Fuzz
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Fuzz
Epigaze Audio Custom Shop Singularity MKII Fuzz
The Custom Shop Singularity from Epigaze Audio allows you full control over the bias for each of the three transistors to customize your fuzz to taste. This version comes in a larger chassis with black aluminum aesthetics and blue sparkle paint. The Singularity’s main controls are Horizon and Gravity, which control the fuzz attack and volume or level respectively, while Q1 to Q3 knobs set the bias voltage. The Singularity is a nice fuzz pedal you will surely appreciate.
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Fuzz
Epigaze Audio Singularity MKII Fuzz
The aim for the Epigaze Audio Singularity was simple, a Tone Bender created with top-grade components, true bypass, germanium transistors, sleek graphics, LED indication, and a more compact board footprint. The Singularity includes Horizon and Gravity controls for the fuzz attack and volume or level respectively. Hand-wired in the USA, the Singularity is an excellent fuzz pedal that is certain to become a staple. Other features include Switchcraft jacks, orange drop capacitors, and standard 9v DC input.
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Fuzz
Fairfield Circuitry Four Eyes
It’s hard to stick out in the saturated fuzz market, but Fairfield Circuitry’s Four Eyes Crossover Fuzz does so with aplomb. Three parallel JFET fuzz circuits, a voltage-controlled state variable filter, and a three-band EQ let you use the Four Eyes to explore a vast world of fuzzed-out tonal possibilities. From super thin to extra fat, from a subtle whisper to an aggressive scream, smooth vintage germanium to hard-edged silicon, you can get more fuzz tones out of the Four Eyes than you ever thought possible.
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Fuzz
Fairfield Circuitry The Unpleasant Surprise
If you’re looking for a simple, straightforward fuzz pedal, then the Unpleasant Surprise will surely live up to its name. For those who want to dabble in mad fuzz science, however, this unique fuzz pedal from Fairfield Circuitry is anything but unpleasant. A pair of Volume and Onset knobs plus a trio of switches controlling treble cut, amplifier bias, and compression let you dish out some of the weirdest and most unique fuzz tones ever conjured up by man. The Unpleasant Surprise is not subtle, not average, and definitely not for the faint of heart.
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Fuzz
Fender The Pelt
The Pelt by Fender is complete with standard controls, including Tone, Fuzz, and Level for basic tone shaping. What makes it stand out from the pack is its Bloom knob which lets you sculpt your sound’s contours. Additionally, a Mid switch cuts or boosts your midrange for additional tonal textures, while the Thick switch adds some muscle and grit to your sound. The Pelt comes in a durable, yet lightweight, anodized aluminum enclosure designed for heavy stomping.
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Fuzz
Friedman Amplification Fuzz Fiend
Much like the Motor City Drive, Friedman Amplification didn’t mess around with tube amp overdrive emulation when they made the Fuzz Fiend. They just went ahead and crammed an actual high voltage 12AX7A preamp tube into it. The Fuzz Fiend can dish out an unmatched natural, compressed, and harmonically rich tube-powered fuzz, but that’s not all. It also comes with a momentary Rage switch that lets you unleash endless sustain, dramatic pitch-changing oscillation, and absolute sonic mayhem.
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Fuzz
Fulltone ’69 mkII
With a matched pair of germanium transistors powering its top-shelf brand of mean, hairy fuzz, the ‘69 MkII Fuzz pedal from Fulltone has all the vintage vibe you need. You get four knobs for shaping your sound: Input, Fuzz, Contour, and Volume. There’s also an internal switch that lets you control clipping symmetry, harmonics, and tracking. The ‘69 MkII is also very responsive, going from ultra-clean vintage sound to full-on fat and harmonic with a single twist of your guitar’s volume knob.
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Fuzz
Fulltone ’70 BC-108C
There’s no leash that can hold the Fulltone ‘70 BC-108C Fuzz pedal in place. Subtlety is not this pedal’s strong suit; a pair of deliberately mismatched silicon transistors let it howl and snarl and spit out saturated harmonic content–and that’s with the Fuzz dial not even reaching 10 yet! Crank it up to the max and you’ll get some crazy oscillation and weirdness, and if you really want to get all sorts of noisy and experimental, try connecting it to a wah pedal. The ‘70 BC dares you.
