Fulltone’s effects pedals are called “tone tools” for a good reason. These pedals were born out of a passion for music, great tone, innovative gear, and a desire to produce bullet-proof products. Fulltone pedals are handcrafted with superior quality components such as customized wire and pots, most featuring true bypass circuitry. The OCD Overdrive is the most popular, but the ’69, Dejavibe, and Fulldrive all stack up to its list of users. Fulltone Musical Products Inc. founder Michael Fuller continuously introduces new pedals, and people keep purchasing them.
Fulltone
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Fuzz
Fulltone ’69 mkII
With a matched pair of germanium transistors powering its top-shelf brand of mean, hairy fuzz, the ‘69 MkII Fuzz pedal from Fulltone has all the vintage vibe you need. You get four knobs for shaping your sound: Input, Fuzz, Contour, and Volume. There’s also an internal switch that lets you control clipping symmetry, harmonics, and tracking. The ‘69 MkII is also very responsive, going from ultra-clean vintage sound to full-on fat and harmonic with a single twist of your guitar’s volume knob.
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Fuzz
Fulltone ’70 BC-108C
There’s no leash that can hold the Fulltone ‘70 BC-108C Fuzz pedal in place. Subtlety is not this pedal’s strong suit; a pair of deliberately mismatched silicon transistors let it howl and snarl and spit out saturated harmonic content–and that’s with the Fuzz dial not even reaching 10 yet! Crank it up to the max and you’ll get some crazy oscillation and weirdness, and if you really want to get all sorts of noisy and experimental, try connecting it to a wah pedal. The ‘70 BC dares you.
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Boost
Fulltone 2B
As tiny as it is, the Fulltone 2B Boost pedal is a true pedalboard workhorse. This single-channel boost pedal spun out of the Full-Drive 3 overdrive and features the same transparency and high headroom that the FD3’s JFET-powered boost channel was known for. The 2B also features a unique unity-gain JFET amp that keeps your signal buffered when the pedal is turned off. You don’t need two boosters–one to set unity gain and another to do the actual boosting. It can handle both jobs by its lonesome.
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Boost, Fuzz, Overdrive
Fulltone Catalyst
The Fulltone CT-1 Catalyst guitar effects pedal is one hardworking stompbox. It does the work of four different pedals: it’s a fuzz, distortion, overdrive, and clean boost pedal in one compact unit. If you use these four effects a lot and need to clear up precious pedalboard space, the Catalyst is the answer to your prayers. And don’t worry about the sound; the Catalyst can serve up gobs of ultra-fat non-compressed crunch, distortion, and fuzz sounds easily sculpted to your tastes via a two-band EQ. A true workhorse.
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Wah-Wah
Fulltone Clyde Deluxe Wah
It’s Fulltone’s popular Clyde Standard wah pedal, but more versatile. The Clyde Deluxe Wah enhances the original Clyde’s Vox-style wah voicings and added a 10-step variable input level control pot and three new selectable modes. You get a Wacked mode, a Jimi mode that recreates the Clyde Standard sound, and a Shaft mode for fighting your way to the top of Funk Mountain. The Clyde Deluxe Wah also features true bypass and is powered by the most authentic and most quiet ’60’s Vox type inductor available.
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Wah-Wah
Fulltone Clyde Standard Wah
Based on the hugely influential Clyde McCoy wahs Vox put out in the late ‘60s, the Fulltone Clyde Standard Wah is an express train to Hendrix-style wah-wah bliss. The Clyde Standard’s circuitry is almost entirely identical to the “Signature” Clyde McCoy wah Jimi Hendrix used on “Electric Ladyland”, down to the ‘60s Vox-type inductor. The only big change is the addition of an internal hand-adjustable bass and gain knob for additional tonal control. The sturdy and versatile Clyde Standard has all the makings of a classic wah pedal with a truly classic sound.
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Vibrato
Fulltone Custom Shop Mini DejaVibe Mk II
Massive Uni-Vibe sound from the smallest Uni-Vibe clone ever. Fulltone cast some weird voodoo magic on the original Mini DejaVibe to make it 30 percent smaller and create the Fulltone Custom Shop Mini DejaVibe Mk II. The Mini DejaVibe Mk II also features a wider range of vibe speeds compared to older Fulltone vibes while retaining its vintage-flavored vibe effects. Also added were a linear-ramping Speed knob, expression pedal support, and twice the available volume of any Uni-Vibe clone.
