Distortion
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Distortion
DOD Looking Glass
Use the DOD Looking Glass for light overdrive, tone shaping, and glassy boost or jump down the rabbit hole toward the raw, psychedelic sounds of a classic amplifier shoved to the brink of failure. Designed alongside Shoe Pedals, the Looking Glass has enough shaping power to become the go-to drive of most players. It features a set of powerful yet user-friendly controls that let you achieve the ideal reflection of your sound. It includes a Low/High gain switch that functions with the Gain knob to perfectly dial in anything from a low-gain boost to in-your-face distortion.
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Chorus, Delay, Distortion, Midi
Donner Alpha Cruncher
The Donner Alpha Cruncher is an effects chain that features three types of effects, including a dreamy chorus, analog distortion, and analog-voiced delay. The Delay model gives you a warm, analog-voiced delay with rich echo feedback and 1000ms max delay time. The Chorus model delivers a warm and pure sound to form a dream chorus world. With the Distortion model, you get a high-gain British amp distortion within a stompbox. It is the ideal option for various vintage rock music styles.
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Chorus, Delay, Distortion, Midi
Donner Alpha Force
The Alpha Force from Donner packs three types of guitar effects into a single chain, including Higain, Chorus, and Delay. It is capable of delivering intense distortion with a full-range response suitable for rock and metal styles. The Alpha Force comes in a convenient, sturdy, and compact aluminium-alloy enclosure adorned with a novel design logo. It is perfect for going out to play or practicing at home. You can take the Alpha Force anywhere you desire.
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Boost, Distortion, Midi
Donner Boost Killer
Often likened to the Xotic RC Booster, Donner’s Boost Killer pedal is arguably one of the most aggressive boost effects available. For a budget-friendly effects pedal, it loads plenty of heat, making it an attractive option. If you are looking to enter the world of boosters, the Boost Killer could be a great starting point. Even with its lightweight and compact enclosure, this pedal features a bit more generous controls than your standard booster design. It consists of Treble, Bass, and Volume controls along with a dominant Gain knob.
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Boost, Distortion, Midi
Donner Giant Metal
The Donner Giant Metal is an invaluable, insane distortion pedal within an aluminium-alloy chassis. The Hi Boost gives you the most expressive metal sound. Showcasing a more flexible and sharper metal sound by selecting three mods and adjusting three sound buttons. That gives you abundant impressive metal sound conveniently. Three modes include Hi Boost, Boost Off, and Lo Boost. Improving the pedal’s high frequency makes the heavy tone-color and hard skills perform better. The Giant Metal enables you to design your unique guitar sound in various live performances swiftly.
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Distortion, Midi
Donner Metal Head
Donner’s Metal Head is a tiny, all-analog circuit metal distortion pedal. The enhancement of the pedal’s high frequency makes the heavy tone color and hard skills perform better. The Metal Head is complete with basic adjustment knobs—Tone, Volume, and Gain. Use the Tone control to set the effect brightness of tone, Volume to select the effect output volume, and Gain to determine the gain of distortion sound. The Metal Head also includes a toggle switch that lets you select between Normal and Boost modes.
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Distortion, Midi
Donner Morpher
Donner’s Morpher is an affordable, well-made, and high-gain distortion pedal. It sounds like a crossover between the Suhr Riot and MI Crunch Box. It is capable of making your tiny fresh tube AMP a louder and fuller sound as the “Full Stack” effect. The Mopher lets you relish your colorful and fun life. It consists of three knobs for controlling the Tone, Gain, and Level, as well as three models: Classic, Tight, and Natural. You can adjust three function knobs and select your desired model to create your music tone.
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Distortion
Dophix David
Dophix’s David Distortion pedal is characterized by a powerful sound and character. The care exerted in the formation of the circuit and the sound’s warm characteristic make David Distortion a pedal with an extensive range of action both in the studio and live performances. The David Distortion consists of three controls that let you adjust the tone (GAS), volume, and gain. The front LED shows the effect activation status. The dynamic gain control enables you to achieve a broad range of distortions from a slight crunch to high gain.