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Boost, Fuzz, Overdrive
Fulltone Catalyst
The Fulltone CT-1 Catalyst guitar effects pedal is one hardworking stompbox. It does the work of four different pedals: it’s a fuzz, distortion, overdrive, and clean boost pedal in one compact unit. If you use these four effects a lot and need to clear up precious pedalboard space, the Catalyst is the answer to your prayers. And don’t worry about the sound; the Catalyst can serve up gobs of ultra-fat non-compressed crunch, distortion, and fuzz sounds easily sculpted to your tastes via a two-band EQ. A true workhorse.
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Distortion, Fuzz
Fulltone Mas Malo
The Fulltone Mas Malo packs the sweet sustain, harmonic warmth, and picking sensitivity that you can expect from a vintage fuzz stomp. This compact and pedalboard-friendly distortion and fuzz guitar effects pedal is also one of the most versatile stompboxes you could add to your pedalboard. One minute it can crank out massive levels of vicious dirt with infinite feedback, and the next it can go full-on warm and natural ala vintage Jimmy Page. No matter the flavor of vintage fuzz, the Mas Malo can dish it out.
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Fuzz, Octave & Pitch
Fulltone Octafuzz
Few fuzz and octave-up pedals are as legendary as the Tychobrahe Octavia. That same vintage fuzz tone popularized by Jimi Hendrix himself can now be at your feet thanks to Fulltone’s Octafuzz, an exact copy of the Octavia packed into a modern and compact unit. You can use it as a straight-up fuzz pedal or engage the octave-up function for true Octafuzz tone. Other than the original Octavia itself, nothing comes close to creating that classic dirty, otherworldly vibe.
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Fuzz, Reverb
Fuzzrocious Afterlife Reverb v2
Afterlife is a Fuzzrocious reverb pedal that looks extra exciting and does more than your average vintage reverb pedal. The Afterlife Reverb v2 sports a CME exclusive orange and black finish. You may set the repeats for short decay to full, shimmery oscillation. You can also plug other pedals into the loop to impact the wet [reverb] signal path’s sound. The Afterlife Reverb v2 comes with a simplified control set consisting of Repeats and Mix knobs, and a left footswitch sending the signal straight to oscillation.
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Distortion, Fuzz
Fuzzrocious Cat Tail with 2nd Distortion Mod
The Cat Tail by Fuzzrocious is a low to high gain distortion boasting overdrive capabilities. This circuit is inspired by a much-loved, vintage distortion that makes a clean amplifier dirty and a dirty amp nasty. Fuzzrocious has tweaked the original circuit to better suit the requirements of bassists and guitarists alike. With the inclusion of a diode toggle for more tweakability for clipping options, Fuzzrocious has incorporated the Beavis double resistor mod to let you fine-tune how the signal clips on the lows and highs.
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Distortion, Fuzz
Fuzzrocious Cat Tail with Momentary Feedback Mod
Enjoy low to high gain distortion with overdrive capabilities with the Cat Tail from Fuzzrocious. The circuit is spec’d from a classic, well-loved distortion capable of making a clean amplifier dirty and a dirty amp nasty. Fuzzrocious has customized the original circuit to better satisfy the requirements of bassists and guitarists alike. With the inclusion of a diode toggle for more adjustability for clipping options, Fuzzrocious has incorporated the Beavis double resistor mod to let you subtly fine-tune the way signal clips on lows and highs.
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Fuzz
Fuzzrocious Demon King
The Demon King is the king-sized variant of the Fuzzrocious Demon—a low to medium-high gain drive featuring distortion-esque characteristics. It gives you the boost/gate mod and feedback loop to produce an excellent dirt pedal. The feedback loop is semi-tunable to a note and is capable of taking your instrument to the brink of pseudo-ring mod/bit crushing sans any clank and glonk. The Fuzzrocious Demon King consists of three footswitches.
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Fuzz, Overdrive
Fuzzrocious Demon Med/High Overdrive
The Demon by Fuzzrocious sports a special Chicago Music Exchange orange and black finish. This low to medium-high gain drive with gate/boost mod and distortion-like capabilities dives into the gated fuzz range. The Fuzzrocious Demon includes controls for Feedback, Tone, Volume, and Drive. It is capable of the pushed amp sound at high drive settings or “just on the verge of breakup” stuff at low drive settings. It also features mono in and mono out.
