Bass
Showing 121–160 of 179 results
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Bass, Overdrive
Nux Scream Bass
The Scream Bass from NUX is an analog overdrive designed specifically for bassists. It features an analog circuit to guarantee the natural overdrive tone. It consists of simple Low, High, Level, and Gain knobs that make it convenient to use and allow you to get the tone from overdrive to fuzz. The Scream Bass also features a true bypass design. It gives you a broad tonal range from light overdrive to fuzz. The Blend control lets you balance overdrive and dry signals.
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Bass
Origin Effects Cali76 Compact Bass
Cali76 is a large, gorgeous compressor pedal that provides studio-grade 1176-esque compression leveraging a distinct Class-A circuitry that stays true to the original’s topology and design philosophy. The Origin Effects Cali76 Compact Bass shares the features, pedigree, and performance of its big brother, plus parallel compression and a sidechain filter optimized for bass. It comes in a package a third of the Cali76 Standard’s size. It boasts a pure Class-A discrete signal path for low-noise and transparent performance.
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Bass, Overdrive
Pigtronix Bass FAT Drive
Building on the FAT Drive’s tremendous success, Pigtronix is delighted to announce its Bass FAT Drive. It has been fine-tuned for low-end muscle and grind. It slams your amp with a pure analog, tube emulated overdrive ranging from warm and soft to splendid high gain apocalyptic thunder. Use the Bass FAT Drive in front of your solid-state amp or DI, and it will impart a round, natural depth to your bass tone. The Bass Fat Drive utilizes Pigtronix’s CMOS clipping concept to shape a larger-than-life sound that breaks up depending on how you hit your strings.
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Bass, Compressor
Pigtronix Philosopher Micro Bass Compressor
The Philosopher Bass Compressor Micro by Pigtronix loads the iconic Philosopher’s Tone compressor circuit into a compact stompbox format designed for bassists. It consists of Sustain, Blend, Volume, and Grit knobs. Use the Sustain control to adjust the compression threshold to achieve anything from mild peak limiting to endless clean sustain, all with an unbelievable low-end response. The Blend knob lets your instrument’s clean sound be heard in parallel with the optical compression, while the Grit control mixes in bass distortion. The Philosopher Bass Compressor Micro features true bypass switching and noiseless clean sustain.
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Bass, Preamp
Radial Bassbone OD
Many players, including Bootsy Collins and Victor Wooten, rely on Radial for exceptional tone with or without an amplifier, and same goes with the Bassbone OD. It is a bass preamp pedal that provides you with two instrument input channels that feature passive EQ, level control, and low-frequency filter for sculpting your bass tone. Multiple outputs allow you to feed PA pre/post EQ, send a signal to a pedal, and connect to your amp on stage simultaneously with several instruments.
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Bass, Switching
Radial BigShot EFX
Set up two independent effects loops then add them to your pedal chain as you see fit with the BigShot EFX true bypass effects loop switcher from Radial. Therefore, those tone robbing non-true bypass pedals and noisy pedals that you love to hate can already be utilized and entirely removed from the signal path when you don’t need them. Better yet, when your effects loop is on standby, you can turn on/off pedals at will and ready your sound.
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Bass, Preamp
Radial Tonebone Bassbone V2
The Bassbone V2 from Radial is a dual-channel bass preamp with several modifiable features to fit your playing style and setup while delivering exceptional audio quality perfect for a studio recording or live stage. This bass preamp and DI gives you two channels of bass tone sculpting abilities with separate level knobs, a powerful EQ section, and gain boost function for solos. With the Bassbone V2, you no longer have to sacrifice your tone for convenience. It achieves superb tone onstage and in the studio.
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Bass, Distortion
Rowin Plexion Distortion
Budget guitar effects pedal manufacturer Rowin’s LEF-324 Plexion is basically a Marshall plexi amp stuffed into a tiny pedalboard- and budget-friendly stompbox. It turns your sound into a British flavored beast, running through the gamut from super subtle dirt to rip roaring edge of breakup overdrive with insane sustain. The LEF-324 also features a two-way selector toggle that lets you switch between the warm and full-bodied Normal overdrive mode and a high frequency heavy Bright mode.