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Distortion
Dophix INFERNO
Dophix dedicates its trilogy to legendary Florentine poet Dante Alighieri, who wrote the Divine Comedy. The Divine Comedy consists of three parts, first of which is Inferno, which stages the “World of the Damned.” That is how a Gloomy distortion, with a Gain knob called “Hatred” and eternal flames graphics. The dynamic Gain control gives you a broad range of distortions from sustained crunch to high gain. If you are looking to ignite your guitar and get lost in the dark woods of sound, the Dophix Inferno distortion is for you.
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Bass, Distortion
Dr. No Effects Black Magic
Are you up for the grimiest, filthiest, dirtiest, and heaviest bass distortion you will ever find? The Black Magic bass distortion pedal from Dr. No Effects is “the box that the Devil made the Doctor build.” Unlike most bass distortions, this stompbox will not destroy your low-end sound. Instead, it will raise it to insanity. The Black Magic will turn your tiny shoebox amp into an infernal legion of Ampeg 8×10 growlers that would shake off your skin.
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Distortion, Fuzz
Dr. No Effects MADFLY
Achieve all the low-end distortion and fuzz you desire with the Madfly from Dr. No Effects. It can give you anything from a subtle Stoner sound to full-on Doom Metal. This heavy distortion pedal is technically an extremely tight and precise fuzz pedal. It delivers that articulate attack like distortion but is way fuller. The Madfly consists of Tone, Volume, and Distortion controls. It is perfect if you like a fuzz but finds it too sloppy or loose for your playing.
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Distortion, Fuzz
Dr. Scientist The Elements
Get ultimate control over your overdrive and tone with the Elements pedal from Dr. Scientist. This fuzz/distortion pedal boasts unprecedented versatility and is capable of delivering EQ, distortion, and overdrive to any electronic instrument. It is oriented towards high-gain tweakability and features several switches and knobs that are so intuitive you do not have to read the manual every now and then. The Elements pedal provides your desired control while blasting a mean tone.
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Distortion, Fuzz
Dunlop Eric Johnson Fuzz Face
The Eric Johnson Signature Fuzz Face from Dunlop loads the original Fuzz Face’s iconic thick, warm tones. It is inspired by Johnson’s favorite Fuzz Faces from his collection. This Fuzz Face Distortion gives you a higher gain (thanks to the hand-picked BC183 silicon transistors), sleek vintage finish, and custom ’68-’69 knobs. The Fuzz and Volume controls allow you to dial in your ideal sound. The Eric Johnson Fuzz Face is a beautifully dynamic, powerful, and expressive pedal.
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Distortion, Fuzz
Dunlop FFM1
Dunlop’s FFM1 Silicon Fuzz Face Mini distortion pedal loads that iconic Fuzz Face tone into a compact, more pedalboard-friendly housing for modern convenience. Spec’d from a 1970 Fuzz Face with BC108 silicon transistors, it lets you obtain an aggressive and bright fuzz tone. It also features a bright status LED, true bypass switching, convenient battery door, and AC power jack. The FFM1 Silicon Fuzz Face Mini Distortion is an excellent choice if you want a vintage fuzz tone.
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Distortion, Fuzz
Dunlop Fuzz Face
The JDF2 Fuzz Face Distortion by Dunlop features the vintage Germanium PNP transistor design to deliver a lush, creamy fuzz sound. In the stompbox lore, the Fuzz Face Distortion is sitting among the legends. It boasts an exceptional ability to inject hair and harmonic richness around clean tones at lower settings. With a list of power users, including guitar icons and new stars from Jimi Hendrix and David Gilmour to Joe Bonamassa and Eric Johnson, the Fuzz Face possesses a distinctive, unmistakable sound regardless of the player.
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Distortion, Fuzz
Dunlop Germanium Fuzz Face Mini
Based on the mid-’60s Fuzz Faces, Dunlop’s FFM2 Germanium Fuzz Face Mini distortion pedal gives you warm vintage fuzz tones thanks to slightly mismatched germanium transistors. It features an AC power jack, battery door, and status LED. Unlike traditional Fuzz Face pedals that come in an unusually large housing, this pedal provides you with the convenience of a pedalboard-friendly enclosure. If you are craving for that vintage germanium fuzz tone, the FFM2 Germanium Fuzz Face Distortion Mini has got you covered.