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Fuzz
Fuzzrocious Demon with Clean Blend Mod
The Demon with Clean Blend Mod by Fuzzrocious serves as a low to medium-high gain drive with distortion-esque abilities. It is capable of a driven amp sound at high drive settings as well as the “just on the verge of breakup” stuff at lower drive settings. With the boost/gate mod, the Demon springs into the gated fuzz range. This innovative pedal comes in a durable sleek black chassis consists of controls for Drive, Tone, and Volume.
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Fuzz
Fuzzrocious Grey Stache Civil War Era Muff
The Grey Stache by Fuzzrocious is an all-out fuzz monster faithfully simulating the sound of vintage civil war era muffs. It produces low-end, dark tone, allowing its profound, bassy sound to surround your instrument. Thanks to its excellent low-frequency response, the Grey Stache works perfectly with basses and guitars. Controls for Sustain, Mids, Tone, and Volume provide you with a complete reign over its sound. An LED indicator tells you if the pedal is on or off.
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Fuzz
Fuzzrocious Grey Stache with Clean Blend Mod
The Grey Stache with Clean Blend Mod from Fuzzrocious is based upon the GGG-tuned and Civil War variants of a muff fuzz, forming a versatile bass- and guitar-friendly beast. The tone stack boasts the capacity to flatten the mids for an even-keeled sound, scoop mids to enable a heavy, deep sound, or boost the mids for a more contemporary sound that lets you drive speakers and punch through in the mix. The Grey Stache consists of controls for Sustain, Mids, Tone, and Volume.
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Fuzz, Octave & Pitch
Fuzzrocious Grey Stache with Octave Jawn Mod
The Fuzzrocious Grey Stache is built on the GGG-tuned and Civil War variants of a muff fuzz, building a flexible guitar and bass-friendly beast. It sports a CME exclusive orange and black polish. The tone stack boasts the capacity to flatten the mids for an even-keeled sound, scoop mids to enable a massive, deep sound, or boost the mids for a newer sound that lets one punch through in the mix as well as drive speakers. Dialing back the sustain can give more of an overdrive sound.
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Fuzz
Fuzzrocious Heliotropic
The Fuzzrocious Heliotropic delivers a sludgy, grimy distortion which darkens your sound, making it perfect for endless sonic experimentation and heavier playing styles. Controls for Tone, Volume, Sustain, and Pregain help sculpt the doomy mood of the Heliotropic. The Heliotropic also comes in a classy aesthetic, with gold-colored knobs and hand-painted artwork. It features an extremely dirty sound, offering gritty tones that will delight heavy, experimental sound enthusiasts. The Heliotropic is hand-painted and handcrafted in New Jersey.
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Fuzz, Octave & Pitch
Fuzzrocious KNOB JAWN
The Knob Jawn by Fuzzrocious provides both analog and digital octaving. It carries a large knob that lets you solo or blend analog, monophonic, dirty octave up and digital polyphonic, clean octave up/down. It consists of -/+ and dry:wet knobs, a standard on/off toggle, and two footswitches. The left footswitch enables you to move to the digital octave up/down pot’s opposite throw. For ecological reasons, the Knob Jawn operates on a direct power supply (9V DC 2.1 mm centre-negative adaptor).
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Boost, Distortion, Fuzz, Overdrive
Fuzzrocious Playing Mantis
The Fuzzrocious Playing Mantis pedal is suitable for players who love to stand out from the crowd. Since this pedal is exceptional, you will sound unlike anyone else. You can use the left and right footswitches to activate the quirkiest oscillator and a natural-sounding drive respectively. The Playing Mantis carries a three-way toggle that lets you choose between drive, boost, and distortion. All three settings are jam-packed with volume on tap to push your speakers/amp or other pedals.
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Fuzz
Fuzzrocious The Demon
Make your instrument sound “right” with The Demon pedal by Fuzzrocious. This low to medium-high gain guy has some awesome tweaks here and there. Boasting distortion-like abilities, The Demon is capable of a pushed amp sound at high drive settings and the “just on the verge of breakup” thing at lower drive settings. It consists of controls for Tone, Drive, and Volume. Twist the Volume knob to make the output of the circuit quieter or louder.