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Bass, Delay
Rowin Time Maker
Budget guitar effects manufacturer Rowin’s LTD-02 Time Maker is a heavy-duty workhorse delay pedal. This sturdy and affordable stompbox packs 11 distinct delay effects—Pure, Analog, Tape, Mod, Lofi, Reverse, Reverse Tap, pitch, Tremolo, Tube, and Pingpong—that you can control using a full complement of tone shaping pots. Of its two footswitches, one is dedicated to controlling the tap tempo, hold, and mute functions. It also features up to four seconds of delay time and USB connectivity.
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Bass
Rowin Trill
An optical tremolo stomp that can literally fit in the palm of your hand. The LN-327 Trill nano pedal from budget guitar effects pedal maker Rowin serves up a vintage Fender Twin-inspired pulsating tremolo tone that will add more dimension to your guitar tone. The LN-327 Trill is all undulating waves, whether you’re going for a classic surf rock tone or a more intense and mind bending photoelectric tremolo effect. The LN-327 Trill also comes with an EQ circuit for additional tone shaping options.
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Bass, Compressor
Seymour Duncan Studio Bass
The Studio Bass Compressor by Seymour Duncan is a studio-quality, classic compressor that comes in a simple four-knob format. It is transparent and pairs well with your 805 Overdrive for a tight grind. It consists of an innovative Blend knob and a three-position mini-toggle switch that let you determine the frequency range of the natural uncompressed signal and set the amount of dry versus wet signal routed to the output. The Studio Bass Compressor is designed and assembled in Seymour Duncan’s Santa Barbara, California factory.
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Bass, Distortion
Source Audio Aftershock
The AfterShock Bass Distortion pedal from Source Audio delivers three bass overdrive engines spanning the gamut of low-end crunch from smooth, organic overdrive to full-on fuzz attack. The Tube engine produces a subtle yet powerful classic tube overdrive with plenty of punch and a smooth breakup. Heavy belts out an aggressive scooped sound with thundering lows and ample highs. The Fuzz engine serves up extreme germanium fuzz tones with lots of bottom as well as mucho grit.
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Bass, Distortion, Filter, Midi
Source Audio Soundblox 2 MANTA Bass Filter
The Soundblox 2 Manta Bass Filter from Source Audio boasts 12 meticulously tailored filter effects along with eight distortion variations, a feature never available before in the Soundblox line of filter effects. These styles of distortion are not only crunch or amp simulation; they are configured to work alongside the filter effect selections. The Manta’s filters are controllable by two envelope followers, square, sine, and saw tooth LFO. Similar to its fellow Soundblox 2 pedals, the Manta is compatible with the Hot Hand 3 Wireless Effects Controller, Source Audio Dual Expression Pedal, and MIDI control signals through the Soundblox HUB.
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Bass, Distortion, Midi
Source Audio Soundblox Multiwave Bass Distortion
The Source Audio Soundblox 2 Multiwave Bass Distortion features all the low-end preserving fuzz and distortion tones of the original unit, repackaged in a portable, cast-aluminum chassis. It has 23 non-traditional and traditional synth-esque effects plus a three-band tone control, two user presets, Clean Boost mode, independent Clean and Distortion Mix controls, a three-level noise gate, Universal Bypass, as well as a multi-function input compatible with Hot Hand, MIDI, or the Source Audio Dual Expression Pedal.
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Bass, Filter
Source Audio Soundblox Pro Bass Envelope Filter
The Soundblox Pro Bass Envelope Filter by Source Audio is a revision of its famed predecessor, the Soundblox BEF. In this Pro variant, you can select from four distinct modulation sources, including a passive expression pedal, selectable LFO waveforms, the Hot Hand motion-sensing ring, and standard envelope filter sweeps. You may use the expression pedal input to control filter modulation similar in a standard wah pedal or various parameters including effect selection, sweep range, LFO speed, etc.
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Bass, Distortion, Midi
Source Audio Soundblox Pro Multiwave Bass Distortion
The Soundblox Pro Multiwave Bass Distortion from Source Audio takes the clarity and power of the original Soundblox Multiwave Distortion and tailors it to the bass guitar’s frequency range. It allows bassists to mix complex chords and intervals with distorted tones efficiently—the multi-band processing eradicates the mush and lets every note ring true and clear. The Soundblox Pro Multiwave Bass Distortion includes a one band processing for more conventional distortion sounds. The pedal is suitable for both the stage and studio.