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Distortion, Fuzz
Dunlop Jimi Hendrix Fuzz Face
Dunlop’s Jimi Hendrix Fuzz Face is a faithful recreation of the Dallas Arbiter Fuzz Face utilized by Jimi on classic albums such as Band of Gypsys and Electric Ladyland. The engineers at Dunlop thoroughly examined numerous vintage Fuzz Faces, honing in on some units with that distinctive Jimi voodoo. Packaged in a groovy circular enclosure with tooled clones of the vintage Fuzz Face knobs, the Jimi Hendrix Fuzz Face is a playable collectible for all Fuzz Face or Hendrix enthusiasts.
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Distortion, Fuzz
Dunlop Jimi Hendrix Fuzz Face Mini
Featuring the same circuit as the classic JHF1, Dunlop’s FFM3 Jimi Hendrix Fuzz Face Mini gives you that thick, smooth fuzz tone popularized by Jimi Hendrix within a compact pedal. Aside from classic Hendrix tone, this pedal features some advanced modifications, including a convenient battery door, AC power jack, and bright status LED for modern convenience. The FFM3 Jimi Hendrix Fuzz Face Mini is the perfect choice if you are a fan of Fuzz Face or Hendrix.
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Distortion
EarthQuaker Devices Acapulco Gold V2
How many control knobs does a good distortion guitar effect pedal really need? EarthQuaker Devices’s answer is “one.” The Acapulco Gold V2 may only have one giant dial, but it lets you access a whole gamut of distortion tones based on a cranked-up Sunn Model T amp. You get subtle, quiet distortion to ball-to-the-wall growls that stay super responsive to picking dynamics and volume control. The V2 also builds on EarthQuaker Devices’s excellent first version by adding an upgraded super-silent switching system.
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Bass, Distortion, Overdrive
EBS Billy Sheehan Signature Drive Deluxe
The EBS Billy Sheehan Signature Drive Deluxe is the extended variant of the earlier signature model. It is an all-analog design boasting innovative features to transform it into your signature pedal. Built in collaboration with Billy, this signature pedal provides relatively more gain compared to the original purple version. The Billy Sheehan Signature Drive Deluxe carries Clean, Level, Tone, and Drive knobs, a phase inverter switch, boost drive footswitch, as well as three compressor modes—Mid, High, Off.
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Bass, Distortion
EBS FuzzMo
The EBS FuzzMo gives your signal an abundance of gritty distortion. Built with bassists in mind, it carries an intuitive Blend knob that allows you to combine your dirty and clean signal to taste. You can also sculpt your ideal tone using the Character switch and Shape control. The true bypass design eradicates the annoying tone suck when the pedal is off. If you are in the market for a pedal that will stand out from the pack, then you have to check out the FuzzMo.
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Bass, Distortion, Overdrive
EBS Metal Drive
The EBS MetalDrive brings a pure, aggressive metal distortion for bass and more. It provides high-gain distortion for utilization in contemporary metal music and other music genres which require a mean distorted sound. It is based on a personalized MultiDrive created for bassist John Moyer of Disturbed. The Black Label Pedals offer exceptional tone for keyboard, guitar, as well as other instruments. Smooth working effects with minimal to zero noise and a fat tone which keep the bottom firm.
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Bass, Distortion
EBS MetalDrive Studio Edition
Get pure, aggressive metal distortion with the EBS MetalDrive. It offers high-gain distortion for use in various music styles that require a mean distorted sound. It works well with both bass and guitar. It can handle drop-tuned, 7-, and 8-string guitars sans choking. The MetalDrive operates in Tubesim, Standard, and Flat mode with controls for Output and Distortion. The Studio Edition features a signal relay type of switch, optimized signal path, and protection against over-voltage use up to 18V.
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Bass, Distortion
EBS MultiDrive Studio Edition
The EBS MultiDrive Universal Overdrive Pedal is useful for spicing up your sustain. It is capable of creating distortion, sustain, and tube-like overdrive effects. Use the Mode switch to choose from Flat, Standard, or Tubesim overdrive sounds, and the Volume and Drive knobs to adjust the output level and amount of effect. With guitar, the MultiDrive delivers a somewhat overdriven bluesy sound with plenty of sustain and body. The MultiDrive Studio Edition comes with an optimized signal path, fresh design, new signal relay switching technique, and more.