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Fuzz, Octave & Pitch, Overdrive
GOKKO OCTAVE FUZZ
The Octave Fuzz GK-31 guitar effects pedal from GOKKO gives you classic fuzz and octave up sounds for a very reasonable price. Dedicated Volume, Tone, and Fuzz control knobs let you explore a wide range of fuzzed-out sonic possibilities. There’s also a two-way selector switch that lets you choose between a normal tone and a mid-cut tone. The Octave Fuzz also features separate footswitches for the fuzz and octave up effects for total effect control.
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Fuzz
Greer Amps 18th Anniversary Black Fuzz
In celebration of its 18th anniversary, Greer Amps wanted to do something exciting and has decided to reissue the pedal that started it all for them. The Greer Amps Black Fuzz is a straightforward and classy pedal featuring a distinct sound—think of an overdriven B*ssman amp, with a hint of fuzz tacked above. The single knob selects the pedal’s output volume level. The Black Fuzz is very thick and pick sensitive. By changing the pick attack or tweaking the guitar’s volume control, you can unleash a variety of tones.
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Distortion, Fuzz
Greer Amps Hammer
The Greer Amps Hammer features tones ranging from gnarly Texas rock distortion to squashed out, nearly cut-off fuzz. This versatile and amazing pedal has plenty of texture on tap. It can go from classic almost Shin Ei like fuzz tones to beautiful, massive stadium rock distortion tones. The Hammer is a flexible drive machine equipped with an interactive control set. The Grunt and Gain knobs work in tandem, and when both set to higher positions, the pedal gives up the goods within the “almost 8-bit” like territory.
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Fuzz, Octave & Pitch
Greer Amps Super Hornet
Based on the famous FOXX Tone Machine, the Super Hornet by Greer Amps is a shop favorite regarding fuzz and all things octave. Greer Amps has taken the fundamental building blocks of the original circuit, modified it, added some special flavor in the design by leveraging NOS BC-107B transistors, and placed an extra feature in the mix. The Super Hornet is constructed with a familiar interface of Fuzz, Volume, and Tone controls with a dual-mode switch. The Stinger switch enables momentary octave when you engage the fuzz.
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Fuzz
Greer Amps TarPit
Get classic muff-style tones, ranging from spitty fuzz to excessive sustain, with the TarPit from Greer Amps. It features two integrated circuits, with increased tonal flexibility to make it better than your ordinary muff pedal. It consists of Sustain, Tone, and Volume knobs that let you find your ideal muff-style fuzz tone. The TarPit features a unique sound and aesthetics. The oxblood-colored Davies control knobs and custom printed graphics make it stand out from the pack.
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Fuzz
Ibanez FuzzMini
The 850 FuzzMini pedal packs Ibanez’s vintage ’70s Muff-like tone with better tone control for a more extensive range of hot spots. Featuring a true bypass switching and pure analog signal path, the FuzzMini preserves your fundamental tone until you kick on the fuzz. It carries Sustain, Level, and Tone knobs that let you sculpt the fuzz effect from biting to smooth. If you want a mega fuzz tone within a tiny pedal, you can’t go wrong with the FuzzMini.
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Fuzz
J. Rockett Hooligan
The Hooligan is the Tour Series counterpart of the WTF pedal, featuring some tonal tweaks and designed to be simple. J Rockett wanted this pedal to inspire players, which could be challenging to achieve with a fuzz pedal. This transistor-based pedal blooms and feeds back, producing various textures in your sound. You can go from an incredibly smooth, Rat-esque overdrive to the iconic Trombetta horn sounds. The Hooligan carries Gunk, Gain, and Level knobs. It is highly musical and fun to play.
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Fuzz, Overdrive
J. Rockett WTF
The WTF Fuzz by J. Rockett is designed for individuals who hate fuzz. You can achieve sounds ranging from slight overdrive to insane random octave fuzz. You may also get sounds similar to a trombone or trumpet as popularized by Paul Trombetta, the creator of this circuit. Move from smooth and dark to bright and neutral conveniently and instantaneously. The bright setting works nicely with Marshall and Fender while the darkest setting is great for Vox-style amps. The WTF can be powered by a nine-volt battery.
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Fuzz
Jam Pedals Eureka!