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Bass, Distortion, Midi
Source Audio Soundblox2 Multiwave Bass Distortion
The Source Audio Soundblox 2 Multiwave Bass Distortion repackages all the Soundblox Multiwave Bass Distortion’s low-end retaining fuzz and distortion tones into a portable, cast-aluminum chassis. It gives you 23 non-traditional and traditional synth-esque effects plus two user presets, a Clean Boost mode, individual Clean and Distortion Mix knobs, three-band tone control, three-level noise gate, universal bypass, and a multifunction input compatible with MIDI, Hot Hand, or the Source Audio Dual Expression Pedal. The Soundblox 2 Multiwave Bass Distortion includes both single- and multi-band processing.
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Bass, Midi
Source Audio Soundblox2 OFD Bass microModeler
The Source Audio Soundblox 2 OFD Bass microModeler loads an extensive, low-end enhanced collection of vintage and new distortion, overdrive, and fuzz tones into a stage-ready stompbox designed for bassists of any style. Every effect has been thoroughly created to deliver naturally responsive and precise tones, from extreme fuzz to warm tube overdrive. The Bass OFD boasts very natural modeling of twelve bass specific variants of tones inspired by classic gears like Mesa Boogie preamp overdrive, Big Muff Pi, Fuzz Face, Octavia, Pro Co Rat, Tube Screamer, and Marshall Amplifiers.
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Bass, Distortion, Fuzz, Midi, Overdrive
Source Audio Soundblox2 OFD Guitar microModeler
The Soundblox 2 OFD Guitar microModeler by Source Audio gives you an extensive range of vintage and modern overdrive, distortion, and fuzz tones in a portable, stage-ready enclosure suitable for guitarists of any genre. Every effect was meticulously created to deliver naturally responsive and precise tones, from chunky, warm tube overdrive to exaggerated fuzz. The Guitar OFD serves up twelve noticeably natural tones modeled after favorites, including Mesa Boogie preamp overdrive, Big Muff Pi, Fuzz Face, Octavia, Pro Co Rat, Tube Screamer, and Marshall Amplifiers.
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Bass, Boost, Distortion
T-Rex Bass Juice
Rekindle the joys of injecting juice to your sound with the Bass Juice by T-Rex Engineering. It serves up organic distortion specifically designed for bass. When in normal mode (boost function off), you get an excellent sustain with big bottom and rich creamy overtones. Engaging the boost function takes you to fuzztone heaven. The Bass Juice consists of controls for Gain, Mix, Level, and Tone. The Mix knob allows you to add the perfect amount of distortion to your natural tone.
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Bass, Boost, Overdrive
T-Rex Diva Drive
Based on a solid foundation of the iconic JRC4558 IC overdrive gain, the Diva Drive pedal by T-Rex has been designed to improve your sound instead of replacing it. It provides juice to enhance your sound but preserves the core tone. No matter how you want to beef up your low end or how much gain you add, the Diva Drive will honor your musicianship, personal tone, and gear. It is controllable using the Level, Gain, Tone, and Mix knobs.
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Bass, Chorus
T-Rex Sweeper 2
The Sweeper 2 Bass Chorus by T-Rex Engineering is a strikingly straightforward, intuitively designed pedal that exceptionally yields an exquisite chorus effect for guitar and bass, giving guitarists and bassists of any style an innovative tool for delivering a classic bottom end. The Sweeper is a premium-grade chorus effect equally amazing for bass and guitar. T-Rex upgraded the Sweeper 2’s digital core, hence you get a more beautiful chorus effect regardless of what rate or depth the pedal is set at.
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Bass, Compressor
TC Electronic Spectra Comp
The SpectraComp Bass Compression by TC Electronic is a portable multi-band compressor specifically voiced for bass guitar. Spec’d from the famed MD3 engine from TC Electronic’s System 6000 processor, the pedal delivers transparent and musical compression to tame low-end woof and midrange bark without affecting your dynamics. One-knob compression will have your mind on the music as you perform. An arsenal of signature TonePrint algorithms will keep your creative juices flowing and tones fresh. The SpectraComp boasts studio-quality sounds and a True Bypass output for keeping your input signal clean.