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Overdrive
Fulltone Custom Shop OCD Candy Apple Red
A limited-run custom version of the Fulltone OCD Obsessive Compulsive Drive guitar effects pedal featuring a hot cherry apple red paint job. Aside from the color, this pedal is all OCD. This small and simple stompbox packs some of the sweetest overdrive tones ever crafted and features unprecedented levels of picking sensitivity; once you’ve dialed in your overdriven tone, you can access a wealth of harmonic characteristics and dynamics simply by changing your picking attack.
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Overdrive
Fulltone Full-Drive
All the classic overdrive tones—and more!—of the popular late ‘90 pre-MOSFET Fulltone Full-Drive II overdrive guitar effects pedal, sans the clean boost channel. With just three face knobs, the Fulltone Full-Drive 1 is as simple as it gets, but the magic lies in a three-way mode switch that lets you dish out overdrive tones based on previous Full-Drive models. It’s like getting three different Full-Drive pedals in one compact chassis that’s the perfect size for bare bones-style pedalboards.
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Boost, Overdrive
Fulltone Full-Drive 2 V2
Juice up your sound with the natural, classic tube-style overdrive tones of the Fulltone Full-Drive 2 V2 guitar effects pedal. Powered by a JRC4558 chip and Fulltone’s classic ’90s Full-Drive circuit, the Full-Drive 2 V2 has enough tone-sculpting power to let you dial in your personal perfect overdrive sound. You get five control knobs, two clipping mode switches, and an extra channel that has its own dedicated Drive and Volume dials and lets you add more gain to what you’ve already set on the first overdrive channel.
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Overdrive
Fulltone Full-Drive 3
Thanks to its highly-successful 20th Anniversary limited run, the black Full-Drive 3 is here to stay. This NOS JRC4558D-powered overdrive guitar effects pedal from Fulltone serves up huge dollops of juicy crunch like it’s going out of style. Three voicings allow you to dish out everything from the ‘90s FD2’s thick, vintage dirt to a wider, more modern transparent sparkle. The Full-Drive 3 also features a discrete JFET clean boost, a germanium diode-based Limiting function for leveling out your tone, and an Order switch that lets you chose whether the Boost channel goes before or after the Overdrive section.
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Boost, Overdrive
Fulltone Fulldrive 3
The Full-Drive 3 is a modern overdrive classic. This NOS JRC4558D-powered overdrive guitar effects pedal from Fulltone serves up huge dollops of juicy crunch like it’s going out of style. Three voicings allow you to dish out everything from the ‘90s FD2’s thick, vintage dirt to a wider, more modern transparent sparkle. The Full-Drive 3 also features a discrete JFET clean boost, a germanium diode-based Limiting function for leveling out your tone, and an Order switch that lets you chose whether the Boost channel goes before or after the Overdrive section.
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Boost, Overdrive
Fulltone Fulldrive2 MOSFET
Get the best of both worlds with the Full-Drive 2 MOSFET dual-channel overdrive and boost pedal from Fulltone. The Overdrive channel can go from a subtle clean boost to a medium-gain overdrive without coloring your core tone. The Boost channel, meanwhile, has its own distortion control for layering extra gain onto your signal for saturated harmonics and screaming sustain. You also get a two-way toggle that lets you choose between a mid-heavy vintage FD2 sound and a more natural flat-mids tone as well as another two-way switch for choosing a clipping mode.
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Distortion, Fuzz
Fulltone Mas Malo
The Fulltone Mas Malo packs the sweet sustain, harmonic warmth, and picking sensitivity that you can expect from a vintage fuzz stomp. This compact and pedalboard-friendly distortion and fuzz guitar effects pedal is also one of the most versatile stompboxes you could add to your pedalboard. One minute it can crank out massive levels of vicious dirt with infinite feedback, and the next it can go full-on warm and natural ala vintage Jimmy Page. No matter the flavor of vintage fuzz, the Mas Malo can dish it out.
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Vibrato
Fulltone MDV3
The Fulltone Mini Vibe MDV-3 Mini DejaVibe 3 vintage rotary guitar effects pedal is the closest you can get to true Uni-Vibe sound without actually selling a kidney to buy a ‘60s-era Uni-Vibe. Fulltone already did the heavy lifting for you with the MDV-3, cloning original ‘60s photocells and using the exact same preamp transistor that old Uni-Vibes used. You get all of the Uni-Vibe’s legendary writhing, undulating pulsations plus more headroom and a wider dynamic range.
