The high gain distortion served up by the LEF-301D Dist IV belies its tiny aluminum alloy casing. This distortion pedal from budget guitar effects pedal maker Rowin can throw out everything from aggressive distortion to even more aggressive distortion, thanks in part to a three-way selector switch that lets you toggle between Original, Extra, and Ultra modes. Dedicated Level, Tone, and Distortion knobs provide precise tone shaping and control while a true bypass footswitch keeps your signal quiet while the pedal is disengaged.
Brand: Rowin
Features:
Details: Specifications:
Input:1/4″ Monaural Jack (Impedance:470K Ohms)
Output:1/4″ Monaural Jack (Impedance:10K Ohms)
Power Supply:DC 9V(Plug polarity is Positive on the barrel and negative in the center)
Working Current:6MA
Dimensions:95(D)*45(W)*48(H)mm
Weight:273g(With Box)
Package list:1 x Rowin LEF-301D
EAN: 6163483281480
| Brand | |
|---|---|
| Category |
No pedalboard is complete without some type of overdrive or distortion pedal, and the Behringer OD302 2-Mode OverdriveDistortion pedal lets you have both in just one small stompbox. Keep the Mode dial to the left for pure overdrive, turn it all the way right for head-on distortion, or stay somewhere in the middle for the perfect blend of the two then use the Tone knob to dictate how much bite and brightness you want in your sound.
The Amptweaker TightFuzz Distortion Effect Pedal is sure to incorporate some vintage flavor to your arsenal. Unlike most vintage fuzz boxes with limited controls, the TightFuzz features a Tone control that tames fuzzy edges and Tight control that varies the pick attack from thick and smooth to aggressive and tight. That is especially helpful for tweaking your fuzz tone as some tend to be very flubby on the low end. While most modern fuzz boxes decided to make excessive fuzz tone, Amptweaker chose to create something with several flexible yet usable tones.
Bring the mids back into your heavy metal sound with the Behringer Ulta Metal UM300 Heavy Metal guitar effects pedal. The UM300 doesn’t just fill that middle-frequency-shaped hole in your tone, its dedicated Mid and Mid Frequency dials let you micromanage your mids to an insane degree; just pick a midrange frequency from 200 Hz – 5 kHz and boost or cut it by up to 15 dB either way. Add an extra layer of thick, tube-like distortion to your heavy metal tonal attack with the UM300.
As its name hints, Amptweaker’s FatMetal creates a thick, rich distortion with a warmer overall tone compared to the TightMetal pedal. It is a professional-quality tool packed with valuable features that exhibit an unmatched devotion to practicality and quality. It features Tight, Gain, Tone, and Volume controls. A trio of mini switches lets you select noise gate on/off, normal/thrash tone, and normal/black gain boost settings. FatMetal is among the few metal distortion pedals whose sound does not immediately vanish while performing with a full band.
The FatMetal Pro delivers an assortment of new functions to the earlier FatMetal pedal. This Pro version contains a dual-boost function, three effects loops, and a handy 3-band EQ, which facilitates tone shaping, and still brings the classic Fat-Metal tone curve. The FatMetal Pro is a super high-gain pedal featuring a Smooth switch to temper the highs and Thrash switch to transform the basic tone into a heavier, more mid-scooped one. It is crafted for players who sought a warmer metal tone which works best with brighter guitars and amps.
There are no reviews yet.