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Bass, Overdrive, Preamp
TC Electronic Spectradrive
The SpectraDrive Bass Preamp and Line Driver packs some of TC Electronic’s most sought-after tone-shaping options: a clean, powerful, modifiable, transformer-balanced DI and an arsenal of intelligent practice features into one enclosure. The four-band EQ makes short work of fixing all tonal deficiencies in your instrument or creating a certain aesthetic. SpectraComp (compression) and TubeDrive (drive/distortion) sections provide you with almost endless options to transform your tone. An inbuilt BonaFide Buffer ensures your signal stays full and bright amid lengthy cable runs.
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Bass, Boost, Fuzz
Tech 21 Bass Boost Fuzz
Hairy fuzz and massive boost for your bass in a single stompbox. The Boost Bass Fuzz from Tech 21 serves up the classic, creamy germanium fuzz tone you need, plus up to 21bD of punchy crystal clear boost via a separate boost section. Dedicated Drive and +Clean pots give you complete control over the wet and dry signal mix, while the Tone control knob lets you sculpt your fuzzed out sound even further. Plug into a Bass Boost Fuzz and go massive.
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Bass, Multi-effects
Tech 21 Bass Fly Rig
The Bass Fly Rig from Tech 21 is a complete bass guitar setup that you can carry around in your backpack. It features four independent effects sections, giving you boost, chorus, compression, and an octafilter in one handy floor unit. The main feature, however, is Tech 21’s renowned SansAmp amp sim system, which means you don’t even have to bring an amp with you to gigs. Just use the Bass Fly Rig’s XLR output to connect directly to a mixer or PA system and you’re good to go.
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Bass, Distortion
Tech 21 dUg Pinnick
Legendary King’s X frontman and bassist Doug “dUg” Pinnick’s signature bass sound, distilled and bottled by Tech 21 into a highly versatile floor unit. The dUg Pinnick DP-3X signature bass pedal is essentially an ultra-compact version of Pinnick’s Tech 21 Ultra Bass 1000 signature head with the ability to dial in the original distortion-heavy bass tone he developed way back in the ‘80s. There’s no better endorsement here than Pinnick’s, who road tested the DP-3X on a European tour and still managed to dial in the tone he wanted no matter the backline.
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Bass, Distortion, Fuzz
Tech 21 Red Ripper
The Red Ripper fuzz box for bass from Tech 21 is more than your bog standard dirt stomp. It is highly responsive to you picking dynamics; the harder you hit your bass strings, the more saturated your tone becomes. Pull back on your attack and you get a smoother sound and heavier lower harmonics. The Red Ripper’s unique R.I.P. pot also lets you dial in a wide range of fuzzed-out bass tones, from vintage hair to octaver fuzz and even through to a Moogie-like synth tone.
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Bass, Overdrive
Tech 21 SansAmp Bass Driver Deluxe
Tech 21 built the Bass Driver Deluxe specifically for the preset-stomping bass player who doesn’t like lugging around too much equipment. It’s positioned as the ultimate weapon for live performing bassists, letting them switch things up onstage, on the fly, whether it be instruments or tone. Each of the Bass Driver Deluxe’s dual inputs can be programmed with three custom tones, or you can use all six for a single instrument. It also features an all-analog signal path, an FX loop, and parallel/tuner out.
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Bass, Overdrive
Tech 21 SansAmp Bass Driver DI V2
If you think Tech 21’s Bass Driver DI is just another direct input box, think again. This SansAmp-powered DI box can serve up everything from vintage tube amp sounds to bright modern slap tones. You get three different outputs which you can connect to power amps, mixers, PA systems, or to other effects pedals. For the Bass Driver DI V2, Tech 21 further enhanced the Bass Driver DI’s tonal versatility with a switch that lets it cover the lower frequency registers of five- and six-string basses.
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Bass, Overdrive, Preamp, Speaker Simulation
Tech 21 SansAmp GT2
Tech 21’s SansAmp amp simulator technology has long been at the forefront of letting musicians dial in their favorite amp tone without needing to lug around that specific amp. The SansAmp GT2 doesn’t just give you a single amp’s signature tone, though; it packs a whole slew of the most sought-after vintage tube and modern amp sounds, from a clean tweed-flavored rhythm to a scream Mesa-style lead tone. Pair the GT2 with a DI box and you’ll forget your amp even existed.