Jam Pedals set out to build a circuit combining the gritty, well-rounded, and full-bodied Muff-like fuzz distortion with the germanium fuzz pedals’ dynamic mid-range. Leveraging silicon transistors in a proprietary design to enjoy the best of both worlds, the Eureka! fuzz pedal is an exceptional team player that impeccably works with various amps, guitars, and effects while maintaining its attention-grabbing personality. Players across different styles are sure to achieve juicy, amazing, and convenient to dial in sounds.
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Bass, Distortion, Fuzz
JAM Pedals Red Muck Bass
The Red Muck by Jam Pedals is a fuzz/distortion pedal inspired by the ’71 triangle and Red Army/Civil War Muffs. Together with Jam Pedals’ individual touch, the outcome boasts a pronounced midrange, thicker low end, smoother sound, and increased tonal flexibility thanks to the broader range of the Tone control. The Mix knob lets you discover your preferred Dry/Wet signal ratio, while the second footswitch makes it a two gain stage pedal. As a circuit, the Red Muck is already bass-ready, but Jam Pedals added a wet/dry control for the Bass version.
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Fuzz
JHS Pedals Astro Mess
A one of a kind fuzz pedal, the Astro Mess from JHS Pedals is rich, straightforward, and powerful. It features a Silicon Fuzz design with modern and vintage fuzz flavor. Built upon the request of Switchfoot’s Drew Shirley, it pays tribute to some classics like the Octavia and Ampeg Scrambler by having plenty of gain and volume. Controlled using Fuzz and Volume knobs, it also includes a Gate toggle that brings it to a new level when activated—filled with crunch. Tonally rich, responsive dials, and true bypass, the Astro Mess is a celebrated addition to your board.
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Fuzz
JHS Pedals Crayon
The JHS Pedals Crayon lets you experience the gritty preamp tones of the Colour Box within a more compact and budget-friendly guitar pedal. This simplified variant of the Colour Box is capable of delivering the compressed overdrive and fuzz sounds of various classic recordings. This mighty little box packs all the color and features of a vintage studio preamp when cranked. The Pre-Vol and Master knobs work in tandem to give you extremely useful colorful tones.
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Fuzz
JHS Pedals EHX OpAmp Big Muff Pumpkin Patch mod
The EHX OpAmp Big Muff Pi Pumpkin Patch mod by JHS Pedals takes an already well-loved fuzz and includes some additional controls that provide you with more dimension of fuzz. It consists of Volume, Sustain, and Tone controls, as well as a three-way gate toggle. The gate in a fuzz circuit makes a significant difference to your sound. It determines not only the length of the note sustains but also the response of the fuzz to your playing.
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Fuzz
JHS Pedals EHX Triangle Big Muff Pi Illuminati Mod
The Triangle Muff boasts a brilliant vintage distortion tone. However, JHS Pedals has blown all conspiracies wide open with the Illuminati Mod, which incorporates two novel settings to the original circuit. You will find a toggle switch on the unit’s left-hand side. Set it up for a Stock Triangle Muff distortion, to the middle for a more intense/open distortion, or push down for more saturation and full raging fuzz. The EHX Triangle Big Muff Pi also carries a Gate knob that allows you to select the perfect amount of spitty gated fuzz.
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Fuzz
JHS Pedals Green Russian Pi Moscow Mod
The Green Russian Pi Moscow Mod by JHS Pedals takes Electro Harmonix’s classic Green Russian Big Muff pedal and transforms it into a tone machine. It incorporates two toggles: the upper toggle is the +/- while the lower is the Mode. The Mode switch enables higher/lower gain sounds or completely bypasses the mods delivering the true EHX Green Russian fuzz tone. The Green Russian Pi Moscow Mod provides everything you will need to craft a radioactive tone and shape your fuzz to taste.
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Fuzz
JHS Pedals Mini Foot
Simple, little, and ruthless, the Mini Foot Fuzz by JHS Pedals is capable of melting the heart of even the most anti-fuzz activist. The compact chassis that restrains the unit’s explosive character fits conveniently on even the most cramped pedalboards. The Mini Foot Fuzz consists of easy to use Fuzz and Volume knobs. A stomp of the footswitch gives you lush harmonics, thick fuzz/overdrive, and massive headroom that might leave you wondering, “What if I had had this pedal years ago?”
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