IPMA winner Mike Kerr. The pedal’s tone itself is pure tube amp-style overdrive dripping with harmonic saturation and fat, dirty crunch. Dial back the gain for a subtle kick or crank it up for screaming leads. On the tone-sculpting front, you get dedicated Drive, Volume, Color, and Tone controls for extra tonal flexibility.
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Overdrive
JOYO MAXIMUM
The Maximum guitar effects pedal from Joyo is a highly tweakable, dual-channel stomp that has enough tone-shaping options to scratch even the most consummate knob-fiddler’s insatiable itch. You get four dedicated control knobs—Tone, Gain Boost, and Volume—plus two toggle switches: one adjusts the mids EQ while the other lets you switch between MOSFET and diode clipping. Use the Drive channel for chunky, overdriven riffs then engage the Boost to make your solos cut through the mix.
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Distortion, Overdrive
JOYO Pocket Metal
The Joyo JF-35 Pocket Metal is the stompbox version of a snuke; it’s a pocket-sized weapon of mass distortion. A wide-range Dist knob lets you dial in your preferred hard rock and metal tones while a dedicated Mids control dial lets to scoop out the mids for the perfect screaming shred solo. And with the Dist knob set to you, you’re really going to burn through those notes with insane sustain and an aggressive bite.
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Overdrive
JOYO Sweet Baby
Ultimate blues overdrive from the ultimate budget-priced pedal. The JF-36 Sweet Baby guitar effects pedal from Joyo is a low- to medium-gain overdrive stomp based on the Mad Professor Sweet Honey Overdrive. You can’t push the gain into fuzz and distortion territories but that’s not what the JF-36 Sweet Baby is about. This stomp is for musicians who want to add a slight low- to mid-gain shot of creamy, tube amp-style overdrive to their sound.
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Overdrive
Joyo Sweet Baby Overdrive
Don’t let the name fool you. Yes, the Sweet Baby overdrive guitar effects pedal from Joyo can dish out a lot of sweet, subtle tones with a light dusting of dirt, but crank that wide-range Drive knob up and it turns into a raging low-gain overdrive. In addition to the Drive knob, the Sweet Baby features dedicated Volume and Focus knobs for maximum tonal flexibility, letting you dial in everything from warm ‘60s overdrive to ‘90s aggression.
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Overdrive
Joyo Tai Chi
If you don’t know who Chinese shred master Ji Bin is, just think of him as the Joe Satriani of China. Yeah, he’s that good, and this affordable three-knob overdrive pedal from Joyo is his signature stomp. You get a lot of tonal flexibility via its dedicated Drive, Volume, and Gain controls. This pedal also has gain, gain, and more gain but still keeps your core tone uncolored, staying smooth and creamy all throughout. Pick this up and go listen to Ji Bin shred.
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Overdrive
JOYO TAUREN
The popular Klon Centaur-type overdrive tone in a sturdy, compact, and very affordable stompbox. The Joyo R-01 Tauren guitar effects pedal serves up the grit and the drive you want from an overdrive pedal without coloring and drowning out your guitar’s core tonal characteristics. A classic Volume, Gain and Control knob trifecta gives you a wide range of tonal possibilities. As one of Joyo’s R Series pedals, the Tauren has cool ambient LED effects built into it.
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Midi, Overdrive
Joyo Vintage Overdrive
The Ibanez Tube Screamer is one of the most cloned pedals around, but Joyo’s JF-01 Vintage Overdrive goes the extra mile to one-up the original at its own game. This guitar effects pedal is powered by an updated JFC4588 chip and makes the Tube Screamer’s creamy overdrive less muddy in the mids for greater tonal clarity. It also packs a wider gain range compared to the pedal on which it is based and costs much less than other enhanced Tube Screamer clones.
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Compressor, Overdrive
Keeley Aria
Two of Keeley’s most popular effects, combined in one stompbox. The Keeley Aria guitar effects pedal marries Keeley’s highly-transparent compressor circuit with the touch-sensitive overdrive circuit that powers the Red Dirt pedal. There’s a lot of versatility in this box; you get seven dedicated control knobs, plus the Drive channel has switchable low- and high-gain modes. Oh, and you can choose to put the compressor before or after the drive effect and even insert some other pedals between them.
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