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Bass, Overdrive
Tech 21 SansAmp Programmable Bass Driver DI
The perfect rig-in-a-box for bass players, Tech 21’s three-channel SansAmp Bass Driver Programmable gives you instant and seamless access to three of your favorite bass tones with a single stomp. Don’t mistake this for a cold, sterile-sounding digital pedal; the only thing digital about the Bass Driver Programmable is its programmability. Its sound is all analog, warm, and natural. The Bass Driver Programmable features dedicated Drive, Bass, Treble, Presence, Blend, and Level pots for complete tonal control.
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Bass
Tech 21 VT Bass
Tech 21 has taken their renowned SansAmp system and used it to create the Character Series pedals, stompboxes designed to emulate some of the most highly respected classic amp tones ever heard. These effects pedals aren’t just for guitarists, either, as exemplified by the VT Bass. The VT Bass lets bass players access the massive sound of a full-stack SVT, going from vintage crystal clear clean thumps to more modern, straight up rib rattling booms.
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Bass
Tech 21 VT Bass Deluxe
Tech 21 marries the warm, natural sound of an all analog signal path and the convenience of digital programmability in the SansAmp VT Bass Deluxe. You get two dual inputs for keeping two separate instruments always ready to go, with each input sporting up to three custom tones. You can also use all six for a single instrument. Dial in everything from punchy cleans to rib-rattling distortion and seamlessly switch between them. And since it’s a SansAmp unit, you can dial in your favorite amp tone no matter your current backline.
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Bass
Tech 21 VT Bass DI
Tech 21 has taken their renowned SansAmp system and used it to create the Character Series pedals, stompboxes designed to emulate some of the most highly respected classic amp tones ever heard. These effects pedals aren’t just for guitarists, either, as exemplified by the VT Bass DI. Much like the original VT Bass, the VT Bass DI serves up a massive full-stack SVT sound, with the added versatility of a direct input function that lets you plug straight into a mixer or PA.
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Bass, Equalisation
Tom’sline Bass EQ Mini
Budget guitar effects pedal manufacturer Tomsline’s Bass EQ stomp does exactly what it says on the tin: let you shape the overall EQ and tone of your bass signal. The five EQ bands—62.5Hz, 125Hz, 500Hz, 1KHz, and 4KHz—can each be cut or boosted by up to 18dB. You also get a single Level pot for controlling the overall volume output. Use the Bass EQ to brighten up your sound, build a heftier bottom end, or tame any unwanted frequencies in your signal.
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Bass
Tom’sline Bass Limiter
When you need to keep your bass sound full and steady, you need a limiter to rein in those wayward spikes in volume. The aptly named Bass Limiter from budget guitar effects maker Tomsline does just that. Designed specifically for handling bottom heavy bass signals, the Bass Limiter comes packed with a wide range limiting ratio. It’s low noise, has low power consumption, and has three dedicated pots for keeping any spiking frequencies in line.
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Bass, Reverb
Tom’sline Digital Reverb
Tomsline doesn’t seem to have put much thought into naming their Reverb pedal, but at least the same doesn’t hold true for its capabilities. The Reverb packs three very usable and versatile reverb modes into its tiny chassis: Room, Spring, and Shimmer. For tone sculpting, it features three highly sensitive and wide ranging control pots. Tone controls the reverb effect’s brightness, Mix adjusts the blend of the dry and wet signals, and Decay lets you set the length of the reverb’s decay.
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Bass, Fuzz
Tortuga Bassquatch
Tortuga Effects is keeping things simple with its Classic Series, a hand-made pedal line marked by simpler graphics, simpler effect names, and more affordable price tags. The tone of Tortuga’s Classic pedals, however, are anything but simple. The Bassquatch, as its name suggests, is a bass optimized version of one of Tortuga’s most popular pedals, the Sasquatch fuzz stomp. The same killer fuzz of the Sasquatch, but with a heavier, more aggressive low end that works well with both basses and drop-tuned guitars.
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