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Overdrive
Fulltone OCD
The Fulltone OCD Obsessive Compulsive Drive guitar effects pedal has ignited the obsession of many an overdrive enthusiast since it was first released in 2004. This small and simple stompbox packs some of the sweetest overdrive tones ever crafted. MOSFET clipping and a pioneering hard clipper configuration give the OCD unprecedented levels of picking sensitivity; once you’ve dialed in your overdriven tone, you can access a wealth of harmonic characteristics and dynamics simply by changing your picking attack.
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Overdrive
Fulltone OCD v2 CME Exclusive Limited Edition Black
This is a limited-run colorway for the Fulltone OCD V2 Obsessive Compulsive Drive guitar effects pedal made exclusively for the Chicago Music Exchange. Apart from swapping out the classic cream paint job for black, nothing else was changed. This OCD V2 variant still packs the same sweet, highly responsive tube-style overdrive of the original OCD while adding an output buffer, and enhanced JFET input section, and an internal switch that lets you choose between true bypass and Fulltone’s unique enhanced bypass mode.
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Distortion, Overdrive
Fulltone OCD Version 2.0
The Fulltone OCD Obsessive Compulsive Drive guitar effects pedal has ignited the obsession of many an overdrive enthusiast since it was first released in 2004. There have been many small changes made to the OCD over the years, but the OCD V2 is the OCD’s true next evolution. It packs the same sweet, highly responsive tube-style overdrive of the original OCD and adds an output buffer, and enhanced JFET input section, and an internal switch that lets you choose between true bypass and Fulltone’s unique enhanced bypass mode.
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Fuzz, Octave & Pitch
Fulltone Octafuzz
Few fuzz and octave-up pedals are as legendary as the Tychobrahe Octavia. That same vintage fuzz tone popularized by Jimi Hendrix himself can now be at your feet thanks to Fulltone’s Octafuzz, an exact copy of the Octavia packed into a modern and compact unit. You can use it as a straight-up fuzz pedal or engage the octave-up function for true Octafuzz tone. Other than the original Octavia itself, nothing comes close to creating that classic dirty, otherworldly vibe.
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Overdrive
Fulltone PlimSoul
Most overdrive pedals only have one clipping mode. You either get a bluesy, slightly compressed one with a soft clip or a crunchier hard-clipped one with a higher gain. The Fulltone PlimSoul Overdrive guitar effects pedal gives you both clipping modes in one compact pedal. The PlimSoul’s unique dual-stage clipping circuit not only accurately replicates all of the nuances and complexities of a tube amp, but it also lets you go from a softer, compressed overdrive to classic British crunch.
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Equalisation, Overdrive
Fulltone Secret Freq
Serving up everything from clean boost to overdrive and through to full-on distorted rock tones, the Fulltone Secret Freq Overdrive guitar effects pedal is one versatile stompbox. It’s got all the hallmarks of a classic overdrive stomp; it’s highly dynamic, has a natural tube-style overdrive tone, and is very responsive to picking attack. The Secret Freq also has a secret weapon: a Freq control knob that lets you dial in up to 20db of active, narrow-band midrange for more tone-shaping possibilities.
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Overdrive
Fulltone Soul-Bender
The Soul-Bender Overdrive guitar effects pedal from Fulltone takes its cue from late ‘60s-era classics such as the Colorsound and Vox Series III ToneBenders pedals. That translates to natural, tube amp-style overdrive that you can easily push into the realm of dirty, trashy distortion. The Soul-Bender’s three gain-matched germanium transistors provide all the tube-like saturation, insane sustain, and picking responsiveness you crave, while a wide-ranging tone control lets you sculpt your overdriven sound to your exact liking.
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Tremolo
Fulltone Supa-Trem Jr
The smooth, classic tube amp-style optical tremolo tone and feel of the Supa-Trem ST-1 crammed into a smaller, more modern, and more versatile stompbox. It features a new Half/Double hold feature and three selectable waveforms instead of two: a true Square wave, a modified Sine wave, and a natural, heartbeat-like Warble waveform. The Fulltone Supa-Trem Jr Tremolo pedal also comes with true bypass, tap tempo, an external tap jack, and up to 15dB of boost.
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Tremolo
Fulltone Supa-Trem ST-1
With the Fulltone Supa-Trem ST-1 Tremolo guitar effects pedal, you get a smooth, classic tube amp-style optical tremolo tone and feel minus the annoying ticking sounds thanks to a custom photocell circuit. For real-time tone-sculpting, there’s a half-speed switch that lets you halve or double your tempo on the fly and a Hard/Soft footswitch that you can use to switch between sine and square waveforms. Plus, you can now finally use it as an amazing clan boost right out of the box.
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