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Bass, Distortion
Electro-Harmonix Bass Big Muff Pi
The Electro-Harmonix Bass Big Muff Pi is all about giving the beefy bottom ends of bass guitars some warm Muffy love. The Bass Big Muff Pi is actually based on two classic Big Muffs, taking the classic fuzz sounds of the Sovtek Big Muff Pi and the Electro-Harmonix Big Muff Pi and optimizing them to handle rib-rattling low frequencies. Dedicated tone, Volume, and Sustain knobs give you a wide range of control over your fuzzed-out tone, while a Bass Boost/Dry toggle switch lets you bump your low-frequency content up.
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Bass, Distortion, Overdrive
Electro-Harmonix Bass Blogger
Not just any distortion pedal can handle the bone-shaking bottom end of a bass guitar. The Bass Blogger effects pedal from Electro-Harmonix can, though, and it does the job extremely well. The Bass Blogger gives bass players the cutting fuzz, warm overdrive, and mild, silky distortion that guitarists have long been swimming in. Thanks to intuitive Drive, Volume, and Tone controls, you can easily give your bass tone a heaping helping of fuzzed-out attitude with the Bass Blogger.
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Bass, Compressor, Distortion
Electro-Harmonix Bass Metaphors
The Bass Metaphors pedal from Electro-Harmonix packs a staggering amount of bass-specific sound-sculpting functionality into a single stompbox. In one pedal, you get great-sounding distortion, high-quality EQ, and a versatile compressor. Can’t be bothered to lug a big, heavy amp to your gig? Use the Bass Metaphors to plug straight into the board without worrying about mangling your bass tone. The Bass Metaphors features balanced and unbalanced 1/4″ outputs, XLR out, and amp output.
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Bass, Distortion
Electro-Harmonix Bass Soul Food
The Bass Soul Food overdrive effects pedal from Electro-Harmonix lets you add a layer of overdriven and clean boosted attitude to your bass guitar’s signal without compromising your original sound’s unique character. Dedicated Treble, Drive, and Tone controls let you shape the exact overdrive tone you want, while the Blend dial lets you fine-tune how much of that gets mixed with your original tone. The Bass Soul Food is also useful for guitarists who want to add more crunch and punch to their low end.
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Distortion
Electro-Harmonix CRAYON 69 Full Range Overdrive
Whether you need a midrange boost, a beefier bottom end, or more high-flying high notes, the Crayon 69 full-range overdrive guitar effects pedal from Electro-Harmonix can handle it. This extremely versatile overdrive pedal gives you powerful tone-shaping tools for crafting your own signature sound. Sculpt your tone with dedicated Bass and Treble control knobs and dial in the perfect amount of rich, warm overdrive with the Gain knob. Hold back on the latter and you can use it as a down-and-dirty boost pedal.
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Distortion, Overdrive
Electro-Harmonix Germanium 4 Big Muff Pi
Germanium transistors have long been considered essential when it comes to crafting authentic vintage-sounding overdrive tones. For the Germanium 4 Big Muff Pi, Electro-Harmonix went above and beyond, cramming four individual germanium transistors into one powerful and versatile stompbox. The independent overdrive and distortion effects each have two germanium transistors, and you can stack them together to dish out a four-transistor wall of pure growl. Dedicated control knobs for both the overdrive and distortion sections give you full control over your tone.
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Distortion, Fuzz
Electro-Harmonix Graphic Fuzz
An EQ, distortion, and sustainer pedal in one sturdy package. The Graphic Fuzz distortion guitar effects pedal from Electro-Harmonix is unique in that it comes with a six-band graphic EQ that lets it act as a standalone EQ pedal. Engage the distortion effect and you get a hairy fuzz pedal with superior midrange scooping and high responsiveness to your picking dynamics. Aside from the EQ, you also get dedicated sliders for Overdrive, Dynamics, Sustain, and Volume, making the Graphic Fuzz a truly comprehensive tone-shaping stompbox.
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Distortion
Electro-Harmonix Little Big Muff Pi
The Little Big Muff Pi takes the well-loved vintage dirt of the Big Muff Pi and crams it all into a modern and pedalboard-friendly compact unit that’s almost half the size of the original. You get the sound and versatility you expect from a pedal sporting the Big Muff name. Dial in your preferred tone with the dedicated Volume, Sustain, and Tone control knobs to serve up some of the sweetest harmonic distortion and creamiest sustain ever produced.
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Boost, Distortion
Electro-Harmonix Metal Muff
As you can tell from its name, the Metal Muff with Top Boost distortion pedal from Electro-Harmonix was built to do one thing: wreak massive metal mayhem. The unique Top Boost feature boosts your signal’s high end, letting you go from rib-rattling rhythm to full-on shred mode with a single stomp. The Metal Muff packs a three-band EQ for shaping your low-end, mids, and top-end just the way you want them, plus it comes with true bypass.
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Distortion
Electro-Harmonix Micro Metal Muff
The Micro Metal Muff Distortion with Top Boost guitar effects pedal from Electro-Harmonix was built to do one thing: wreak the exact same massive metal mayhem as the Metal Muff, but in a smaller, more simplified form. The unique switchable Top Boost feature boosts your signal’s high end, letting you go from rib-rattling rhythm to full-on shred mode. The Metal Muff packs a Tone knob that gives you a 15dB midrange cut or boost, plus it comes with true bypass.
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Distortion
Electro-Harmonix Nano Big Muff Pi
When it comes to fuzz pedals, the Big Muff is the stuff of legend. The Nano Big Muff Pi from Electro-Harmonix lives up to that venerable legacy by packing some of the sweetest harmonic distortion and creamiest sustain ever produced and then cramming it all into a tiny, pedalboard-friendly enclosure that’s ¼ the size of the original. Dial in your preferred tone with the dedicated Volume, Sustain, and Tone control knobs and you can grab a piece of the classic rock Pi that helped turn Jimi Hendrix and Carlos Santana into guitar gods.
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Distortion, Overdrive
Electro-Harmonix OD Glove
In terms of sonic attack, the OD Glove guitar effects pedal from Electro-Harmonix is like a glove filled with sharp rocks. You get a biting, overtone-laden sound that doesn’t get muddy. Onboard MOSFET semiconductors give you a harmonically rich sound that goes from a subtle clean boost to saturated high-gain distortion, while a Shift switch gives your mids a boost for additional punch. There’s also an internal 9V/18V switch that lets you pick between a looser or a more focused tone.
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Distortion
Electro-Harmonix Pocket Metal Muff
The Pocket Metal Muff from Electro-Harmonix packs the full, overwhelming sonic power of the Metal Muff but crams it all into a smaller, more simplified stompbox that you can fit in your pocket. Operation is dead simple; dedicated Volume and Distortion knobs handle the tone-sculpting duties while a three-way mid frequencies toggle let you give your mids a variable boost. Power up the Pocket Metal Muff with a 9V battery or an optional AC adapter.
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Chorus, Delay, Distortion
Electro-Harmonix Tone Tattoo
The Tone Tattoo has the versatility, power, and amazing sound to match its awesome looks. This analog multi-effects pedal combines three of Electro-Harmonix’s most popular analog stompboxes—the Memory Toy delay, the Neo Clone chorus, and the Metal Muff distortion—into one compact and easy-to-use unit. Each effect gets its own dedicated footswitch and control knobs for maximum tone-sculpting pleasure, plus there’s a new built-in noise gate for cutting down on the unwanted buzzes, hisses, and hums.
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Distortion
ElectroHarmonix Green Russian Big Muff
The legend returns! It’s smaller now, but the new Green Russian Big Muff Pi still packs the same terrifying amount of fuzzed-out power that made the original a mid-‘90s favorite. Dedicated Tone, Sustain, and Volume knobs give you full control over all the growling aggression contained in the Green Russian. Aside from the size and knob placement, this compact and pedalboard-friendly stompbox is a very faithful reissue, from the sound down to the vintage-correct army green paint.
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Boost, Distortion, Overdrive
Emerson Custom Pomeroy
Emerson Custom’s Pomeroy loads a highly customizable overdrive and powerful boost into a pedalboard-friendly, pure analog stompbox. Its overdrive side features six clipping options so you can tweak it to your liking, while the boost side is capable of up to 24dB of clean, full-range gain. The Pomeroy is an excellent choice because of its massive headroom and handy options. You may use the overdrive and boost circuits individually or together. Regarding flexibility, comfort, and power, the Pomeroy is tough to beat.
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